Petr Eben's oratorio Apologia Sokratus (1967) and ballet Curses and Blessings (1983): An interpretative analysis of the symbolism behind the text settings and musical style

The Czech composer Petr Eben (1927-2007) has written music in all genres except symphony, but he is highly recognized for his organ and choral compositions, which are his preferred genres. His vocal works include choral songs and vocal-instrumental works at a wide range of difficulty levels, from simple pedagogical songs to very advanced and technically challenging compositions. This study examines two of Eben‘s vocal-instrumental compositions. The oratorio Apologia Sokratus (1967) is a three-movement work; its libretto is based on Plato‘s Apology of Socrates. The ballet Curses and Blessings (1983) has a libretto compiled from numerous texts from the thirteenth to the twentieth centuries. The formal design of the ballet is unusual—a three-movement composition where the first is choral, the second is orchestral, and the third combines the previous two played simultaneously. Eben assembled the libretti for both compositions and they both address the contrasting sides of the human soul, evil and good, and the everlasting fight between them. This unity and contrast is the philosophical foundation for both compositions. The dissertation discusses the multileveled meanings behind the text settings and musical style of the oratorio and ballet in analyses focusing on the text, melodic and harmonic construction, and symbolism. Additional brief analyses of other vocal and vocal-instrumental compositions by Eben establish the ground for the examination of the oratorio and ballet and for understanding features of the composer‘s musical style. While the oratorio Apologia Sokratus was discussed in short articles in the 1970s, the ballet Curses and Blessings has never previously been addressed within Eben scholarship. The dissertation examines the significant features of Eben‘s music. His melodic style incorporates influences as diverse as Gregorian chant and folk tunes on the one hand, and modern vocal techniques such as Sprechgesang and vocal aleatoricism on the other. His harmonic language includes bitonality and polytonality, used to augment the tonal legacy of earlier times, together with elements of pitch collections and limited serial procedures as well as various secundal and quartal harmonic sonorities derived from them. His music features the vibrant rhythms of folk music, and incorporates other folk devices like ostinato, repetitive patterns, and improvisation.

1.° Apologia Thomae Basin, Archiepiscopi Caesareensis, anteà Episcopi Lexoviensis, edita anno 1475. ibi multa reperias ad regnum Ludovici XI. Francorum Regis, pertinentia. — 2.° Breviloquium peregrinationis et mansionum XLII. quas in deserto hujus saeculi nequam, habuit Thomas Basin, ambulans per fidem ad speciem et veram terram promissionis : ab eodem editum anno 1488. — 3.° Ejusdem epistola ad Davidem, Episcopum Trajectensem, contra libellum cujusdam Cartusiensis de Remonda, scripta anno 1486. — 4.° Ejusdem libellus de optimo ordine forenses lites audiendi et diffiniendi, ad DD. Petrum de Brezé, magnum Senescallum Normanniae : editus anno 1455.

Colbertinus

1.° Liber cujus titulus : Potestas divitiarum illuminati Doctoris Raymundi Lullii de Insula Majoricarum, divini Philosophi, de compositione lapidis philosophici benedicti : et in eo est optima expositio testamenti Hermetis, patris omnium Alkimistarum. — 2.° Ejusdem clavicula continens scientiam et praxim magisterii philosophici. — 3.° Apologia domni Placidi de Novo, Monachi sancti Benedicti, pro aequè catholica ac piissima Lulliana doctrina ; ad Paulum V. Pontificem maximum. — 4.° Anonymi tractatus de rebus ad alchymiam pertinentibus : italicè.

Baluzianus

Gramatica y apologia de la llengua cathalana

UANL

Exposición del miserere, dado a considerar con cuidado a toda alma devota practica de interior union con Dios, facada de los pfalmos y apologia por la concordia entre la quietud y fatiga de la oración

UANL

Exposición del miserere, dado a considerar con cuidado a toda alma devota practica de interior union con Dios, facada de los pfalmos y apologia por la concordia entre la quietud y fatiga de la oración

UANL

La nuova apologia del Cristianesimo

UANL

Jesuítas e Franciscanos perante a sociedade e religião nipónicas : o caso da Apologia do Japão de Valentim Carvalho

«Perguntei a Anjirô, no caso de eu ir com ele para o seu país, se as gentes do Japão se fariam cristãs. Ele respondeu que as gentes do seu país não se fariam cristãs assim de repente. Disse-me que me fariam primeiro muitas perguntas, que veriam o que responderia, e sobretudo se viveria de acordo com o que dizia.»

São Bernardo: apologia e arte arquitetural

Este artigo busca expor as críticas de Bernardo de Claraval às superfluidades humanas no texto da Apologia, especialmente aquelas referentes à arte arquitetural. em segundo lugar, procura analisar as implicações estéticas do ascetismo cisterciense e bernardiano. As críticas de Bernardo exercem uma influência decisiva na ornamentação e fazem nascer uma nova arquitetura.

Relações de poder em uma acusação de magia no século II d.C: uma análise do discurso Apologia de Apuleio

Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)