971 resultados para 1880-1916


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Resumen: La vinculación entre la elite dirigente –principalmente rural en el interior de la Argentina- y los sectores dependientes, durante la república de los notables en la Argentina (1880-1916), ha sido vista como una relación clientelar. El objeto de este trabajo es explorar algunas pautas culturales que aparecen como el fundamento de esas relaciones y que permiten profundizar en el funcionamiento del sistema político durante esos años.

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With the impetus that has led recent studies on Latin American Modernism to a reevaluation of the sense of cultural fluxes from the modernity capitals to its peripheries –discarding categories such as “influence”, “exotism” and “ivory tower”, stereotypes that have clouded critical understanding of this aesthetics for decades- the present study intends to investigate a persistent practice of the main writers of the movement. This practice is modernist pictorial criticism, a genre that will be approached through the analysis of an unknown corpus: the seven chronicles Rubén Darío published in the journal La Prensa on occasion of the third art exposition of the Ateneo de Buenos Aires. Our hypothesis is that the rare creators of images portrayed by Darío by the end of 1895 work as a visual counterpoint of the eccentric writers’ biographical sketches that a year later will be part of the fundamental volume Los raros (1896). In this early “salon”, which we reproduce in its entirety, accompanied by explanatory notes, the leader of Modernism rehearses and consolidates his transcultural work with the universal tradition –now applied to the Salons (1845-1860) by Charles Baudelaire and to the monumental project by John Ruskin in Modern painters (1843-1860)- to legitimate, from another subgenre of Modernist criticism, a new figure of the critic, in dissent with the Enlightenment model of the writer.

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Lebenslauf.

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Report year ends Dec. 31, 1880-1916; Dec. 1, 1917-1925; June 30, 1927-1971/1973

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Atlas has imprint: Ottawa, Government Printing Department.