994 resultados para Afro-American Religion
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The reports on the occurrence of African planorbids in South America and of South American species in Africa and Asia are reviewed.
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Includes index.
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Mode of access: Internet.
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"The Colored American, Washington, D.C., a national Negro newspaper." [1893-1904?].
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Les pratiques religieuses dans les pays de l’Atlantique Nord se transforment et on observe pour une partie de leur population le passage d’un « croire institutionnalisé » à une spiritualité influencée par diverses traditions, dont certaines ont fait leur apparition sur ce territoire au milieu du 20e siècle. Le présent mémoire vise à mettre en lumière une des facettes de la diversité religieuse contemporaine; suite aux questionnements qui ont surgi au long du travail, il aborde aussi certains enjeux sous-jacents à l’analyse d’un groupe religieux en anthropologie, notamment comment aborder le terrain et comment considérer un tel groupe. J’ai choisi pour ce faire de décrire un groupe religieux québécois qui est lié à un culte afro-brésilien – l’umbanda– et qui est membre d’un réseau transnational de temples. J’examinerai d’abord comment l’umbanda s’est développée au Brésil, car cela fournira des indications pertinentes sur, entre autres choses, l’éventuelle perméabilité de cette tradition, une fois le groupe implanté dans un pays de l’Atlantique Nord. J’examinerai ensuite le type de transnationalisation qui a présidé à la naissance du temple à Montréal, car cette analyse offre des indices permettant de déterminer comment un tel groupe s’insère dans le paysage religieux de divers pays. Enfin, en me penchant sur les pratiques religieuses des membres du groupe, je tenterai de dégager certaines particularités locales.
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Pós-graduação em Ciências da Motricidade - IBRC
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To be or not to be (of candomblé)? – aspects of Afro-Brazilian religious field in the theater play Balbina de Iansã, by Plínio Marcos. In 1970, the playwright born in Santos-SP Plínio Marcos writes and directs the spectacle Balbina de Iansã, an adaptation (in form of a musical) from Romeo and Juliet, by Shakespeare. The action happens in a candomblé yard, managed authoritatively by a Mãe-de Santo, who tries to prevent the young protagonist couple’s love. This study analyzes the representation of some rites and principles of Afro-Brazilian religion in the play, especially concerning the critique of the relations of power that exist in the yards of São Paulo.
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This issue, edited by LACC Director of Research and Colombian Studies Institute Director, Ana Maria Bidegain, presents today’s Latin American and Caribbean religious landscape through different lenses: country profiles (Brazil, Mexico, and Colombia); sub-regional monographs (River Plate and the Caribbean); vignettes on the evolution of particular religious denominations (Christian, Islamic, and Judaic), communities (indige- nous Pentecostals) and practices (New World African religion). The feature article, authored by leading US expert on Latin American religion, Daniel Levine, examines the relationship between religion and politics in the region after thirty years of democratic rule. Different perspectives are represented: from the North and South of the Americas, as well as Europe.
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Historical archaeology, in its narrow temporal sense -as an archaeology of the emergence and subsequent evolution of the Modern world- is steadily taking pace in Spanish academia. This paper aims at provoking a more robust debate through understanding how Spanish historical archaeology is placed in the international scene and some of its more relevant particularities. In so doing, the paper also stresses the strong links that have united historical and prehistorical archaeology since its inception, both in relation to the ontological, epistemological and methodological definition of the first as to the influence of socio-political issues in the latter. Such reflection is partly a situated reflection from prehistory as one of the paper’s authors has been a prehistorian for most of her professional life.
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The status, roles, and interactions of three dominant African ethnic groups and their descendants in Cuba significantly influenced the island’s cubanidad (national identity): the Lucumís (Yoruba), the Congos (Bantú speakers from Central West Africa), and the Carabalís (from the region of Calabar). These three groups, enslaved on the island, coexisted, each group confronting obstacles that threatened their way of life and cultural identities. Through covert resistance, cultural appropriation, and accommodation, all three, but especially the Lucumís, laid deep roots in the nineteenth century that came to fruition in the twentieth. During the early 1900s, Cuba confronted numerous pressures, internal and external. Under the pretense of a quest for national identity and modernity, Afro-Cubans and African cultures and religion came under political, social, and intellectual attack. Race was an undeniable element in these conflicts. While all three groups were oppressed equally, only the Lucumís fought back, contesting accusations of backwardness, human sacrifice, cannibalism, and brujería (witchcraft), exaggerated by the sensationalistic media, often with the police’s and legal system’s complicity. Unlike the covert character of earlier epochs’ responses to oppression, in the twentieth century Lucumí resistance was overt and outspoken, publically refuting the accusations levied against African religions. Although these struggles had unintended consequences for the Lucumís, they gave birth to cubanidad’s African component. With the help of Fernando Ortiz, the Lucumí were situated at the pinnacle of a hierarchical pyramid, stratifying African religious complexes based on civilizational advancement, but at a costly price. Social ascent denigrated Lucumí religion to the status of folklore, depriving it of its status as a bona fide religious complex. To the present, Lucumí religious descendants, in Cuba and, after 1959, in many other areas of the world, are still contesting this contradiction in terms: an elevated downgrade.
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El trabajo a continuación tiene como objetivo mostrar cómo la música ha estado ligada al afroamericano desde su llegada al continente Americano en 1800, y cómo ha sido usada para lograr una transformación político-social que permitiría alcanzar la igualdad de trato en Estados Unidos durante la mitad del siglo XX. Se observará la evolución del Blues desde sus raíces y la introducción del R&B como expresión de pensamiento, ideas y experiencias utilizado por The Black Panther Party en la escena social negra de la época. Para lograr el objetivo anteriormente mencionado, se utilizará la Teoría de Campos de Pierre Bourdieu, junto con los conceptos de Capital y Habitus.
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This paper reports a rare case of acute severe orbital abscess manifested 2 days after a facial trauma without bone fracture in a 20-year-old Afro-American female. The symptoms worsened within the 24 h prior to hospital admission resulting in visual disturbances such as diplopia and photophobia. The clinical findings at the first consultation included fever, periorbital swelling and redness, ptosis, proptosis and limitation of ocular movements upwards, downwards, to the right and to the left. Computed tomography scan showed proptosis with considerable soft tissue swelling on the left side and no fracture was evidenced in the facial skeleton, including the zygomatic-orbital complex. After hospital admission and antibiotic therapy intravenously the patient was conducted to the operation room and submitted to incision and drainage under general anesthesia. The orbit was approached thorough both eyelids and the maxillary sinus was reached only through the Caldwell-Luc approach. The postoperative period was uneventful and the rapid improvement of symptoms was remarkable. Visual acuity and ocular motility returned to the normal ranges within 2 days after the surgical intervention. After 12 postoperative days, the patient presented with significative improvement in the ptosis and proptosis, and acceptable scars.