980 resultados para 7th Sunday in Easter


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"... Four hundred and fifty copies have been printed on Van Gelder hand-made paper ..."

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Mode of access: Internet.

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Goldsmiths'-Kress no. 25495.

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A new examination of the textile fragments found in the Merovingian burials in the basilica of Saint Denis, near Paris, has recently underscored the diversity of fabrics used to make garments in which members of the royal court were buried. Among them, some woolens of fine quality had been dyed with indigotin. The most astonishing fibre found belongs to a mixed textile (not skin) with beaver fibers and wool. Silks contained shellfish purple and in one case kermes? Two dyestuffs associated with royalty and privilege. Along with this was large number of gold threads, probably produced locally and that were used in tablet-woven borders or for embroideries. In addition, several figured silks, of oriental origin, testify to the importance of this "foreign" material and the taste for textiles woven with complex techniques and probably what had originally had beautiful designs. Although none of these designs have been preserved and many colors have been greatly damaged, the technical characteristics of the remnants indicate proveniences as far as Byzantium, Sassanid Persia and the Chinese court. Such precious textiles show the high social status and political power of the Merovingian court, a testament to their ability to access such luxurious and costly textiles through diplomacy and/or trade with other powerful empires. The examination of these rare textiles along with other fine silks and luxury objects from the same period found in France expand our view of the fundamental role of textiles in the political sphere of this early period of European history.

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Salpassa denotes the blessing of houses, land, and other belongings, carried out during Easter week and Resurrection (Easter) Sunday in the Valencia–Catalonia linguistic region of north-eastern Spain. Although it is now remembered mostly as a consecrating ceremony or a religious rite, recent field research has shown that a playful element, carried out by children through their songs and other activities, was also an important aspect of the traditional Salpassa.

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[1st]-6th ser.: modern red cloth. 2d ser., no. 13; 4th ser., no. 7, 11-20; 5th ser., nos. 6 & 7: original wrappers.

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La vie et la mission de Sainte Faustyna Kowalska (1905-1938) ont donné naissance à une grande dévotion envers la Divine Miséricorde à Cracovie en Pologne. La nouveauté du message de la Miséricorde par rapport aux autres dévotions de l’Église Catholique se situe notamment sur le plan du visuel, du langage et des rituels. C’est dans le contexte de la Seconde Guerre mondiale qu’il faut situer sa propagation à travers le monde. Elle fut introduite au Canada en 1957 par deux dames de la noblesse polonaise immigrées. C’est dans la paroisse de Notre-Dame des Sept Douleurs à Verdun où se situe l’Œuvre de Jésus Miséricordieux que nous nous intéressons au développement de la vie spirituelle des dévots de la Divine Miséricorde; c’est-à-dire aux différentes croyances, rituels et pratiques religieuses qui mettent l’accent sur le corps, la pensée, les émotions et l’esprit. Les pratiques du corps, les postures, les mouvements, les manières de se concentrer, sont autant de moyens qui conduisent les dévots à des expériences spirituelles et des moyens qui y mènent à travers des rituels de prière qui mobilisent le corps qui est une dimension essentielle de l’expérience religieuse. On parle notamment de certains visuels, de prières et de gestes qui évoquent ces expériences spirituelles significatives. Ces expressions religieuses engagent les dévots dans leur quotidien et dans leur vécu. Pour ces croyants, cette dévotion représente un point de repère dans un monde qui leur apparaît souvent comme privé de sens.