Japanese homes and their surroundings,

Mode of access: Internet.

Japanese homes and their surroundings. With illustrations by the author.

Mode of access: Internet.

Judge George W Paul's Japanese house : a case study

In the late 1880s a pre-fabricated Japanese house was shipped from Kobe, Japan, to Brisbane, Australia, and erected in the up-market suburb of New Farm by Japanese tradesmen. This paper is developed from a broader project researching the life of G W Paul, the man who had the house built and subsequently lived in it for the remainder of his life. Paul’s motivation in importing the house represented a unique, but unfulfilled effort to develop a future, hybrid culture for Queensland. This effort took the form of a commercial venture to construct Japanese houses as desirable and climatically suitable dwellings. Against the backdrop of this ambition, this paper presents new research to elucidate and extend previous knowledge, assesses the reception of the house by its nineteenth century Brisbane audience, and considers possible reasons for the limited response which signalled the cancellation of the commercial venture.

Minka - The houses of Japanese imigrants in Ribeira valley, São Paulo,Brazil

O artigo analisa o processo de produção de moradia do imigrante japonês no Vale do Ribeira, na região sul do estado de São Paulo, ocorrido no início do século XX. Partindo do contexto histórico do início da colonização da região e as condicionantes que possibilitaram a criação da colônia, o trabalho busca verificar como foram construídas as casas que, baseados na autoconstrução e tendo a terra e madeira formaram o repertório de quase 500 casas. Põe foco em dois exemplares onde são analisadas a técnica do tsuchikabe e as sambladuras; verificando que mesmo diante das adversidades encontradas na natureza distinta de sua origem construíram casas de elevada qualidade. Os saberes trazidos do extremo oriente foram aplicados e se mesclaram às influências, cabocla, quilombola e europeia que hoje, após um século, representam uma categoria expressiva e variada sob os aspectos construtivo, tipológico e programático.

Architecture Global Aid - Origami Houses (after tsunami houses), Tokyo, Miyagi, Giappone, 2013

This publication approaches the element of the "refuge" by showing several built prototypes designed and built by the author of this Ph.D and Yuko Ono that were effectively used as temporary shelters in Japan by the refugees in 2013. They consist on seven small wooden houses that can float and can also be packed into boxes and used as shelters following natural disasters. This publication explains both in Italian, English, Japanese and through small drawn diagrams the construction of these prototypes thanks to the help group "Architecture Global Aid" created by the author of this Ph.D in Japan (www.facebook.com/architectureglobalaid). Finally, this refuges can be as well seen in pages 660-664 of the Ph.D text were several kinds of architectures for shelters are analyzed. Esta publicación analiza el elemento del ?refugio? a través de varios ejemplos diseñados y construidos por la autora de este doctorado y la arquitecta Yuko Ono que fueron utilizados en la recuperación de Japón en el año 2013. Consisten en siete refugios de madera que pueden flotar y doblarse e introducirse en cajas del mismo material y de este modo, ser extraídos y empleados tras un desastre natural. Esta publicación explica en italiano, inglés, japonés y mediante varios diagramas, la construcción de estos prototipos gracias al grupo de ayuda ?Architecture Global Aid? creado por la autora de este doctorado en Japón (www.facebook.com/architectureglobalaid). Por último, la referencia a la investigación acerca de estos prototipos se puede encontrar en las páginas 660-664 de la tesis doctoral, entre las que se investiga también acerca de otras arquitecturas del refugio.

John La Farge as collector of Japanese art : motivations and reflections

Throughout his lifetime, American artist John La Farge (1835-1910) amassed an enormous collection of art and books. La Farge’s study of art and culture encompassed several genres and aesthetic elements. La Farge has been credited as the first American artist — even prior to James Abbott McNeill Whistler (1834-1903)— to integrate visual elements and cultural awareness of the Far East within his own Western-trained art. Although many scholars have studied La Farge’s art and life from various perspectives, including his interest in Asian art, the object of the present study is solely focused on La Farge’s collecting of Japanese art.

Blurring the lines : how Japanese American internment camps re-defined art and religion's relationship

After the Japanese bombed Pearl Harbor during WWII, anyone of Japanese descent living on the West Coast was placed in internment camps scattered throughout the country. Life inside the camps included many different activities to make life as normal as possible. This study will focus on two intersecting day-to-day activities in particular, the practice of religion within the camps, as well as the creation of art. Art created in the camps was influenced by multiple religious traditions. An analysis of artworks created by professional and amateur artists, interviews and an examination of existing scholarship demonstrates that internment camps created a unique environment for the creation of art. The values of internees reflected the seamless coexistence of Christianity, Buddhism and Shinto in internment camp art.

Architecture of the Landscape and Landscape of the Architecture in Japan. A dialogue between water and earth

It's very difficult in traditional Japanese culture separate the landscape from the architecture. The Japanese architectural culture has its roots in China but soon this culture has developed its own culture and an aesthetic that was the result of a long isolation from the rest of the world. Zen Buddhism and the constant relationship with nature define the main characteristics of Japanese architecture: minimalism and simplicity. The architecture is a perfect balance of harmony, proportion and purity. This paper aims to analyze the cultural roots of the relationship between architecture and landscape in Japan and where the characteristics previously defined are very important for to know the significance of the Japanese architectural thinking.