Oradores políticos : (perfiles) /

Cánovas del Castillo, p. 1-12 -- Labra, p. [191]-202.

A treatise on the Diatomaceae, containing introductory remarks on the structure, life history, collection, cultivation and preparation of diatoms, and a description and figure typical of every known genus, as well as a description and figure of every species found in the North Sea and countries bordering it, including Great Britain, Belgium, &c.

Reprint of the 1896 ed.

新編地質学

Mode of access: Internet.

金石識別表 完

Mode of access: Internet.

本邦金石略誌

Mode of access: Internet.

日本鉱物誌

Mode of access: Internet.

History of South Carolina,

Vols. III-V, Biography.

Solomon Robert Kagan papers undated, 1920-1955

Contains correspondence, printed material, and photographs relating to Jews in the medical profession, used as a basis for Kagan's several works on Jews in medicine, including the correspondence of members of the American Physicians Fellowship Committee of the Israel Medical Association; includes also correspondence relating to the Near East and the internationalization of Jerusalem, 1945-1954; and personal correspondence. Among the correspondents are Bernard M. Baruch and Christian A. Herter.

THE PIANO MUSIC OF ROBERT SCHUMANN (1810-1856) AND JOHANNES BRAHMS (1833- 1897): A SURVEY OF CONCERTI, VARIATIONS, AND CHARACTER PIECES

Robert Schumann (1810-1856) and Johannes Brahms (1833-1897), in some ways Robert Schumann's artistic descendant, are the most important and representative German piano composers during the Romantic period. Schumann was already a mature and established musician in 1853 when he first met the young Brahms and recognized his talents, an encounter that had a long-lasting affect on the lives and careers of both men. After Schumann’s mental breakdown and death, Brahms maintained his admiration of Schumann’s music and preserved an intimate relationship with Clara Schumann. In spite of the personal and musical closeness of the two men, Schumann’s music is stylistically distinct from that of Brahms. Brahms followed traditions from Baroque and Classical music, and avoided using images and expressive titles in his music. Brahms extraordinarily intermingled earlier musical forms with multicolored tones of German Romanticism. In contrast, Schumann saw himself as a radical composer devoted to personal emotionalism and spontaneity. He favored programmatic titles for his character pieces and extra-musical references in his music. While developing their own musical styles as German Romantic composers, Schumann and Brahms both utilized the piano as a resourceful tool for self-realization and compositional development. To investigate and compare the main characteristics of Schumann and Brahms’s piano music, I looked at three genres. First, in the category of the piano concerto, I chose two major Romantic works, Schumann’s A minor concerto and Brahms’s B-flat major concerto. Second, for the category of piano variations I included two sets by Brahms because the variation framework was such an important vehicle for him to express his musical thoughts. Schumann’s unique motivic approach to variation is displayed vividly in his character-piece cycle Carnaval. Third, the category of the character piece, perhaps the favorite medium of Romantic expression at the piano, is shown by Schumann’s Papillons and Brahms’s sets of pieces Op.118 and Op.119. This performance dissertation consists of three recitals performed in the Gildenhorn Recital Hall at the University of Maryland, College Park. These recitals are documented on compact disc recordings that are housed within the University of Maryland Library System.

L'empereur Charles d'Autriche, [son épouse Zita] et ses enfants [Félix, Robert, Otto et Adélaïde, reproduction d'une photographie] : [photographie de presse] / [Agence Rol]

Référence bibliographique : Rol, 58305

24/6/20, Parc des Princes, jubilé Ellegaard, les vieux [notamment Lucien Lesna, Charles Terront, Jules Dubois, Antony, Eugène Renaux, Robert Coquelle, Paul Bourotte, Victor Thuau et Paul Bor] : [photographie de presse] / [Agence Rol]

Référence bibliographique : Rol, 59845

Robert Breese possède la plus petite auto du monde : [photographie de presse] / [Agence Rol]

Référence bibliographique : Rol, 60117

[4/7/20, McGoldrick Field, Brooklyn, les pentathlètes R. N.] Irving, Leon Perrine [University of Idaho], Joseph Baker [University of Michigan], Brutus Hamilton [University of Missouri], Everett [Lewis] Bradley [University of Kansas], R. [Robert] Le Gendre [Georgetown University] : [photographie de presse] / [Agence Rol]

Référence bibliographique : Rol, 60119