Alceste's Return

A sequel to Moliere's drama, "The Misanthrope." As of January 2015, it had been selected as a semi-finalist in the AACT playwriting competition. If selected as a finalist, it will be performed in 2016 and published with Dramatist Play Service.

Alceste: o heroísmo no sacrifício ou o sacrifício do heroísmo? (uma leitura da Alceste de Eurípedes)

O presente artigo tem por objetivo tentar levantar alguns problemas do texto Alceste de Eurípides, levado à cena por volta de 438 a.C. em Atenas. No estudo aqui estabelecido, tenta-se primeiramente verificar como se configura o herói no mundo grego (tendo como base os textos de Homero e os textos de Calino e TirtBu, poetas líricos); depois, verifica em que medida é possível considerar uma heroína a figura de Alceste na Alceste de Eurípides, ou seja, verifica como se confere este estatuto à mulher. Também se discute como a noção de sacrifício entra na noção de heroísmo, sobretudo na figuração heróica da mulher.

A cena de agón na Alceste de Euripides

In this study, I examine the agon scene in Euripides' Alcestis. The agon is placed in the 4th episode, when Alcestis' corpse has recieved all preparations for the funeral, and Admeto has already accomodated Heracles in the palace, without telling him, however, about the last occurrences. This episode is the biggest of the play with 360 verses, what could cause the prolongation of the action and consequently the decline of the emotional tonus. Nevertheless, Euripides has composed this episode with very diversified elements, that it could be divided in scenes, what confers certain agitily to the events succession that accelerates the end of the play. I took as basis the commentaries by A. M. Dale and by L P. E. Parker, and whenever necessary, I have also recurred to the James Diggle?s and D. J Conacher?s editions. Another important text for the present discussion of the agon in Alcestis is the book by Michael Lloyd, The Agon in Euripides

A cena de agón na Alceste de Euripides

In this study, I examine the agon scene in Euripides' Alcestis. The agon is placed in the 4th episode, when Alcestis' corpse has recieved all preparations for the funeral, and Admeto has already accomodated Heracles in the palace, without telling him, however, about the last occurrences. This episode is the biggest of the play with 360 verses, what could cause the prolongation of the action and consequently the decline of the emotional tonus. Nevertheless, Euripides has composed this episode with very diversified elements, that it could be divided in scenes, what confers certain agitily to the events succession that accelerates the end of the play. I took as basis the commentaries by A. M. Dale and by L P. E. Parker, and whenever necessary, I have also recurred to the James Diggle?s and D. J Conacher?s editions. Another important text for the present discussion of the agon in Alcestis is the book by Michael Lloyd, The Agon in Euripides

A cena de agón na Alceste de Euripides

In this study, I examine the agon scene in Euripides' Alcestis. The agon is placed in the 4th episode, when Alcestis' corpse has recieved all preparations for the funeral, and Admeto has already accomodated Heracles in the palace, without telling him, however, about the last occurrences. This episode is the biggest of the play with 360 verses, what could cause the prolongation of the action and consequently the decline of the emotional tonus. Nevertheless, Euripides has composed this episode with very diversified elements, that it could be divided in scenes, what confers certain agitily to the events succession that accelerates the end of the play. I took as basis the commentaries by A. M. Dale and by L P. E. Parker, and whenever necessary, I have also recurred to the James Diggle?s and D. J Conacher?s editions. Another important text for the present discussion of the agon in Alcestis is the book by Michael Lloyd, The Agon in Euripides

Musical scenes to an English play called Alceste. [music] /

Original work composed in 1750 for a play by Tobias Smillett.

Alceste : opera en trois actes avec accompagnemente de pianoforte /

Mode of access: Internet.

L'énigme d'Alceste : nouvel aperçu historique, critique et moral sur le XVIIe siècle, avec un portrait inédit de Moleère /

Mode of access: Internet.

Alceste à la campagne; ou, Le misanthrope corrigé, comédie en trois actes en vers. Microform

Mode of access: Internet.

Narrative of a voyage, in His Majesty's late ship Alceste, to the Yellow Sea : along the coast of Corea, and through its numerous hitherto undiscovered islands to the island of Lewchew, with an account of a shipwreck in the Straits of Gaspar /

Shaw & Shoemaker

Alceste: tragédie

de Lully.

Aprendizaje, intereses coloniales y sociedad. Los viajes de la fragata de guerra Alceste de la Marina Francesa por Canarias, 1881-1883

La singular ubicación de las Islas Canarias en la ruta atlántica utilizada por las potencias europeas en el recorrido hacia sus colonias durante el siglo xix llevó a una estrecha relación de la sociedad canaria con países como Reino Unido, Alemania o Francia. El país galo mostró un especial interés por contar con bases marítimas en las Islas. Los distintos viajes de la fragata Alceste comandada por el almirante De Cuverville durante los años 1881 a 1883 muestran la importante situación estratégica de las Islas, las claras intenciones de la nación francesa para con ellas y la aceptación social canaria.