Sophocles.

Biographical sketch of Sophocles.--Ajax.--Electra.--Philoctetes.--Antigone.--Trachiniæ.--Œdipus tyrannus.--Œdipus coloneus.

Sophocles /

Text in Greek; editorial matter in English.

Sophokles /

Greek text, commentary in German.

Plays, by Greek, Spanish, French, German and English dramatists,

--v. 1. [Eschylus] Prometheus bound. [Sophocles] Oedipus rex. [Euripides] Medea. [Aristophanes] The knights. [Calderon, P.] Life a dream. [Molière, J.B.P.] The misanthrope. [Racine, J.B.] Phædra. [Goldsmith, O.] She stoops to conquer.--v. 2. [Goethe, J.W. von] Faust. [Sheridan, R.B.] The rivals. [Schiller, F. von] Mary Stuart. [Ibsen, H.] A doll's house. [Sardou, V.] Les pattes de mouche.

Nine Greek dramas /

The house of Atreus (Aeschylus) tr. by E.D.A. Morshead.- Prometheus bound (Aeschylus) tr. by E.H. Plumptre.- Oedipus, the king (Sophocles).- Antigone (Sophocles) tr. by E.H. Plumptre.- Hippolytus (Euripides).- The Bacchae (Euripides) tr. by Gilbert Murray.- The frogs (Aristophanes) tr. by B.B. Rogers.

[Sophokles' und Euripides' ausgewählte dramen] mit rücksicht auf die bvühne übertragen /

Volume 1 has special title-page only: Drei tragödien des Sophokles mit Euripides' satyrspiel.

O teatro de Elias Canetti em diálogo com a pós-modernidade

The purpose of this dissertation is to analyse the dramaturgic work of the Bulgarian author Elias Canetti, composed by the plays The Wedding, Comedy of Vanity and Their Days are Numbered, seeking to comprehend how the contemporary critic theories act on his trilogy, making a dialogue with theoretical references which may justify its approaching to the postmodernism. In this perspective, the theories by Jean-François Lyotard, Fredric Jameson and Jürgen Habermas contribute for a better comprehension of the postmodernity phenomenon. Undertaking Canetti’s notes and theatre with the philosophical concepts of Adorno’s negative aesthetics, we realise there is a space to reflect upon the theories which befell, like Foucault’s power relations in Micro-physics of Power and the discourses of resistance and deterritorialisation developed by Deleuze and Guattari in A Thousand Plateau and Anti-Oedipus. Even though Canetti’s plays were written between 1932 and 1956, all of them show a strong critic against modernism, and their characteristics did not help their recognition by the critics, which resulted in a rediscovery of Canetti’s plays after the author won the Nobel Prize in 1981.

Fronteras en construcción: Diferenciación social y desterritorialización en el Sur ibérico (siglos IX-VI a.C.)

Durante las tres últimas décadas, numerosos/as arqueólogos/as han discutido extensamente sobre el ritual funerario original de las poblaciones del sur ibérico entre los siglos ix y vi a.c., esto es, cremación o inhumación. Este debate está además conectado con la existencia o no de complejidad social antes de la llegada fenicia, con la aparición de una élite “orientalizada” y con la adopción de nuevos objetos y prácticas por las poblaciones locales. En este artículo hago uso del concepto deleuziano de “desterritorialización” y lo asocio con el de “frontera” desarrollado por anzaldúa para interpretar la sociedad del sur ibérico. Para ello, analizo la evidencia funeraria indígena y cuestiono la división estricta entre cremación e inhumación en la región; así como examino la profundidad y significado de los cambios funerarios en las comunidades locales.

Reconsidering the relationship between early Gothic literature and the Greek classics: the cases of William Beckford and Matthew G. Lewis

The view that Gothic literature emerged as a reaction against the prominence of the Greek classics, and that, as a result, it bears no trace of their influence, is a commonplace in Gothic studies. This thesis re-examines this view, arguing that the Gothic and the Classical were not in opposition to one another, and that Greek tragic poetry and myth should be counted among the literary sources that inspired early Gothic writers. The discussion is organised in three parts. Part I focuses on evidence which suggests that the Gothic and the Hellenic were closely associated in the minds of several British literati both on a political and aesthetic level. As is shown, the coincidence of the Hellenic with the Gothic revival in the second half of the eighteenth century inspired them not only to trace common ground between the Greek and Gothic traditions, but also to look at Greek tragic poetry and myth through Gothic eyes, bringing to light an unruly, ‘Dionysian’ world that suited their taste. The particulars of this coincidence, which has not thus far been discussed in Gothic studies, as well as evidence which suggests that several early Gothic writers were influenced by Greek tragedy and myth, open up new avenues for research on the thematic and aesthetic heterogeneity of early Gothic literature. Parts II and III set out to explore this new ground and to support the main argument of this thesis by examining the influence of Greek tragic poetry and myth on the works of two early Gothic novelists and, in many ways, shapers of the genre, William Beckford and Matthew Gregory Lewis. Part II focuses on William Beckford’s Vathek and its indebtedness to Euripides’s Bacchae, and Part III on Matthew Gregory Lewis’s The Monk and its indebtedness to Sophocles’s Oedipus Tyrannus. As is discussed, Beckford and Lewis participated actively in both the Gothic and Hellenic revivals, producing highly imaginative works that blended material from the British and Greek literary traditions.

Édipo(s): Análise de édipo a partir da obra de Sófocles

Dissertação de Mestrado apresentada ao Instituto Superior de Psicologia Aplicada para obtenção de grau de Mestre na especialidade de Psicologia Clínica.

A agonia do insecto: Abordagem psicológica à obra de Franz Kafka

Dissertação de Mestrado apresentada ao Instituto Superior de Psicologia Aplicada para obtenção de grau de Mestre na especialidade de Psicologia Clínica.

THE REPRESENTATION OF PERSON IN JESUS’ PARABLE “THE GOOD SAMARITAN”

The research presented in this paper aims to analyze the representation in the Jesus’ parable The Good Samaritan, specifically, their persons, questioning the character “amimético”/mimetic that narrative category. With brief descriptions of the person of Sophocles' tragedy - Oedipus, the survey highlights the main features of the narratives Greek and Judeo-Christian, to submit their respective characters based on assumptions about mimesis and metaphor. The study indicates an eminently bibliographic research, based on the poetics of Aristotle (1973), assumptions about mimesis, metaphor and parable, studies guided by Costa (1992), Le Guern (1976), Lockyer (2006), Lopes (1987), Sant'anna (2010) and Spina (1967). The survey allowed the perception of speech introduced by literary art, through the representation, so that the parable study demonstrates that the author used a narrative language appropriate to his interlocutors, with daily themes, and therefore constructed a strategy to achieve their educational goals. This art of narrating stories also indicates knowledge moral, philosophical or religious, but this is, in general, unveiled by the representation of social types. In the parable analyzed, the character “metaphored” the moral sense that the narrator pointed, confronting concepts that your listener defended, showing him his "mistake" in the interpretation of Jewish Moral Law.

Oedipos hermeneut – the poetic-ontological dimension of the tragedy

This work intends to dialogue with questions of Oedipus, the mythical character, brought about by Sophocles tragic drama. In his reflective journey in search of his being, especially in the play Oedipus Rex, Oedipus investigates its own path to death. We propose reflect the death as a condition of possibility for the emergence of Oedipus as from his own ruins. Thus, our assumption is that the uncovering Oedipus' truth culminate at the end of the play, with the death of one of his personas, one of the selves of character. The issue of the interpretation therefore is crucial, and it leads to the title of this work. Therefore Oedipus is a hermeneut in the extent that he interprets the enigma that structures his own mythical history.