The War Memoirs: Some origins of the thought of W.R. Bion

The work of W. R. Bion changed the shape of psychoanalytic theory in fundamental ways, one of the most important of which was Bion's insight into the nature of normal projective identification. No other psychoanalytic theorist has Bion's ability to represent the horrors of psychic abandonment and the converse, the absolute necessity of the presence of another mind for psychic survival. Through a discussion of Bion's War Memoirs 1917-1919 (Bion, 1997), Attacks on linking and A theory of thinking (1993), this paper explores the link between war, masculinity, the maternal and Bion's sensitivity to the significance of everyday interpersonal contact. It is argued that Bion's apocalyptic experiences as a teenage tank commander gave him shattering insight into the extent to which mind is inter-mind, self is inter-self. Bion's life writing has the quality of survivor insight: 'And only I am escaped alone to tell thee' (Job 1: 14-19), as he returns repeatedly to the events of the day when he 'died ', 8 August 1918. His insight into the elemental passions nature of love, hate and mindlessness are borne of his experiences on the battlefield, and exquisitely crystallized in his repeated explorations of an encounter with a dying soldier.

The passion plays of celebrity culture

If there is a cultural arena today where passion plays a central and heightened role, then it is in the affecting and textural operations of celebrity. Celebrity representations are crafted out of passionate aesthetic signifiers and impassioned pleas to the senses, to the emotions and to the exaggerations of feeling that the consumer or fan is asked to register and then fully embody. Celebrity culture attempts to turn one into a passionate creature, ruled by the heart, lost in a sea of desires and desiring wants and needs, as the adoring figure that moves us, moves intimately before us. Such passions can and do go unrequited, of course; some are resisted and rejected, and some celebrity passions register as fully carnal and liberating encounters. That is to say, the plays of celebrity passion serve (hetero) normative and policed accounts of feeling and belonging in the world, fuel a desire for commodity objects and material possessions, and yet also open up the possibility for engagements that are violent, liberal and unregulated. In this article, I will explore the ways in which celebrity culture engages with passion and through the idea of it involving a modern form of the passion play. Following Lauren Berlant, I will argue that the passion ignited by the celebrity works to contain and regulate desire, and yet also offers up the opportunity for sensorial engagements that violate and resist the normative terms of desiring. I will suggest celebrity figures are themselves caught up in this passion play, suffering and feeling deeply at the same time, while channelling this violent crisis to their fans as they do so. Finally, I will write the article passionately, from an impassioned perspective, measuring and weighting my own desires in the contradictions and tensions of passion as they emerge in the body of the writer before you. This article is part of a themed issue entitled ‘Passion’.

A retórica em Aristóteles: da orientação das paixões ao aprimoramento da eupraxia

This research brings into focus the relationship between the work Rhetoric, from Aristotle, and the conceptions of ethics and practical wisdom of the philosopher from Stageira. Accordingly, it attempts to show that Aristotle's Rhetoric was produced to guide the construction and orientation of oratory passions of the Greek man, setting it as a reference for practices aimed at social ordering of the polis. In other words, the Aristotelian Rhetoric, designed by the author as the study of what is persuasive in every speech, is not composed with the meaning of persuasion at any cost, in another sense it is conceived by Aristotle as a useful knowledge for the improvement eupraxic (the good act in accordance with the fair and true). This research finds that such work has been prepared by Stagirite a time of strong social transformations and upheavals in ancient Greece: The skepticism expanded, with each person wanting to live their own businesses, and especially in Athens, a city that served as intellectual and political reference, there was a lack of collective spirit. In this tumultuous social environment, Aristotle, with a culture of Greeks eager Trusted reviews and socially shareable in the field of verisimilitude, sought with his Rhetoric, contributing to the development of ethics and political science; referrals for legal and organization of inter-social relations in varied environments, including seeking to provide knowledge about human passions and emotional status of active citizens in deliberative meetings

O princípio metafísico da poética de Aristóteles

Aristotle's definition of tragedy indicates a metaphysical project insinuated by a notion of kátharsis. The reconstruction of Aristotle's method of definition is inspired in the concepts of enérgeia and dýnamis taken from Physics, understanding cause as substance. The Doctrine of the Four Causes is the theoretical basis of the definition of tragedy, placing tragedy in the genre of imitation and distinguishing its species: language (material cause), noble and complete action (formal cause), actors (efficient cause) and kátharsis (temporarily identified with the final cause). Nevertheless, there is no final cause in the definition of tragedy. The kátharsis of passions is experienced by the spectator when he witnesses tragedy, which is the imitation of a noble action, executed by actors and not narrated. Aristotle justifies hid proposition in favor of mimesis by assuming that imitation is natural to man since infancy and the view of objects allows whoever contemplates them to identify and learn the originals. As a metaphysical principle, kátharsis is projected to beyond definition of tragedy, where it is manifested cathartically, in the spectator. Research about the spectator brings one back to the definition of tragedy, where the imitation is an imperfect copy which evokes in the spectator the presence of the originals of the imitated sentiments, thus realizing the kátharsis of these emotions. In this way kátharsis reveals itself as selfknowledge and approach of divine truth and perfections.

O desejo, o relato e a prática da cidade: de como são produzidos territórios marginais na cidade do príncipe (1880 - 1900)

The theme of this work is the study of marginal territories of the Cidade do Príncipe, sketch in time than today is constituted as the city of Caicó/RN, with the time frame the years 1880 to 1900. Our goal is to investigate the construction of these territories from multiple speech subjects practitioners of the city. Thus, we propose to discover the mapping of the deviation in the city in question, as they were drawn, those who experienced and through which practices. Investigate the construction of these spaces from the speeches, and fill a historiographical gap, allows to find stories sharp, silenced or ignored, abortions and madness in prison, repressed passions and avenged. To meet these spaces the sources are diverse, such as the newspaper O Povo, the Codes of posture, the Reports of Presidents and Heads of Provincial Police and process-crime. Regarding the methodological aspects of research, we decided by discourse analysis, discourse here conceived not only as what is said about someone or something, but as a set of statements circulating at any given time in society, articulating speech, intentions, actions and thought. The city is then considered from their territories, imagined as a space configured in/by the relations power that the dispute, but also as a space for experiences multiple, different feelings, place and non-place, the discipline and mockery, of power and resistance.

Avaliação das características de afetividade em crianças e jovens com síndrome de down

This work presents the processes and the results of a research concerning the affectivity in children suffering from the Down´s Syndrome (DS). The relevance of the study is justified due to the need of the development of researches, in the area of psychological evaluation of people who suffers from Down´s Syndrome (DS), that are backed by the use of appropriate instruments for such purpose. The thematic discussed focuses the characteristics of the affectivity of children suffering from Down´s Syndrome. Affectivity, conceptually, is considered a wide phenomenon, including several aspects such as emotions, passions, anxiety, anguish, sadness, happiness and even the pleasure sensations and pain. The general objective of the study consisted of investigating the manifestation of the affectivity in children and young with Down´s Syndrome and the parents´ and educators´ perception concerning the expression of the affectivity in the behavior and in the social activities. The specific objectives were: to identify the parents' perceptions about the several manifestations of indicative behaviors of affectivity; to verify in the social atmosphere, outside home, through the teachers' perception, the several forms and intensities of the expression of the affectivity; and, to make possible the use of the technique of Zulliger (Z-test) in people with Down´s Syndrome. 70 (seventy) children and young with Down´s Syndrome participated in the research, in the age group from 04 to 26 years old, which are attended by Institutions of Paraíba and of Rio Grande do Norte. The instruments used were two questionnaires, applied with the parents and teachers, and the projective technique, Z-test, applied, individually, with the children and young with Down´s Syndrome. For analysis of the data of the questionnaires, the program Trideux-Mots was used, with the intention of selecting the main outstanding words for the parents and teachers concerning the expression of the children's affectivity and young with Down´s Syndrome. For so much, it was organized a database that was processed by that program and, soon after, interpreted through the Factorial Analysis by Correspondence (AFC), looking for to clear the modalities of presented answers in an organized way, through a graph. The data of the Z-test were analyzed, taking in consideration the need to characterize the aspects of the affectivity and the elaboration of specific norms for this sample type, through normalized scores. In agreement with the data presented by Tri-deux-Mots, it was observed that in the affective behavior and in the relationship with the other, home and in the school, the children and young with Down´s Syndrome they express your affectivity through positive and negative characteristics, in the same way that any other child that doesn't have to syndrome. The Z-test made possible initial elements to work with that population, however it is necessary that grow other researches with the intention of investigating the reason of the answers they present not the specific categories that you/they are related to the affectivity, since it was well-known the diversity of affective characteristics presented by the researched group

Descartes: um naturalista?

As dificuldades e soluções encontradas por Descartes para resolver o problema da união das substâncias, vistas a partir de uma aproximação entre suas concepções médicas e morais.

A força das coisas: etapas do desenvolvimento histórico - notas de pesquisa

Este texto veio a constituir, modificado, o primeiro capítulo de nossa tese de mestrado - A Fênix tropical: nota crítica sobre o dualismo e a teoria da dependência, Faculdade de Filosofia, Letras e Ciências Humanas, Universidade de São Paulo. Trata dos seguintes temas: I - A filosofia da história, o marxismo e a objetividade; II - O pensamento social brasileiro: as teorias do/sobre o desenvolvimento e o marxismo apologético: 1.º Werner Baer: a objetividade conservadora contra as paixões reformistas; 2.º Carlos Lessa: Industrialização como decisão; 3.º ISEB: objetividade reformista contra paixões socialistas; 4.º Maturidade política contra aventuras socialistas; III - Os pressupostos comuns.

As paixões humanas em Thomas Hobbes: entre a ciência e a moral, o medo e a esperança

Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)

Conhecimento e afetividade em Espinosa: da reforma da inteligência à potência do conhecimento como afeto

Pós-graduação em Filosofia - FFC

Plutarco e a formação do governante ideal no principado Romano: uma análise da biografia de Alexandre

Conselho Nacional de Desenvolvimento Científico e Tecnológico (CNPq)

Um filósofo na rua Erê: presença de Pascal em O amanuense Belmiro, de Cyro dos Anjos

Pós-graduação em Letras - FCLAS

Lavoura arcaica: diálogos entre literatura e cinema e outras interfaces

Tendo como objeto de estudo o livro Lavoura arcaica, de Raduan Nassar, e a obra cinematográfica homônima, de Luiz Fernando Carvalho, este trabalho se debruça sobre as análises possíveis no processo de adaptação como recriação da obra, interpretando temas como a família, as paixões proibidas e o trágico. Para tal estudo, a visão teórica de autores como Freud, Bataille, Marcuse, Bakhtin e Nietzsche, em seus pontos convergentes, auxilia a compreensão secular de interditos, proibições e transgressões, presentes na obra de Nassar.

A eloquência no pensamento político de Thomas Hobbes

A presente pesquisa propõe-se a analisar os pressupostos teóricos que servem de apoio para Hobbes fundamentar a sua ciência civil, a qual aparentemente denotaria certa contradição quanto ao fato de ele lançar mão da eloquência enquanto arte da retórica implicitamente nos Elementos da Lei e no Do cidadão ao alinhar parte da bíblia sagrada à obediência civil. Ao mesmo tempo em que claramente o autor nas obras citadas acima condena o referido aspecto da eloquência, paradoxalmente, nas suas duas obras políticas posteriores, Leviatã e Behemoth, Hobbes lança mão explicitamente desta, chegando à conclusão de que ela é necessária como força coadjuvante da razão para conformar as paixões humanas na obediência civil.

A rainha e o general - uma leitura foucaultiana do diário íntimo de Couto de Magalhães

O artigo discute as contribuições da obra de Michel Foucault para a compreensão dos registros íntimos que o general brasileiro José Vieira Couto de Magalhães fez em seu próprio diário, escrito em sua maior parte em Londres, na segunda metade do século XIX, época supostamente marcada pelos rigores repressivos da moral vitoriana. Ao registrar detalhadamente sua intimidade, seus sonhos eróticos hetero e homossexuais, bem como condutas e paixões sexuais consideradas àquela época como desviadas da normalidade, o diário íntimo de Couto de Magalhães constitui um reforço da crítica à "hipótese repressiva" desenvolvida por Foucault em seu projeto de uma história da sexualidade. Por outro lado, evidencia-se a legitimidade dos diários íntimos enquanto fonte de pesquisa nas ciências sociais.