Reports and papers of the architectural and archaeological societies of the counties of Lincoln and Northampton.

1850-1931 (v. 1-40) include reports and papers of the Yorkshire Architectural and York Archaeological Society, and some years, of the Worcestershire Archaeological Society, of the Leicestershire Archaeological Society and of other similar societies.

A history of the Third Christian Church of Indianapolis, Indiana /

Vol. 2 by Charles M. Fillmore; published by the Church Board.

The bridge builders of the city of God : discourse pronounced on the occasion of the consecration of the Rt. Rev. Emmanuel B. Ledvina, D.D. as Bishop of Corpus Christi, Texas, at St. Mary's of-the-Woods, Indiana, June 14th, 1921 /

Mode of access: Internet.

Daughters of the American Revolution magazine

America, history and life

Shorthorn breeders' guide, with a short history of the breed and its capabilities, accounts of shows and sales and articles of general interest to Shorthorn breeders.

Mode of access: Internet.

The ecological significance of the combtoothed blenny in a coral reef ecosystem

At Heron Island reef, Great Barrier Reef Australia, biomass densities and mean wet mass of Ward's damselfish Pomacentrus wardi and the jewelled blenny Salarias fasciatus were not significantly different at 2-37 v. 2-95 g m(-2) and 8-7 v. 7-9 g, respectively. Whereas S. fasciatus significantly exceeded P. wardi in (1) total number of bites per day (3427 v. 1155), (2) the mass of epilithic algal community consumed per bite (2-19 1,. 0-14mg) and (3) total organic carbon consumed per day (487-31 v. 35-46 mg C m(-2) day(-1)). Territorial behaviour differed also between the two species. Pomacentrus wardi chased from their territories a smaller proportion of blennies than roving grazers (i.e. scarids, acanthurids, siganids and pomacentrids) relative to S. fasciatus. Salarias fasciatus chased c. 90% of other blennies from their territories, while chasing only c. 20% of all damsels that entered. Both P. wardi and S. fasciatus rarely chased non-grazers. The chasing behaviour of S. fascialus was size dependent, with resident fish chasing only individuals of its own family (i.e. Blenniidae) that were the same or smaller size. Pomacentrus wardi may have tolerated S. fasciatus grazing within its territory, as it contributes to territory defence from other blennies. The possibility that the interaction between the two species is facilitative, rather than competitive, is discussed. It was concluded that salariine blennies play an important, and previously underestimated role in coral reef trophodynamics. (C) 2004 The Fisheries Society of the British Isles.

Dietary analysis of the herbivorous hemiramphid Hyporhamphus regularis ardelio: an isotopic approach

The stable isotope values for a range of size classes of Hyporhamphus regularis ardelio from Moreton Bay, south-east Australia were determined. There was a positive linear relationship between 613 C and standard length (L-s) (delta(13)C = 0.034 Ls - 16-23; r(2) = 0.78). delta(13)C ranged from -8.48 to - 17.29 parts per thousand with the smallest size class (50 mm Ls) being on average 1.04 parts per thousand enriched with respect to that of zooplankton (Temora turbinata) and 7.97 parts per thousand depleted compared to Zostera capricorni. delta(13)C was positively correlated with Ls (P 0.0 1) with delta(15) N, ranging from 9.18 to 11.00 parts per thousand. Fish of all size classes were on average 2.32 and 7.63 parts per thousand more enriched than zooplankton and seagrass, respectively. Carbon isotope data indicate that H. r. ardelio commence life as carnivores and change to a diet in which seagrass is the primary carbon source. The dependence on animal matter, however, is always present. Due to the low percentage of nitrogen in Z. capricorni (2.5%) compared to zooplankton (9.1%) it appears that nitrogen from zooplankton is necessary throughout their life history with the carbon requirements for these fish coming chiefly from Z. capricorni. (c) 2005 The Fisheries Society of the British Isles.

Non-prescription medicine misuse, abuse and dependence : a cross-sectional survey of the UK general population

This study was supported by the Society of the Study of Addiction in the form of a PhD studentship awarded to NF.

Occupy this: a dialogic derive

This dialogue is the text-based component of an evolving performative multi-media lecture. By re-reading Guy Debord's The Society of the Spectacle, in relation to the global Occupy movement and the rise of social media, we ask: in what ways does the proliferation of digital imagery enable and limit this recent form of political activism? By subjectively responding to selective quotations from Debord's writing, we link the triumvirate of global capitalism, public space and digital technology, producing commentary on the displacement imposed by contemporary 'spectacular' technologies, the networked 'technical image' and the politics of public space.

O jogo das identidades como fator de mobilização político-eleitoral nas campanhas de Dilma Rousseff e Rosalba Ciarlini em 2010

Starting from the premise that we live in the society of spectacle, as proclaimed by Guy Debbord, and, in this context, the media feeds itself off of this spectacularization and constructs a culture of images and production of goods, providing templates from which the subject can identify himself/herself as being male or female, successful or unsuccessful, powerful or powerless. In other words, the culture conveyed by the media produces material for the creation of identities through which individuals insert and recognize themselves in contemporary society. Observing the election campaigns, we can see clearly that this profusion of identities is fairly explored in the advertising propaganda used by the candidates, particularly in the propaganda broadcasted on the Free Electoral Time on TV. Instigated by the explicit relation between the media and politics within the society of the spectacle, this study aims to investigate the main identities that emerge in the discursive practices of the media in the election campaigns of 2010 for president of the Republic and governor of the State of Rio Grande do Norte that had as protagonists the candidates at that moment Dilma Rousseff (PT) for president and Rosalba Ciarline (DEM) for governor. To do so, we based ourselves on the theory of Bakhtin Circle, which considers the statement as a unit of verbal communication and conceives language as a dialogical phenomena and a discursive practice and also in the conceptions of dialogical relationships, social voices and chronotope formulated by the previous mentioned theory. Still in the theoretical field, we have established an interconnection with the theories coming from the Cultural Studies (Hall, Woodward) about the identity, which conceives it as multiple, fragmented, non-fixed, so that, the subject assumes different identities, not always coherent, at different times, depending on the context in which they are approached. The research is situated in the frames of Applied Linguistics, which considers language as the center of its studies and settles on the border of an open number of areas of knowledge expanding its possibilities of investigation by means of the interdisciplinary. Our corpus consists in 20 electoral propaganda videos aired on TV during the Free Election Time in 2010 campaign; among these, 14 videos are Dilma Rousseff s propaganda and 06 videos are Rosalba Ciarline s propaganda. We seek for the purpose of the analysis to identify the identities which emerge from the discourses about the candidates in propaganda videos broadcasted in the referred campaign, as well as realize the dialogical relations established in these discourses and even if the identity construction of these subjects is located in the same axiological axis. The corpus analysis revealed that the multiple cultural identities of the candidates campaigning emerge in the discourses circulating in the electoral propaganda aired on TV such as: the identities of pioneer woman, competent, sensitive, mother, grandmother, religious. And, yet, those are changeable as the electoral demands, in other words, the need to obtain support and votes, outline a fluid identity construction about the candidate to the position in question

Relações públicas e o Brand Management: storytelling 2.0 na construção de relacionamentos

According to the Informational Society of the twentieth century, man develops society of the spectacle, where life becomes virtual and the individual ceases to be a spectator becoming the protagonist of wikiciberepopéia and organizations seeking to gain the attention and time of its consumers through new communication strategies. If the great epics of mankind brought mythical heroes, divine, with powers (mostly above the mortals), in the era of new technologies, the common man is in the hands the opportunity to become the hero of his own ciberepopéia. Increasingly resistant to traditional advertising, the new model of media consumer, the prosumer, the storytelling is transforming into one of the main communication tools of contemporary organizations. Offer your audience a creative and relevant content across several media platforms is a major brand positioning strategies currently used, in addition to providing the transmission of values and organizational principles in a subjective manner. Storytelling where objects are extensions of the human body (eg, the cell can be treated as an extension of the ears) is a strong indication of a technocratic society, because we can consider the new technologies as extensions of the human brain (as new store technologies, create meanings, share information through a specific language) and the individual who is on the edge of new technology ends up being excluded from certain social events. This new world tends to put an end to separation between seemingly contrary ideas, such as reality/fiction, natural/cultural and the man who emerges from this medium is not the creator, but rather, transforming what already exists. The current human evolution takes place from about half the human mind and tell stories that go beyond the media saturation that really emocionem and who have a real meaning for those who listen, to be interconnected with the socio-environmental reality of this new consumer, is a major chall...

CARNAVAL EM JUIZ DE FORA: IDENTIDADE COMUNITÁRIA OU PRODUTO DA INDÚSTRIA CULTURAL?

Pesquisa a respeito das influências da indústria cultural sobre a formação da identidade nas Escolas de Samba em Juiz de Fora, as transformações introduzidas nestas agremiações através dos meios de comunicação de massa ao longo dos anos e o modo pelo qual os sambistas de Juiz de Fora reinterpretam e assimilam as informações da indústria cultural. O papel dos meios de comunicação locais frente ao carnaval. O trabalho dividiu-se em três etapas: pesquisa bibliográfica; realização de um diagnóstico a partir de entrevistas semi-estruturadas com as pessoas envolvidas com as Escolas de Samba ou historicamente relevantes para os desfiles oficiais de carnaval em Juiz de Fora; e a análise qualitativa dos dados coletados. Levantou-se a trajetória histórica das Escolas de Samba de Juiz de Fora e seus pontos de contato com as Escolas de Samba do Rio de Janeiro, além de se buscar compreender qual é a percepção que os juizforanos têm sobre o desfile local. As informações foram trabalhadas sob o ponto de vista da Teoria Crítica, das propostas filosóficas de Michel Foucault, das considerações sobre a sociedade do espetáculo. O trabalho demonstra que a preocupação principal das Escolas de Samba de Juiz de Fora é com a realização de um desfile que se enquadre nos padrões exigidos pela indústria cultural, conseqüentemente o espetáculo em torno da festa transformou-se em uma forma de controle social, eliminando a espontaneidade e a transgressão que tradicionalmente estão associadas ao carnaval.(AU)

CARNAVAL EM JUIZ DE FORA: IDENTIDADE COMUNITÁRIA OU PRODUTO DA INDÚSTRIA CULTURAL?

Pesquisa a respeito das influências da indústria cultural sobre a formação da identidade nas Escolas de Samba em Juiz de Fora, as transformações introduzidas nestas agremiações através dos meios de comunicação de massa ao longo dos anos e o modo pelo qual os sambistas de Juiz de Fora reinterpretam e assimilam as informações da indústria cultural. O papel dos meios de comunicação locais frente ao carnaval. O trabalho dividiu-se em três etapas: pesquisa bibliográfica; realização de um diagnóstico a partir de entrevistas semi-estruturadas com as pessoas envolvidas com as Escolas de Samba ou historicamente relevantes para os desfiles oficiais de carnaval em Juiz de Fora; e a análise qualitativa dos dados coletados. Levantou-se a trajetória histórica das Escolas de Samba de Juiz de Fora e seus pontos de contato com as Escolas de Samba do Rio de Janeiro, além de se buscar compreender qual é a percepção que os juizforanos têm sobre o desfile local. As informações foram trabalhadas sob o ponto de vista da Teoria Crítica, das propostas filosóficas de Michel Foucault, das considerações sobre a sociedade do espetáculo. O trabalho demonstra que a preocupação principal das Escolas de Samba de Juiz de Fora é com a realização de um desfile que se enquadre nos padrões exigidos pela indústria cultural, conseqüentemente o espetáculo em torno da festa transformou-se em uma forma de controle social, eliminando a espontaneidade e a transgressão que tradicionalmente estão associadas ao carnaval.(AU)

A COMUNICAÇÃO NO MOVIMENTO WESLEYANO: PISTAS PARA UMA MÍDIA METODISTA HOJE

John Wesley lançou mão da mídia em todos os aspectos da articulação do movimento metodista na Inglaterra do século XVIII, em prol da missão de reformar a nação e a Igreja. Entretanto, no Brasil do terceiro milênio, a comunicação evangélica não faz jus ao ideal do cristianismo, limitando-se à cultura gospel da sociedade do espetáculo . Por meio da pesquisa teológica e histórica da comunicação cristã a partir do advento da imprensa e da herança wesleyana sob o ponto de vista da comunicação, até o diálogo com autores relevantes na transição para o século XXI segundo a nova ordem tecnológica que introduz na aldeia global uma realidade virtual, o objetivo é identificar práticas inegociáveis para uma mídia religiosa que encarne a vocação pública do metodismo hoje.