Eusébio de Queirós: chefe de polícia da Corte (1833-1844)

Nesta dissertação apresentamos uma análise da trajetória de Eusébio de Queirós no período em que ele ocupava o cargo de chefe de polícia da Corte (1833-1844), momento de grande turbulência social no Império, e consolidação das posições do Regresso Conservador. Mostramos como Eusébio de Queirós se precipitou sobre o "vazio" de atribuições que caracterizava a função de chefe de polícia, tornando-se um articulador da administração da justiça na Corte, após assumir a direção de uma Secretaria de Polícia da Corte com uma estrutura precária, em meio às discussões acerca do regime policial estabelecido com a adoção do Código de Processo Criminal de 1832. A ideia de que no compartilhamento da informação entre as autoridades estava a pedra angular da segurança pública foi uma constante na trajetória de Queirós, exemplificados na abordagem dada à Revolta dos Malês (1835) e às Revoltas Liberais de 1842. Esta pesquisa trabalha uma entre as possíveis caracterizações de Eusébio de Queirós, considerando as implicações de ordens biográfica e historiográfica, procurando problematizar por meio de uma trajetória específica aspectos que circundam o processo de construção do Estado nacional no Brasil.

Semblanzas Ictiológicas Iberoamericanas: Antonio José Machado-Allison

A través de esta nueva serie tratamos de conocer diferentes aspectos personales de los integrantes de la comunidad ictiológica iberoamericana. Esta iniciativa, comparte el espíritu y objetivo de las semblanzas nacionales buscando informalmente, otro punto de unión en la “comunidad de ictiólogos iberoamericanos”. Quizás esté equivocado en mi apreciación, pero creo que vale la pena este intento, ya que, con la colaboración generosa e insoslayable de los integrantes de este “universo”, señalaremos un registro en el tiempo de la Ictiología Neotropical.

Yield isopleths of Tilapia esculenta Graham 1928 in Lake Victoria and Tilapia nilotica (Linnaeus) 1757 in Lake Albert

The yield equation given by BEVERTON and HOLT (1957) has several parameters which are difficult to estimate for tropical freshwater fish species. Nevertheless, some simplifying assumptions can be made and the most relevant parameters used to enable the construction of yield isopleths. Tilapia esculenfa has the following parameters: maximum length (L ∞=33.8 c.m. growth rate (K) = 0.32, natural mortality rate (M)=0.17 and the length at maturity (1 m)=22 cm. The optimum yield is obtained by catching the fish at a length of first capture of 26 em and a fishing mortality rate of 0.5. Tilapia nilotica with L ∞=49 cm, 1 m=36 cm, K=0.50 and M= 0.30 gives optimum yield when caught at a length of first capture of 35-36 cm with a fishing mortality rate of 0.5-0.6. The stuned Tilapia nilotica of Lake Albert has L ∞=17 cm, K=2.77,1 m=12 cm and M=3.37. With such a very high natural mortality, maximum yields would be obtained hy using a length of first capture less than 9 cm and a fishing mortality rate exceeding 1.8.

On the ecology and explorations of the fisheries of an East African rift valley lake, Part 1: On the bionomics and population structure of Tilapia nilotica Linnaeus 1757 in Lake Baringo, Kenya

An ecological survey of the fisheries of Lake Baringo, Kenya was carried out between August, 1972 and August, 1973. The bionomics and population structure of T. nilotica is described. Sampling was done with multifilament gillnets of graded mesh sizes from 51 mm to 178 mm in approximately 12.5 mm increments. The Lake was divided into three sampling and ecologically different zones - the south, central and north zones. The size range of T. nilotica of both sexes caught was between 5 and 27 cm (mode 16 cm) with a mean length of 16.07 cm. For all the collections, males dominated (55.3%) and a higher proportion of males were caught in January, August and November. The smallest mature male and female was 9 and 10 cm respectively. Males grow faster and mature at larger sizes than females. 50% of all males and females mature at 17.4 and 16:4 cm respectively. The periods of intense spawning were between August and October and January to April. The Tilapia were feeding best in central and north zones and the feeding intensity was reduced in January. Two endoparasites Contracaecum sp. and Clinostomum sp. were isolated from the Tilapia. The "condition" of the fish was better in the north than in the other two zones.

On a new genus and new species of xanthid crab (Crustacea, Decapoda, Brachyura, Xanthinae) from the South China Sea, with notes on the genus Liagore De Haan, 1833

A new genus and new species of xanthid crab, Ovatis simplex, is described from the South China Sea. The genus is closest to Liagore but can be distinguished by a suite of carapace and male gonopod characters. The systematic position of Liagore is also considered, and both genera, Liagore and Ovatis, are here referred to the subfamily Xanthinae. Comparisons with the allied genera, Paratergatis and Pulcratis, are also provided.

THE PIANO MUSIC OF ROBERT SCHUMANN (1810-1856) AND JOHANNES BRAHMS (1833- 1897): A SURVEY OF CONCERTI, VARIATIONS, AND CHARACTER PIECES

Robert Schumann (1810-1856) and Johannes Brahms (1833-1897), in some ways Robert Schumann's artistic descendant, are the most important and representative German piano composers during the Romantic period. Schumann was already a mature and established musician in 1853 when he first met the young Brahms and recognized his talents, an encounter that had a long-lasting affect on the lives and careers of both men. After Schumann’s mental breakdown and death, Brahms maintained his admiration of Schumann’s music and preserved an intimate relationship with Clara Schumann. In spite of the personal and musical closeness of the two men, Schumann’s music is stylistically distinct from that of Brahms. Brahms followed traditions from Baroque and Classical music, and avoided using images and expressive titles in his music. Brahms extraordinarily intermingled earlier musical forms with multicolored tones of German Romanticism. In contrast, Schumann saw himself as a radical composer devoted to personal emotionalism and spontaneity. He favored programmatic titles for his character pieces and extra-musical references in his music. While developing their own musical styles as German Romantic composers, Schumann and Brahms both utilized the piano as a resourceful tool for self-realization and compositional development. To investigate and compare the main characteristics of Schumann and Brahms’s piano music, I looked at three genres. First, in the category of the piano concerto, I chose two major Romantic works, Schumann’s A minor concerto and Brahms’s B-flat major concerto. Second, for the category of piano variations I included two sets by Brahms because the variation framework was such an important vehicle for him to express his musical thoughts. Schumann’s unique motivic approach to variation is displayed vividly in his character-piece cycle Carnaval. Third, the category of the character piece, perhaps the favorite medium of Romantic expression at the piano, is shown by Schumann’s Papillons and Brahms’s sets of pieces Op.118 and Op.119. This performance dissertation consists of three recitals performed in the Gildenhorn Recital Hall at the University of Maryland, College Park. These recitals are documented on compact disc recordings that are housed within the University of Maryland Library System.

SELECTED CHARACTER PIECES OF FRÉDÉRIC CHOPIN (1810-1849), FRANZ LISZT (1811-1886) AND JOHANNES BRAHMS (1833-1897)

During the 19th century, Frédéric Chopin (1810-1849), Franz Liszt (1811- 1886), and Johannes Brahms (1833-1897) were among the most recognized composers of character pieces. Their compositions have been considered a significant milestone in piano literature. Frédéric Chopin (1810-1849) did not give descriptive titles to his character pieces. He grouped them into several genres such as Mazurkas, Polonaises. His Mazurkas and Polonaises are influenced by Polish dance music and inspired by the polish national idiom. Franz Liszt (1811-1886) was influenced in many ways by Chopin, and adopted Chopin’s lyricism, melodic style, and tempo rubato. However, Liszt frequently drew on non-musical subjects (e.g., art, literature) for inspiration. “Harmonies poétiques et religieuses” and “Années de pèlerinage” are especially representative of character pieces in which poetic and pictorial imagination are reflected. Johannes Brahms (1833-1897) was a conservative traditionalist, synthesizing Romantic expression and Classical tradition remarkably well. Like Chopin, Brahms avoided using programmatic titles for his works. The titles of Brahms’ short character pieces are often taken from traditional lyrical or dramatic genres such as ballade, rhapsody and scherzo. Because of his conservatism, Brahms was considered the main rival of Liszt in the Romantic Period. Brahms character pieces in his third period (e.g., Scherzo Op.4, Ballades of Op.10, and Rhapsodies of Op.79) are concise and focused. The form of Brahms’ character pieces is mostly simple ternary (ABA), and his style is introspective and lyrical. Through this recording project, I was able to get a better understanding of the styles of Chopin, Brahms and Liszt through their character pieces. This recording dissertation consists of two CDs recorded in the Dekelboum Concert Hall at the University of Maryland, College Park. These recordings are documented on compact disc recordings that are housed within the University of Maryland Library System.

Dinámica del carbono en sistemas agrícolas bajo siembra directa : nuevas evidencias obtenidas mediante el uso de 13 C sobre la importancia de las raíces, la calidad de los residuos y el laboreo

El carbono orgánico del suelo (COS) es uno de los principales determinantes de la productividad de los ecosistemas, afectando la fertilidad del suelo y su capacidad de secuestrar CO2. La agricultura es uno de los principales cambios de uso del suelo que afecta significativamente el COS. En esta tesis se examinan, mediante experimentos de campo y usando al 13C como trazador isotópico, tres aspectos de la dinámica de C en sistemas agrícolas: 1) la importancia de las raíces en la formación de COS, 2) los efectos de la cantidad y calidad de los residuos sobre la tasa de descomposición y humificación del COS y 3) la dinámica del COS en sistemas de agricultura continua iniciados sobre pastizales naturales nunca laboreados. Los resultados obtenidos muestran que 1) en cultivos de soja y maíz, la formación de COS se deriva principalmente de la biomasa subterránea y en menor medida de los residuos aéreos, al menos en la fracción de la materia orgánica particulada (MOP). También, se observó 2) que el agregado de residuos de maíz con alta relación C:N aumentó la tasa de descomposición de la MOAM (materia orgánica asociada a los minerales) cuando se la compara con el agregado de residuos de soja (baja relación C:N), efecto conocido como priming. Sin embargo, también existió una mayor formación de materia orgánica bajo cultivos de maíz, y por ende se conservaron las reservas de COS, pero su ciclado fue más rápido. Finalmente, 3) los cultivos en sistemas de siembra directa establecidos sobre suelos nunca laboreados presentaron niveles de COS similares a los de los pastizales naturales remplazados. Estos resultados cuestionan parte de nuestro conocimiento sobre los sistemas agrícolas bajo siembra directa, aportando nuevas evidencias experimentales y destacando el uso de marcadores isotópicos de 13C para comprender el flujo de C en los agroecosistemas.

Dinámica del carbono en sistemas agrícolas bajo siembra directa : nuevas evidencias obtenidas mediante el uso de 13 C sobre la importancia de las raíces, la calidad de los residuos y el laboreo

El carbono orgánico del suelo (COS) es uno de los principales determinantes de la productividad de los ecosistemas, afectando la fertilidad del suelo y su capacidad de secuestrar CO2. La agricultura es uno de los principales cambios de uso del suelo que afecta significativamente el COS. En esta tesis se examinan, mediante experimentos de campo y usando al 13C como trazador isotópico, tres aspectos de la dinámica de C en sistemas agrícolas: 1) la importancia de las raíces en la formación de COS, 2) los efectos de la cantidad y calidad de los residuos sobre la tasa de descomposición y humificación del COS y 3) la dinámica del COS en sistemas de agricultura continua iniciados sobre pastizales naturales nunca laboreados. Los resultados obtenidos muestran que 1) en cultivos de soja y maíz, la formación de COS se deriva principalmente de la biomasa subterránea y en menor medida de los residuos aéreos, al menos en la fracción de la materia orgánica particulada (MOP). También, se observó 2) que el agregado de residuos de maíz con alta relación C:N aumentó la tasa de descomposición de la MOAM (materia orgánica asociada a los minerales) cuando se la compara con el agregado de residuos de soja (baja relación C:N), efecto conocido como priming. Sin embargo, también existió una mayor formación de materia orgánica bajo cultivos de maíz, y por ende se conservaron las reservas de COS, pero su ciclado fue más rápido. Finalmente, 3) los cultivos en sistemas de siembra directa establecidos sobre suelos nunca laboreados presentaron niveles de COS similares a los de los pastizales naturales remplazados. Estos resultados cuestionan parte de nuestro conocimiento sobre los sistemas agrícolas bajo siembra directa, aportando nuevas evidencias experimentales y destacando el uso de marcadores isotópicos de 13C para comprender el flujo de C en los agroecosistemas.