Petri Labbe Societ. Jesu Elogia sacra, theologica & philosophica, regia, eminentia, illustria, historica, poetica, miscellanea : accessere Stephani Petiot Panegyrici duo, alter de Rupella expugnata, alter de Delphino : juxta exemplar Gratianopolitanum multo correctius illo quod erat excusum Venetiis : praefixa est aduersus hujus characteris contemptores praefatio Christiani Weissii.

Signatures: *-2*⁸, 3*⁴(-3*4), A-2T⁸, 2V⁴, a-d⁸.

Quatuor Evangelia in dialecto linguae copticae memphitica perscripta ad codd. ms. copticorum in Regia bibliotheca berolinensi adservatorum nec non libri a Wilkinsio emissi fidem, edidit, emendavit, adnotationibus criticis et grammaticis, variatibus lectionibus expositis atque textu coptico cum graeco comparato instruxit M.G. Schwartze ...

Mode of access: Internet.

Bioavailability of soil organic carbon and Fe as influenced by forestry practices in a subtropical coastal catchment

Potential impacts of plantation forestry practices on soil organic carbon and Fe available to microorganisms were investigated in a subtropical coastal catchment. The impacts of harvesting or replanting were largely limited to the soil top layer (0–10 cm depth). The thirty-year-old Pinus plantation showed low soil moisture content (Wc) and relatively high levels of soil total organic carbon (TOC). Harvesting and replanting increased soil Wc but reduced TOC levels. Mean dissolved organic carbon (DOC) and microbial biomass carbon (MBC) increased in harvested or replanted soils, but such changes were not statistically significant (P > 0.05). Total dithionite-citrate and aqua regia-extractable Fe did not respond to forestry practices, but acid ammonium oxalate and pyrophosphate-extractable, bioavailable Fe decreased markedly after harvesting or replanting. Numbers of heterotrophic bacteria were significantly correlated with DOC levels (P < 0.05), whereas Fe-reducing bacteria and S-bacteria detected using laboratory cultivation techniques did not show strong correlation with either soil DOC or Fe content.

Deceit and Bruno Taut's Glashaus

The historical context surrounding Bruno Taut's Glashaus has been established through work of authors like Reyner Banham, Dennis Sharp and Ian Boyd-Whyte. However, these English language translations, are mostly derived from secondary sources such as Adolf Behne and Paul Scheerbart. Surprisingly, Taut's own writings largely do not feature in this prevailing account of his work. Since 1990, strong doubts have arisen about this conventional picture of Taut's Glashaus. Manfred spiedel, for instance, minimizes Paul Scheerbart's contribution to the design by arguing that Scheerbart met Taut only a few months before the construction of the Glashaus, that is, after Taut had finished his preliminary sketches. Kurt Junghanns goes further and asserts that the Glashaus design was complete beefore Taut and Scheerbart ever met. In 2005, Kai Gutschow published The Culture of Criticism: Adolf Behne and the Development of Modern Architecture in Germany, 1910 - 1914. Most startling, Gutschow asserts that Behne acts as the propagandist for the Glashaus by fabricating its link with Expressionism. This is particularly troubling because nobody contributed more to establishing the link between the Glashaus, Bruno Taut and Expressionism than Behne. As a result of this new evidence, this paper concurs that the established historical understanding of the Glashaus is flawed. By returning to Taut's own writings, a reinterpretation can be offered that strongly links the Glashaus to the Victoria regia lily and Strasbourg Cathedral. The significance of this approach is that it re-establishes Taut's own rational behind the design of the Glashaus, and thus contributes to the re-evaluation of the generally accepted histories of the Modern movement.

Natures muses in Bruno Tuat’s Glashaus

Constructed for the 1914 Werkbund Exhibition in Cologne, Germany, the Glashaus was both a seminal example of early modernist architecture and Bruno Taut’s signature building. Over time, metaphors have come to be applied to the Glashaus. Within the realm of nature these metaphors include cosmic, geological, botanic and sexual. However these metaphors, like the history of the Glashaus, are not a foregone conclusion. Recently it has been argued that the majority of our current knowledge regarding the Glashaus derives not from the perspective of Bruno Taut as the architect, but rather directly from perspective of the art critic Adolf Behne. This argument goes further and proposes that Behne’s official history of Glashaus is possibly fabricated propaganda. So, if indeed the official history of the Glashaus is questionable, then too are the natural metaphors commonly applied to the building. By revisiting Bruno Taut’s pre-1915 writings, this investigation reveals that botanic metaphors appear to have been Taut’s primary source of inspiration for the design of the Glashaus. Through the exposure of this fact, this research contributes significantly to the current debates surrounding Bruno Taut, the Glashaus and the re-evaluation of the official histories of the modern movement.

The lily, client and measure of Bruno Taut’s Glashaus

The Glashaus is considered a significant exemplar of early modernist architecture and is generally accepted as having had Expressionist origins. However, current research has revealed that the design origins of this important building are not fully understood. While the historical record acknowledges the contributions of the bohemian poet Paul Scheerbart and the art critic Adolf Behne, the role of the Glashaus’ architect, Bruno Taut, has been moderated. In an attempt to rectify this situation this article proposes that the design origins of the Glashaus can be found in a strong architect-client interaction. It is argued that the Glashaus’ client, the Deutsche Luxfer Prismen Syndikat under the directorship of Frederick Keppler, exerted a significant influence on its design. In order to showcase the glazed products of Luxfer in the best manner possible, Keppler insisted that the design feature a glazed dome, electric lighting, a fountain as well as a cascade. Given the detailed stipulations of this brief, Taut had few options other than to offer interpretations of precedent that derived from the Victoria regia lily and Gothic proportioning. By expounding this architect-client relationship, this article expands our understanding of the Glashaus, and reinvigorates our understanding of this important early example of modern architecture.

Bruno Taut’s design inspiration for the Glashaus

As a formative exemplar of early architectural modernism, Bruno Taut’s seminal exhibition pavilion the Glashaus (literally translated Glasshouse) is logically part of the important debate of rethinking the origins of modernism. However, the historical record of Bruno Taut’s Glashaus has been primarily established by one art historian and critic. As a result the historical record of the Glashaus is significantly skewed toward a singlular notion of Expressionism and surprisingly excludes Taut’s diverse motives for the design of the building. In an effort to clarify the problematic historical record of the Glashaus, this book exposes Bruno Taut’s motives and inspirations for its design. The result is that Taut’s motives can be found in yet unacknowledged precedents like the botanical inspiration of the Victoria regia lily; the commercial interests of Frederick Keppler as the Director of the Deutche Luxfer Prismen Syndikat; and imitation that derived openly from the Gothic. The outcome is a substantial contribution to the re-evaluation of the generally accepted histories of the modern movement in architecture.

The host range of Isturgia deeraria, an insect considered for the biological control of Acacia nilotica in Australia

The geometrid caterpillar Isturgia deerraria was imported from Kenya into quarantine facilities in Australia as a potential biological control agent for prickly acacia, Acacia nilotica subsp. indica (Benth.) Brenan (family Mimosaceae). The insect was then tested on 30 plant species presented to neonate larvae as a no-choice cut foliage test and 13 plant species presented as a no-choice potted plant test. In these tests the insect was able to complete its life cycle on 13 native Acacia spp. and also on Acacia farnesiana and the exotic ornamental Delonix regia (family Caesalpiniaceae). The tests supported field observations that the insect has a host range spanning many leguminous species and as such the insect could not be considered for release in Australia.

Evaluación de cinco cultivares de cebolla (Allium cepa L.) amarilla dulce de exportación en el valle de Sébaco, Matagalpa

Con el propósito de evaluar el rendimiento y la adaptabilidad de cinco cultivares de cebolla ( Allium cepa L.) amarilla dulce de exportación, se realizó un ensayo en la zona de Sébaco durante el período de noviembre de 1 996 a Marzo de 1 997. El método de siembra utilizado fue el de trasplante. El diseño fue Bloques Completos al Azar con 4 repeticiones. La parcela experimental constó de 3.7 m de largo por 3.25 m de ancho. El área de la parcela útil fue de 4.3 m2. Las variables a medir parámetros fueron los siguientes: altura de planta, número de hojas, diámetro del cuello, diámetro del bulbo, peso de bulbo sano (rendimiento comercial), peso de bulbos dañados (rendimiento no comercial), rendimiento de bulbos totales en kg/ha., rendimiento exportable y rendimiento nacional (no exportable). En base al ANDEVA y prueba de Duncan al 5% se determinó que los cultivares Yellow granex (16 675 kg/ha) y Granex 33 (15 900 kg/ha) superaron en rendimiento al resto de los cultivares. El cultivar Regia presentó los rendimientos más bajos en comparación con el resto de los cultivares. Desde el punto de vista económico, el cultivar más rentable fué Yellow granex debido a su bajos costos presentando un rendimiento exportable más alto que el resto de los cultivares.

Isabel II y la fotografía : imágenes de una vida

Resumen: La adquisición de nuevos retratos de la reina Isabel II ha propiciado la revisión y puesta al día de un sugestivo corpus fotográfi co enormemente ilustrativo de la diversidad de recursos que la fotografía decimonónica ofrecía, así como de los cambios que afectaron al tema de la representación regia.

Las crónicas de Sancho IV: un indicio de la producción cronística durante los “oscuros” años posteriores a la muerte de Alfonso X

Resumen: La muerte de Alfonso X no significó el cese total de la actividad historiográfica castellana, sino más bien su continuación en una diversidad mayor de centros de producción, no necesariamente impulsados por una figura regia. Si bien hoy no existen testimonios de trabajos cronísticos del período que va desde 1284 hasta mediados del siglo XIII en donde se haga referencia a los reinados de Alfonso X, Sancho IV y Fernando IV, tenemos al menos cuatro crónicas distintas que refieren los hechos ocurridos en esos años, cuyas fuentes deberían haberse redactado en el lapso de tiempo mencionado: la Crónica de tres reyes, la Crónica de los reyes de Castilla de Jofré de Loaysa, la *Historia hasta 1288 dialogada, y la versión que transmite el manuscrito 1342 de la Biblioteca Nacional de Madrid (N3) que Catalán llama Historia en décadas. La enorme diferencia que existe entre estas obras vuelve discutible cualquier aseveración que pretenda establecer una relación genealógica entre unas y otras, lo cual nos obliga a pensar en la existencia de una abundante documentación preexistente en la que los autores se habrían basado para redactar textos que ostensiblemente develan, en un trabajo comparativo que el presente trabajo pretende realizar, orientaciones políticas diversas

Crecimiento de diez especies forestales para la producción de leña en Sébaco, Nicaragua

Este trabajo tienen como objeto evaluar el crecimiento de diez especies forestales, para la produccion de leña en la zona del valle de Sebaco, catalogada como critica en el abastecimiento de leña. la metodologias del establecimiento està descrita por CATIE (4) el ensayo fue establecido en 1982 en un diseño de bloques completa al azar (BCA) con cuatro repeticiones y diez tratamientos (las especies), el espaciamiento entre plantas en 2x2m y el nùmero de àrboles de la parcela ùtil fue de nueve. se realizaron cinco mediciones 0.5, 1.7, 2.9,3.8, y 4.7 años. las variables evaluadas fueron diametro, altura, sobrevivencia, área basal, volumen, numero de eje, ICA e IMA, los resultados sobresalientes lo siguiente analisis de varianza para todos las variables descritas a excepción del volumen, los tratamientos resultaron significativos al 5% no siendo así los bloques, las especies E. camaldulencis, E.citriodon, E.sepiun, E. Urophylla, fueron las que presentaron mejor comportamiento en sobrevivencia y volumen, seguida de L. Seemannii, D. regia, L. leucocephac y C. Velutine con baja sobrevivencia y volumen, C caluthyrsus y C. equisefifolia, mortalidad total. G. Sepium, L Seemannii y C. Catothyrssu prudujera mayor numero de eje/àrbol (2.27-5.40)

La dinámica del viaje en el contexto del Ms. Esc. K-III-4 : Libro de Apolonio, Vida de Santa María Egipciaca, Libro de los tres reyes de Oriente

Resumen: Los personajes de los tres poemas castellanos del temprano siglo XIII que componen el manuscrito K-III-4 de la Biblioteca de San Lorenzo de El Escorial (Libro de Apolonio, Vida de Santa María Egipciaca, Libro de los tres reyes de Oriente) viajan lamentando aquello que han perdido a causa de la ira regia, el propio pecado o la amenaza de muerte inminente, pero también para superar esas pérdidas. Esos viajes representan la medida de una aventura medieval cuya dinámica expresa la concepción profunda de la trayectoria vital como prueba cristiana, según se analizará en el presente trabajo.

Alvará, porque Vossa Alteza Real he servido revogar toda a prohibição, que havia, de fabricas, e manufacturas no Estado do Brazil, e dominios ultramarinos, na forma acima exposta : para Vossa Alteza Real João Alvares de Miranda Varejão o fez

Apresenta o alvará de 12 de abril de 1808, do Príncipe Regente D. João, que revoga o Alvará de 5 de janeiro de 1785, de Maria I, que extinguia a manufatura de tecidos no Brasil.

Convenção addicional ao Tratado de 22 de janeiro de 1815, entre os muito altos, e muito poderosos senhores El-Rei do Reino Unido de Portugal, do Brazil, e Algarves, El-Rei do Reino Unido da Grande Bretanha, e Irlanda : feita em Londres pelos Plenipotenciarios de huma e outra Corte em 28 de julho de 1817, e ratificada por ambas

Define ser lícito o tráfico de escravos nos territórios portugueses ao sul do Equador. Ou seja, em Angola e Moçambique.