Animism in Rainforest and Tundra: Personhood, Animals, Plants and Things in Contemporary Amazonia and Siberia (Book Review)

Animism is a form of traditional spiritual belief that receives welcome treatment here. The observations of Victorian ethnologist travellers on the local peoples they regarded as primitive was analysed by Sir Edward (E. B.) Tylor, in Primitive Culture (1871) which established the working definition of animism followed by later generations of scholars. This came from the observation that non-scientific people did not always draw sharp distinctions between human persons and other entities such as animals, trees and even rocks but imbued these with soul. The latin anima, ‘soul, spirit’ provided the title of what was assumed to be a primitive religion, animism. The study being reviewed recognizes apparent connections within deep history between Siberia and the Amazon, and uses contemporary social anthropology to clarify assumptions about animism. This book on animism in two shamanic cultures explores personhood and the relations in pre-scientific human thought between humans and non-humans, in contexts where non-humans can be regarded as social persons (p.2).

An inquiry into the animism and folk-lore of the Guiana Indians /

"Works of reference" : p. 113-116.

Plasmatic Transformation

The session examines the role of the metaphysical and physical in art and animation and how this relates to natural spaces. Soviet Russian film director and theorist Sergei Eisenstein saw animation as possessing an ability called “plasmaticity”, the capacity for a being to assume any conceivable form dynamically. He saw each being as “primordial protoplasm, not yet possessing a ‘stable’ form, but capable of assuming any form” (Eisenstein 1989, 21). He was enamoured by the capacity of animation to transform and be liberated, of being able to escape from a fixed and static identity—to embody a "rejection of the once-­‐and-­‐forever allotted form" in which we are held (Eisenstein 1989, 21). Czech Surrealist animator Jan Švankmajer uses a metaphysical approach based on a belief in animism to art and animation. He believes that objects possess a conscious life or spirit, he says ‘Objects conceal within themselves the events they’ve witnessed. I don’t actually animate objects. I coerce their inner life out of them.’ (Švankmajer in Imre 2009, 214) In this animistic world there are no boundaries or rules, no physical or conceptual restrictions; anything is possible, with inanimate objects and places able to become animate and transact in a conscious relationship with humans and each other. This session invites artists, animators and theorists to discuss their conceptions and approaches to using visuals to promote and provoke transformation.

Caminhos de Mia Couto: estratégias narrativas em torno da paisagem moçambicana

A obra romanesca de Mia Couto é o objeto da investigação desta tese, ponto de partida para tentar compreender a contribuição do autor na afirmação do romance africano e na reconstrução da identidade de seu país, Moçambique. Para tanto, o estudo discute a importância da revelação de uma paisagem oculta ao leitor, de matriz cultural e complexo entendimento. O capítulo que traz esta análise mostra como a obra retrata as condições históricas e políticas de dominação, desigualdade, identificando aqui e lá um tom levemente engajado na escrita miacoutiana, tanto quanto suas posições ideológicas, suas denúncias. Entre os temas mais destacados na obra está o animismo africano que dá origem a uma série de circunstâncias sobrenaturais nos enredos, como uma lembrança constante: em África, os espíritos estão por toda a parte, mantendo intensa relação com os vivos. Em torno da questão, a tese discute o fato de parte da crítica classificar a obra por gêneros como o Realismo Mágico, o Maravilhoso e o Fantástico. Também são investigadas as estratégias narrativas deste autor, suas opções regulares na composição de enredos, personagens, nomes de personagens e epígrafes. Com base nessas marcas e em outros traços comuns a todos os seus romances talvez presentes igualmente em seus contos descobre-se a adequação entre a criação de um sistema de pensamento dicotômico, que atravessa a obra, e estruturas frasais que revelam algo significativo: os romances de Mia Couto são propositivos, especialmente quando convidam o leitor ao movimento constante de questionamento de suas próprias certezas

Mesons: ontologia

Este trabalho se intitula Mesons e propõe descrever e fundamentar uma nova teoria: a mesologia. Trata-se de uma teoria geral dos meios [mesons] e das mediações, uma ontologia dos meios, poderíamos dizer, cujo intuito é fornecer parâmetros conceituais para a compreensão de fenômenos bastante heterogêneos, sejam eles de ordem cultural ou natural, física ou metafísica. Essa abrangência é possível porque a mesologia se apoia em princípios cosmológicos e ontológicos para se fundamentar. Nesse sentido, um dos princípios fundamentais em torno dos quais a teoria dos mesons se articula é o binômio finito-infinito, entendido a partir da ontologia e da cosmologia. Por isso, esta tese leva o subtítulo de Ontologia, pois pretende delinear as premissas metateóricas elementares dessa teoria. Portanto, este é um trabalho eminentemente metaempírico, cujos objetos material e formal coincidem em um mesmo objeto conceitual: a demarcação epistemológica do conceito de mesons, bem como a exploração de diversos fenômenos que possam ser descritos e agenciados pela mesologia. A partir deste núcleo primário que é a definição da ontologia dos mesons, uma série de outros conceitos se dissemina, centrais para a compreensão da mesologia como um todo: mesons, meios, ser, vida, sapiens, ontologia, cosmologia, infinito, finito, heterarquia, heterogênese, antropia, antropofanias, antropogemas, transumano, holografia, holograma, mereografia, mereograma, pluriontologias, transferência, animismo, imaginal, tempestade, entre outros. Obviamente não pude analisar e estabilizar todos esses conceitos neste trabalho. E se não o fiz é também porque imagino este trabalho dedicado a delinear o ser dos mesons, ou seja, a ontologia dos meios, como o primeiro volume de um projeto maior, em diversos volumes, intitulado Mesons, e que abordará outros conceitos e outras noções, tais como cosmo, vida, forma, morte, sexualidade, em suas determinações e especificidades propriamente mesológicas.

Prawa człowieka w kontekstach kulturowych

The power of human rights idea and its expansion are connected with the experience of so far unprecedented pain and cruelty caused by man to man during the Second World War. Doctrine of legal positivism strenghtened totalitarian systems. One of the essential goals that were set by totalitarian systems was ethnic cleansing within both one’s and subjugated communities. To achieve this goal, concentration camps were established. This Second World War’s events gave raise to a question: does the common morality of the whole mankind exist? The Nuremberg Trials based on conviction that this common morality of the whole mankind exists. In this lawsuits Nazis were on trials for mass murder and crimes against humanity despite the fact that this crimes did not exist as a criminal offences in international law of that time. Lawyers of Nazis argued that their clients should not have been on trials for crimes against humanity because the rule “lex retro non agit” (“the law does not operate retroactively”) should have been in force. International Military Tribunal dismissed this argument – it was stated they tried Nazis are responsible for acts resulting from breach of the natural law. Therefore, the primacy of natural law over civil law (was approved and they admitted that morality and law are essential components of international reality. Since The Nuremberg Trials, the process of making international relations more ethical proceeded consistently through positivisationi.e. introducing human rights ideas to civil law (this issue is included in the Part I of the book: Positivisation of human rights idea). In this way, contemporary human rights as civil law arose, established on the basis of international agreement. Using them in order to legitimize and validate humanitarian interventions undertaken in various parts of the world became the common standard. However, positivisation of human rights idea did not mean that one common paradigm was accepted. Many interpretation of human rights arose and many new human rights formed in concrete cultures. It gives raise to a question about validity of interventions especially in the context of cultural differences in various parts of the world that influence perception, understanding and interpretation of human rights (this issues are discussed in Part II of this book). At present human rights are not only relativized to cultural contexts but undergo semantic changes as a result of globalisation process as well (Part II of the book: Human rights idea vs globalisation). Moreover, the propositions of establishing institutions and global structures that would strengthen human rights idea appear, interalia new propositions of citizenship defining (ujmowanie jako definiowanie)in response to a decreasing role and significance of nation states in the age of globalization. The idea of human rights dominated present-day law, culture and daily life both in local and global dimension. Human rights issue became essential for philosophy, especially political philosophy.

L’ontologie du non-humain en Amazonie selon les écrits de Philippe Descola et d’Eduardo Viveiros de Castro

Le non-humain et son ontologie sont définis dans ce mémoire en fonction des écrits de Philippe Descola et d’Eduardo Viveiros de Castro, deux figures-clés en anthropologie contemporaine sur l’Amazonie. L’animisme de Descola prête aux non-humains une intériorité humaine et les différencie par leur corps. Le perspectivisme de Viveiros de Castro, quant à lui, suppose que les points de vue différents créent des mondes et établissent ce qui est humain ou non. L’humain correspond au sujet cosmologique à la position pronominale de la première personne du singulier, ou « I », au sein d’une relation. De la sorte, un non-humain se perçoit comme un humain à cette position pronominale « I » et voit l’Autre à la position pronominale « it », position du non-humain. Dans ces deux ontologies, le non-humain est conçu comme une personne capable d’agir dans les mondes. La diversité des êtres inclus dans cette ontologie relationnelle est démontrée par des illustrations provenant de l’ethnographie achuar et araweté de ces deux auteurs. Puis, les relations de parenté, d’alliance et de prédation que les non-humains tissent entre eux et avec les humains exposent l’homologie des rapports non-humains avec les rapports humains. Finalement, l’analyse des méthodes de communication entre le non-humain et l’humain élucide comment la reconnaissance du non-humain dans une communication permet le traitement de ces êtres en tant qu’humains. Le non-humain ne serait donc pas un sujet permanent, mais temporaire le moment de l’interaction.

Finality revived: powers and intentionality

Proponents of physical intentionality argue that the classic hallmarks of intentionality highlighted by Brentano are also found in purely physical powers. Critics worry that this idea is metaphysically obscure at best, and at worst leads to panpsychism or animism. I examine the debate in detail, finding both confusion and illumination in the physical intentionalist thesis. Analysing a number of the canonical features of intentionality, I show that they all point to one overarching phenomenon of which both the mental and the physical are kinds, namely finality. This is the finality of ‘final causes’, the long-discarded idea of universal action for an end to which recent proponents of physical intentionality are in fact pointing whether or not they realise it. I explain finality in terms of the concept of specific indifference, arguing that in the case of the mental, specific indifference is realised by the process of abstraction, which has no correlate in the case of physical powers. This analysis, I conclude, reveals both the strength and weakness of rational creatures such as us, as well as demystifying (albeit only partly) the way in which powers work.

Primitive culture: researches into the development of mythology, philosophy, religion, art, and custom,

Mode of access: Internet.

Animismo e spiritismo.

Bibliographical footnotes.

The religion of the Teutons /

Bibliography: p. 417-463.

A Naturalist Abroad in the Museum of Ontology : Phillipe Descola's Beyond Nature and Culture

Peer reviewed