Alfonso XIII, rey de España, y el mundo impío, ó sea, Cuba a los Yankees : (carambolas por contratabla) : poema /

Mode of access: Internet.

Les étapes de la royauté d'Alphonse XIII

Mode of access: Internet.

History of the reign of Philip the Second, King of Spain /

Contiene: Vol. 1 (1857. XXIII, 322 p.) -- Vol. 2 (1857. XI, 316 p.) -- Vol. 3 (1859. XII, 252, 24 p.)

A voyage to South America; describing at large the Spanish cities, towns, provinces, &c. on that extensive continent: undertaken, by command of the king of Spain, by Don George Juan, and Don Antonio de Ulloa ... Translated from the original Spanish; with notes and observations; and an account of the Brazils.

The account of the scientific work of the expedition, written by Jorge Juan y Santacilia, was published separately, Madrid, 1748, under title: Observaciones astronomicas, y phisicas hechas ... en los reynos del Perú ... It is not included in this translation.

The history of the reign of Phillip the Third, king of Spain /

Includes bibliographical references.

The history of the reign of Philip the Third, king of Spain.

Mode of access: Internet.

The history of the reign of Philip the Second, king of Spain.

Mode of access: Internet.

The history of the reign of Philip the Third, king of Spain

1st ed., 1783.

The history of the reign of Philip the Third, king of Spain /

"Index to the history of the reign of Philip the Second" : p. [270]-282.

The history of the reign of Philip the Third, King of Spain.

Mode of access: Internet.

History of the reign of Philip the Second, king of Spain.

Mode of access: Internet.

Philip II. of Spain.

"First edition 1897. Reprinted 1899."

Environment and health with respect to a poverty-related disease: the epidemiology of trachoma in Spain, 1925-1941

Trachoma currently represents one of the three main causes of ‘avoidable' blindness and reaches intolerable dimensions in many developing countries. It was endemic in many regions of eastern Spain until well into the twentieth century. The aim of this paper is to analyze the epidemiological development of this disease in contemporary Spain; to examine its determining factors, particularly environmental and sanitary/health factors, and, finally, to study the health care, environmental and socio-economic measures that led to its control and eradication. We believe that the historical approach not only highlights the role of environmental factors in the development of trachoma, but may also aid in understanding the current epidemiology of trachoma.

Biography of the principal sovereigns of Europe who have reigned since the French Revolution : adorned with portraits of Their Majesties the King of Great Britain, the Emperors and Empresses of Austria and Russia, the Kings of Bavaria, Denmark, France, Netherlands, Portugal, Prussia, Sardinia, Saxony, Spain, Sweden, Two Sicilies, Wurtemberg, and the Grand Signior.

Mode of access: Internet.

King of the Renaissance: Art and Politics at the Neapolitan Court of Ferrante I, 1458-1494

In the second half of the fifteenth century, King Ferrante I of Naples (r. 1458-1494) dominated the political and cultural life of the Mediterranean world. His court was home to artists, writers, musicians, and ambassadors from England to Egypt and everywhere in between. Yet, despite its historical importance, Ferrante’s court has been neglected in the scholarship. This dissertation provides a long-overdue analysis of Ferrante’s artistic patronage and attempts to explicate the king’s specific role in the process of art production at the Neapolitan court, as well as the experiences of artists employed therein. By situating Ferrante and the material culture of his court within the broader discourse of Early Modern art history for the first time, my project broadens our understanding of the function of art in Early Modern Europe. I demonstrate that, contrary to traditional assumptions, King Ferrante was a sophisticated patron of the visual arts whose political circumstances and shifting alliances were the most influential factors contributing to his artistic patronage. Unlike his father, Alfonso the Magnanimous, whose court was dominated by artists and courtiers from Spain, France, and elsewhere, Ferrante differentiated himself as a truly Neapolitan king. Yet Ferrante’s court was by no means provincial. His residence, the Castel Nuovo in Naples, became the physical embodiment of his commercial and political network, revealing the accretion of local and foreign visual vocabularies that characterizes Neapolitan visual culture.