Psalm no. 42, for solo, chorus and orchestra; op. 42.

Words in German.

Serenade and Allegro giojoso, for piano and orchestra; op.43.

Mode of access: Internet.

Psalm no. 95, for solo, chorus and orchestra; op.46.

Words in German.

Psalm no. 114; op.51, for 8 voices, chorus and orchestra. Psalm no. 98, op. 91, for 8 voices, chorus and orchestra.

Words in German.

Lauda Sion, for chorus and orchestra. Op. 73.

Mode of access: Internet.

Three sacred works for solo voice, chorus and orchestra:

Hymne, op. 96.--Tu es Petrus, op. 111.--"Verleih Frieden"

For piano and orchestra : Candenzen zu den Pianoforte-Concerten; Phantasie mit Chor, op.80 in Cm /

Bound with: Choral fantasy, op. 80.

Psalm 150 : for chorus, orchestra and organ /

Mode of access: Internet.

Propuesta interpretativa y análisis de la obra concierto en DO Mayor de D Kavalevsky

Análisis del concierto para violín y orquesta en Do Mayor de Dimitry Kabalevsky Op.48., en el cual se ha puesto en consideración los principales aspectos analíticos dentro de la forma, armonía, estética, contexto histórico, aspectos técnicos del instrumento y sobre todo aportes personales en cuanto a la interpretación de determinados pasajes, conformando así una propuesta interpretativa de la obra. Cada uno de los parámetros antes nombrados constituyen los conocimientos fundamentales que un instrumentista requiere para la ejecución de una obra, por lo que se los ha puesto como referencia en el presente estudio.

TRADITION AND INNOVATION: ANALYSIS AND PERFORMANCE OF SELECTED COMPOSITIONS FOR VIOLONCELLO BY HEITOR VILLA-LOBOS

Brazilian composer Heitor Villa-Lobos (1887-1959) began his musical career as a cellist. When he was only twelve years old, it became imperativeupon the sudden and untimely death of his fatherthat the young Villa-Lobos earn money as a cellist to provide financial support for his mother and sisters. Villa-Lobos's intimate relationship with the cello eventually inspired him to compose great music for this instrument. This dissertation explores both the diversity of compositional technique and the evolution of style found in the music for cello written by Villa-Lobos. The project consists of two recorded recital performances and a written document exploring and analyzing those pieces. In the study of the music of Villa-Lobos, it is of great interest to consider the music's traditional European elements in combination (or even juxtaposition) with its imaginative and sometimes wildly innovative Brazilian character. His early works were greatly influenced by European Romantic composers such as Robert Schumann, Frédéric Chopin, and the virtuoso cellist/composer David Popper (whom Villa-Lobos idolized). Later, Villa-Lobos flourished in a newfound compositional independence and moved away from Euro-romanticism and toward the folk music of his Brazilian homeland. It is intriguing to experience this transition through an exploration of his cello compositions. The works examined and performed in this dissertation project are chosen from among the extensive number of Villa-Lobos's cello compositions and are his most important works for cello with piano, cello with another instrument, and cello with orchestra. The chosen works demonstrate the evolving range and combination of characteristic elements found in Villa-Lobos's compositional repertoire.

Première rhapsodie pour orchestre avec clarinette principale en si♭.

Mode of access: Internet.

Lied der Walküre (The song of the Valkyr) ... Für eine höhere Singstimme mit Begleitung des Orchesters. Op. 36, Nr. 4. Partitur.

Pl. no.: Part.B.1834.

Aus fernen Welten. Vier Gesänge für eine mittlere Singstimme mit Begleitung des Orchesters

Sibley Music Library lacks no. 2.

L'invitation au voyage.

Reprinted from Rouart, Lerolle plates: R.L. 5060 et Cie.

Rondo brillant : für Pianoforte mit Begleitung des Orchesters, Op. 29 /

"Ignaz Moscheles gewidmet." -- P. 1.