Short story classics (American) ...

Mode of access: Internet.

Prize stories ... The O. Henry awards ...

Stories for 1919-1927 were "chosen by the Society of Arts and Sciences."

Georgian stories.

None published for 1923.

Stories by American authors.

This collection also published under title: Library of American fiction.

Through the forbidden gates and other stories.

Mode of access: Internet.

Stories of Mother Goose Village /

A collection of short stories for children which uses character names from well known fables and poems.

The book of the short story /

Introduction.--The shipwrecked sailor. About 2500 B.C.--The book of Ruth. About 450 B.C.--Apuleius. The story of Cupid and Psyche. 2d century A.D.--Boccaccio. Frederick of the Alberighi and his falcon. 1353.--The story of Ali Baba, and the forty robbers destroyed by a slave. 1548.--Cervantes. The liberal lover. 1613.--Defoe. The apparition of Mrs. Veal. 1706.--Voltaire. Jeannot and Colon. 1764?--Irving, W. Rip Van Winkle. 1819.--Scott, Sir W. Wandering Willie's tale. 1824.--Mérimée, P. The taking of the redoubt. 1829.--Balzac, H. de. La Grande Bretéche. 1832.--Hawthorne, N. The birthmark. 1843.--Poe, E.A. The cask of Amontillado. 1846.--Turgeneff, I. A Lear of the steppes. 1870.--Stevenson, R.L. Markheim. 1884.--Maupassant, G. de. A coward. 1885.--Kipling, R. Without benefit of clergy. 1890.--A list of representative tales and short stories.

The trimmed lamp, and other stories of The four million /

For other editions, see Author Catalog.

Stories by foreign authors.

Spanish: [v.10] The tall woman, by P.A. de Alarcón. -- The white butterfly, by J. Selgas. -- The organist, by G.A. Becquer. -- Moors and Christians, by P.A. de Alarcón. -- Bread cast upon the waters, by Fernan Caballero.

O. Henry memorial award prize stories.

Mode of access: Internet.

Eight French stories;

Mode of access: Internet.

Die Sprache des Wahnsinns. Harald Kaas und sein Erzählband ‘Uhren und Meere’:Harald Kaas and his short story collection 'watches and seas'

This essay examines the only book published by the late Harald Kaas. His collection of short stories Uhren und Meere (1979), dealing with depictions of psycho-pathological states of mind, gained Kaas a short-lived notoriety as he himself was a certified schizophrenic possessing first-hand experience of psychiatric treatment. This essay sets out to investigate whether or to what extent the stories in Uhren und Meere can be understood as a document of the language of madness. It concludes that despite the biographical dimension of his schizophrenic experience, Kaas’s texts fail to voice an as it were unadulterated language of madness. However, when read in conjunction with his quasi-poetological interview statements, it is possible to determine the very nature of madness as a collapse of a logical system of language. Meaning that language cannot actively be used to express madness, while at the same time madness can express itself in a language that we necessarily fail to understand. The language of madness manifests itself as the madness of language.

Out of View: Stories

OUT OF VIEW is a collection of stories set in the American Southwest about people coping with loss—the death of parents, children, ideals, innocence. The characters in this collection reap or resist lessons of life as they struggle to find their place in the world. In “First Rain,” 15-year-old Tessie struggles with the loss of her father and the demands of her mother as she navigates the rocky terrain of adolescence. In “Monsters,” middle-aged Maury has to choose between a new relationship and protecting the well-being of his 4-year-old ‘daughter.’ The stories are influenced by the Western realism of Maile Meloy and the playful plotting of Ron Carlson. These stories are inspired both by the Sonoran Desert—expansive, sun-soaked, unrepentant—and by the people who live, love, and lose in the interstices between Manifest Destiny and the Reconquista.

Greater Miami: Stories

GREATER MIAMI: STORIES is a collection of short stories about the disparity between the hoped-for expectations of life in America—as seen through the prism of South Florida—and the reality of a life lived on the margins. The characters, ranging in age from early adulthood to the elderly, attempt to navigate the perils of a new and unfamiliar existence—physical and/or psychological—while seeking to recoup the losses of home and country, love and language. The collection uses Miami as its setting due to the wide demographic range of its inhabitants, and the stories address themes of memory, love, sex, opportunity and privilege, the mayhem born of disinformation, and the anxiety of displacement. Each story in the collection describes a pivotal moment when the characters encounter a truth that had previously eluded them and then must deal with the repercussions of that knowledge.