Rwandan youth in the development of music industry

In this days for ever, the Rwandan youth are more active in the development of music industry, the recording studio are created every day, and the number of musician is increasing from one day to another day, it is too early to get the statistic; some of the youth are dropped out their studies to develop their career of music; the question was how many of them are developing their career to become the Professional? WHY IN THESE DAYS, RWANDAN YOUTH ARE WORKING HARDLY IN THE DEVELOPMENT OF MUSIC INDUSTRY?” it was not easy for me to get the accurate answers; some questions remains in my mind like -Are they working for money-music as a job (professional)? -Are they willing to become célèbre-stars? -Is it for the entertainment/Relaxing? -Is it because they love music? -Are they escaping the problems-Music as an escape domain? -Are they exploring their free time? -Are they using the music as the way of expressing their views? Those questions require analysing each question deeply, and getting the answers from the singers and listeners of music or DJ, in order to confirm the causes of being more active in music industry for the Rwandan youth. I am not interesting to make a deep research but to analyze and I hope this article will help the students and many researchers to develop and find out the exact causes. As my aim is to open the door for the researchers, briefly let us analyze all those above questions one to one based on the main causes as the motivation of forcing the Rwandan youth to be in the industry music.

Reconnaissance au Cameroun au travers de la culture urbaine ou "Hein Père" de Stanley Enow.

Hip Hip camerounais cesse d'etre une tribune où se guillotine vainement un gouvernement insensible depuis des ans. L'introduction de ''hein pere'' au travers le MIC de Stanley Enow vient rendre hommage à la jeunesse camerounaise et au Cameroun. Finis les portraits sombres d'une jeunesse oubliée par les pouvoirs publics. Ils sont fiers et et le chantent. Ils sont high malgré tout et compte bien y rester. Ce single exhibite la grandeur du Cameroun, des acteurs de la culture et de la jeunesse infatigable, qui avec ce concept ''onesthighpere'' se hisse au plus haut point.

Morphological Aspects And Cox-2 Expression After Exposure To 780-nm Laser Therapy In Injured Skeletal Muscle: An In Vivo Study.

The effectiveness of low-level laser therapy in muscle regeneration is still not well known. To investigate the effects of laser irradiation during muscle healing. For this purpose, 63 rats were distributed to 3 groups: non-irradiated control group (CG); group irradiated at 10 J/cm(2) (G10); and group irradiated at 50 J/cm(2) (G50). Each group was divided into 3 different subgroups (n=7), and on days 7, 14 and 21 post-injury the rats were sacrificed. Seven days post-surgery, the CG showed destroyed zones and extensive myofibrillar degeneration. For both treated groups, the necrosis area was smaller compared to the CG. On day 14 post-injury, treated groups demonstrated better tissue organization, with newly formed muscle fibers compared to the CG. On the 21(st) day, the irradiated groups showed similar patterns of tissue repair, with improved muscle structure at the site of the injury, resembling uninjured muscle tissue organization. Regarding collagen deposition, the G10 showed an increase in collagen synthesis. In the last period evaluated, both treated groups showed statistically higher values in comparison with the CG. Furthermore, laser irradiation at 10 J/cm(2) produced a down-regulation of cyclooxygenase 2 (Cox-2) immunoexpression on day 7 post-injury. Moreover, Cox-2 immunoexpression was decreased in both treated groups on day 14. Laser therapy at both fluencies stimulated muscle repair through the formation of new muscle fiber, increase in collagen synthesis, and down-regulation of Cox-2 expression.

DU GRAIN À LA MUSIQUE : MANIPULATIONS EN TEMPS RÉEL

Dans cet article, nous présenterons une étude comparative de quelques techniques de manipulation du signal comme la Transformée de Fourier à Court Terme, la Synthèse Granulaire Asynchrone et PSOLA, notamment dans le cadre de leur utilisation en temps réel. Nous présenterons succinctement le fonctionnement de ces trois méthodes dans l’environnement Max / MSP avec l’utilisation de la librairie GABOR. La manipulation des paramètres propres à chaque méthode a des conséquences sur les variables musicales, et l’utilisation de ces méthodes implique des corrélations entre les paramètres techniques du traitement du signal et des attributs musicaux spécifiques. Ainsi, nous essayerons d’explorer les espaces des paramètres et de la perception musicales entre le temps, la période et le spectre (les rythmes, les fréquences et les timbres) en comparant les différentes méthodes en vue de leur croisement dans un système de traitement commun.

Quelques réflexions sur les rapports entre l’électroacoustique et la musique instrumentale de Xenakis : le cas de la Légende d’Eer et Jonchaies

Dans cet article, nous mettrons en évidence le rapport étroit tissé par Xenakis entre les œuvres La légende d’Eer et Jonchaies notamment au niveau de la structure formelle et des sonorités. // In this paper, we will show some evident examples about the close rapports between La légende d’Eer and Jonchaies by Xenakis, especially in terms of formal structure and sonorities.