La laïcité en France et au Québec : les trajets historiques vers les commissions Stasi et Bouchard-Taylor

Dans ce mémoire, l’auteur part d’un constat : deux commissions sont lancées au Québec et en France dans des contextes similaires d’intense débat social autour de la question de la laïcité. Même si la commission française réserve le rôle principal au concept de laïcité et que la commission québécoise l’examine parmi d’autres concepts, il est évident que la polémique québécoise des accommodements raisonnables en matière sociale et religieuse fait écho au débat du voile en France, les trames de lancement des commissions, une comparaison des concepts de laïcité est ainsi pertinente. Des modèles différents de laïcité des commissions mises en parallèle : une laïcité ouverte mettant davantage l’accent sur la liberté de conscience et permettant le port de signes religieux pour le Rapport Bouchard-Taylor et une laïcité ferme mettant en équilibre la liberté de conscience et l’égalité de traitement avec une nécessité de respect de l’ordre et de la neutralité d’un espace public, alors que le port d’objet religieux ostensibles est exclu de l’école publique pour le Rapport Stasi. Les trajectoires historiques menant à ces commissions permettent de dégager l’importance de moments clés dans la formation de la laïcité : les révolutions, l’installation des idéologies étatiques et l’institutionnalisation par le droit et l’éducation. Ces charnières par leur spécificité nationale contribuent à façonner les laïcités québécoise et française.

L'usage des sources primaires dans les manuels du secondaire en Histoire et éducation à la citoyenneté au Québec

Le Renouveau pédagogique, mis en place au Québec en 2005 à l’ordre secondaire, a eu pour effet de forcer plusieurs enseignants à remettre en question leurs pratiques pédagogiques avec l’approche par compétences. Considérant que les recherches sur l’ancien programme d’histoire ont démontré que les enseignants utilisaient la plupart du temps le manuel comme outil unique, que les manuels contenaient peu de sources primaires et que l’usage de sources est maintenant prescrit par le ministère de l’Éducation, du Loisir et du Sport, nous analysons dans cette recherche l’usage des sources primaires dans les nouveaux manuels d’Histoire et éducation à la citoyenneté du niveau secondaire. L’analyse de nos résultats nous a permis de fournir les outils nécessaires afin de répondre à notre question de recherche. Nous avons constaté la présence majoritaire des sources primaires dans les manuels. Par contre, celles-ci n’étaient pas toujours incluses dans une situation d’apprentissage avec au moins une compétence disciplinaire et, dans encore moins de cas, dans une tâche complexe en lien avec la méthode historique.

Mouldy mummies.

Con esta serie se quiere dar a conocer los hábitos higiénicos de las sociedades antiguas. Aquí, nos perdemos en los aromas del Antiguo Egipto, en la fragancia de los faraones en sus palacios y en la de los sudorosos obreros que trabajaban en la construcción de las pirámides.También, en el tufillo de los cadáveres antes de ser momificados para preservar sus cuerpos para la vida en el más allá.

Greek grime.

Con esta serie se quiere dar a conocer los hábitos higiénicos de las sociedades antiguas. En este caso, vemos cómo los antiguos griegos se esforzaban por mantener su limpieza corporal, rascandose la mugre y extendiendo después grasa. Los atletas solo llevaban sobre su cuerpo aceite de oliva y las señoras, se emborrachaban con los abundantes aceites perfumados sobre sus cuerpos. Conoce, también los truculentos detalles de la vida cotidiana, putrefacta de plagas y de chisporroteantes sacrificios.

Vïle vïkïngs.

Con esta serie se quiere dar a conocer los hábitos higiénicos de las sociedades antiguas. Ahora, conozcamos a los despiadados vikingos, el olorcillo de la vida a bordo de sus famosos barcos, llenos de animales y de mareados marineros. Veamos, también, sus sangrientas batallas y la horripilante estampa de sus enemigos derrotados, y nos deleitaremos con la fragancia de las fiestas para celebrar sus victorias.

Reeking royals.

Con esta serie se quiere dar a conocer los hábitos higiénicos de las sociedades antiguas. Conozcamos el olorcillo de antiguos aromas o a los perfumados soberanos de Oriente, o a Luis XIV de Francia con sus lujosos perfumes en Versalles. En cambio, Guillermo III el conquistador, era una podredumbre de cuerpo y Jorge III, sufrió terribles tratamientos para su enfermedad.

Wartime whiffs.

Con esta serie se quiere dar a conocer los hábitos higiénicos de las sociedades antiguas. Al repasar la historia vemos que está llena de conflictos violentos, por ello los olorcillos de la guerra no están demasiado lejos. Ya sea, Aníbal y sus elefantes contra los romanos, el mareo de los marineros de Nelson en Trafalgar, la lucha de la Guerra Civil Americana o la pesadilla de las trincheras en la Primera Guerra Mundial.

Victorian vapours.

Con esta serie se quiere dar a conocer los hábitos higiénicos de las sociedades antiguas. Ahora, a sumergirse en el oloroso mundo del siglo XIX. Un viaje en barco por el apestoso río Támesis, una visita a los tugurios de la ciudad de Londres, a las maravillas de la Gran Exposición y a los alrededores de las fábricas de la revolución industrial con sus asquerosas chimeneas. También, observar los jardines privados y descubrir la verdad sobre la repugnante vida cotidiana de la Gran Bretaña de época victoriana.

Medieval muck.

Con esta serie se quiere dar a conocer los hábitos higiénicos de las sociedades antiguas. Retrocedemos en el tiempo a la mugrienta Edad Media. Chapotear en las abarrotadas calles de una ciudad o revolcarse en la suciedad del mortífero calabozo de un castillo. Disfrutar de los aromas y especias traídas de Tierra Santa por los caballeros cruzados, pero no de las repugnantes enfermedades que también llegaron. Pero, se puede escapar de todo esto, al disfrutar de los jardines de los monasterios, llenos de divinas hierbas y fragantes flores.

Sobre la Girona Constitucional (1820-1823)

Sobre la Girona Constitucional del trienni 1820-1823, en base la documentació existent a l'Arxiu Municipal i a l'Arxiu Diocesà

Anestésicos locais: interação com membranas biológicas e com o canal de sódio voltagem-dependente

Fundação de Amparo à Pesquisa do Estado de São Paulo (FAPESP)

Marxismo e filosofia: algumas considerações sobre os textos políticos Merleau-Pontyanos do pós-guerra

A tentativa merleau-pontyana de aproximação do marxismo, empreendida nos idos do pós-guerra, é perpassada por constante ambigüidade. Não obstante o propósito do filósofo de se filiar à teoria de Marx, suas análises políticas revelam-se distantes de suas intenções. Concebendo a história como uma aventura que escapa a qualquer esquema racional, Merleau-Ponty questiona, desde seus primeiros escritos, a dialética marxista entre lógica e contingência na história. A tensão interna que dilacera os textos do autor nos anos 40, anunciando (e preparando) a recusa da teoria da revolução estampada mais tarde nas Aventuras da Dialética, permite indagar se esse desfecho dos anos 50 não teria sido, ao invés de um corte no interior da obra, o resultado necessário dessa tentativa problemática de aproximação do marxismo a partir de categorias que lhe são estranhas (próprias às filosofias da existência e à fenomenologia).

Mammal defaunation as surrogate of trophic cascades in a biodiversity hotspot

Preserving large tracts of natural habitats is essential to maintain biodiversity. Nevertheless, even large areas may still suffer from less visible impacts such as loss of ecological processes. Because mapping ecological processes over large scales is not practical, an alternative is to map surrogate species that are key for those processes. In this study, we chose four species of Neotropical large mammals (the largest apex predator: jaguar - Panthera onca; the largest herbivore: tapir - Tapirus terrestris; the largest seed predator: white-lipped peccary - Tayassu pecari; and the largest arboreal seed disperser: muriqui - Brachyteles spp.) in an ecosystem with an old history of human impact (the Atlantic Forest) to test whether areas with native forest still harbor ecological processes that may guarantee long-term ecosystem maintenance. We gathered 94 locations with recent presence of the four species to map current ranges and model suitable areas. Our results reveal that 96% of the remaining Atlantic Forest is depleted of at least one of the four surrogate species and 88% is completely depleted of all four surrogate species. We also found that only 16% is still environmentally suitable for all four, and 55% is completely unsuitable to all four of them. Our study highlights the importance of looking beyond land cover to fully depict intactness of natural areas, and suggests that ecosystems with a long history of human impact (such as the Atlantic Forest) may be suffering from ecological impacts not seen at a first glance. © 2013 Elsevier Ltd.

A cultura política da revolução latino-americana na década de 1960: Régis Debray e o foquismo

Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)

Problem of Tragedy and Tragic Consciousness in Russia at the turn of the 19th Century

This project intertwines philosophical and historico-literary themes, taking as its starting point the concept of tragic consciousness inherent in the epoch of classicism. The research work makes use of ontological categories in order to describe the underlying principles of the image of the world which was created in philosophical and scientific theories of the 17th century as well as in contemporary drama. Using these categories brought Mr. Vilk to the conclusion that the classical picture of the world implied a certain dualism; not the Manichaean division between light and darkness but the discrimination between nature and absolute being, i.e. God. Mr. Vilk begins with an examination of the philosophical essence of French classical theatre of the XVII and XVIII centuries. The history of French classical tragedy can be divided into three periods: from the mid 17th to early 19th centuries when it triumphed all over France and exerted a powerful influence over almost all European countries; followed by the period of its rejection by the Romantics, who declared classicism to be "artificial and rational"; and finally our own century which has taken a more moderate line. Nevertheless, French classical tragedy has never fully recovered its status. Instead, it is ancient tragedy and the works of Shakespeare that are regarded to be the most adequate embodiment of the tragic. Consequently they still provoke a great number of new interpretations ranging from specialised literary criticism to more philosophical rumination. An important feature of classical tragedy is a system of rules and unities which reveals a hidden ontological structure of the world. The ontological picture of the dramatic world can be described in categories worked out by medieval philosophy - being, essence and existence. The first category is to be understood as a tendency toward permanency and stability (within eternity) connected with this or that fragment of dramatic reality. The second implies a certain set of permanent elements that make up the reality. And the third - existence - should be understood as "an act of being", as a realisation of permanently renewed processes of life. All of these categories can be found in every artistic reality but the accents put on one or another and their interrelations create different ontological perspectives. Mr. Vilk plots the movement of thought, expressed in both philosophical and scientific discourses, away from Aristotle's essential forms, and towards a prioritising of existence, and shows how new forms of literature and drama structured the world according to these evolving requirements. At the same time the world created in classical tragedy fully preserves another ontological paradigm - being - as a fundamental permanence. As far as the tragic hero's motivations are concerned this paradigm is revealed in the dedication of his whole self to some cause, and his oath of fidelity, attitudes which shape his behaviour. It may be the idea of the State, or personal honour, or something borrowed from the emotional sphere, passionate love. Mr. Vilk views the conflicting ambivalence of existence and being, duty as responsibility and duty as fidelity, as underlying the main conflict of classical tragedy of the 17th century. Having plotted the movement of the being/existence duality through its manifestations in 17th century tragedy, Mr. Vilk moves to the 18th century, when tragedy took a philosophical turn. A dualistic view of the world became supplanted by the Enlightenment idea of a natural law, rooted in nature. The main point of tragedy now was to reveal that such conflicts as might take place had an anti-rational nature, that they arose as the result of a kind of superstition caused by social reasons. These themes Mr. Vilk now pursues through Russian dramatists of the 18th and early 19th centuries. He begins with Sumarakov, whose philosophical thought has a religious bias. According to Sumarakov, the dualism of the divineness and naturalness of man is on the one hand an eternal paradox, and on the other, a moral challenge for humans to try to unite the two opposites. His early tragedies are not concerned with social evils or the triumph of natural feelings and human reason, but rather the tragic disharmony in the nature of man and the world. Mr Vilk turns next to the work of Kniazhnin. He is particularly keen to rescue his reputation from the judgements of critics who accuse him of being imitative, and in order to do so, analyses in detail the tragedy "Dido", in which Kniazhnin makes an attempt to revive the image of great heroes and city-founders. Aeneas represents the idea of the "being" of Troy, his destiny is the re-establishment of the city (the future Rome). The moral aspect behind this idea is faithfulness, he devotes himself to Gods. Dido is also the creator of a city, endowed with "natural powers" and abilities, but her creation is lacking internal stability grounded in "being". The unity of the two motives is only achieved through Dido's sacrifice of herself and her city to Aeneus. Mr Vilk's next subject is Kheraskov, whose peculiarity lies in the influence of free-mason mysticism on his work. This section deals with one of the most important philosophical assumptions contained in contemporary free-mason literature of the time - the idea of the trinitarian hierarchy inherent in man and the world: body - soul - spirit, and nature - law - grace. Finally, Mr. Vilk assess the work of Ozerov, the last major Russian tragedian. The tragedies which earned him fame, "Oedipus in Athens", "Fingal" and "Dmitri Donskoi", present a compromise between the Enlightenment's emphasis on harmony and ontological tragic conflict. But it is in "Polixene" that a real meeting of the Russian tradition with the age-old history of the genre takes place. The male and female characters of "Polixene" distinctly express the elements of "being" and "existence". Each of the participants of the conflict possesses some dominant characteristic personifying a certain indispensable part of the moral world, a certain "virtue". But their independent efforts are unable to overcome the ontological gap separating them. The end of the tragedy - Polixene's sacrificial self-immolation - paradoxically combines the glorification of each party involved in the conflict, and their condemnation. The final part of Mr. Vilk's research deals with the influence of "Polixene" upon subsequent dramatic art. In this respect Katenin's "Andromacha", inspired by "Polixene", is important to mention. In "Andromacha" a decisive divergence from the principles of the philosophical tragedy of Russian classicism and the ontology of classicism occurs: a new character appears as an independent personality, directed by his private interest. It was Katenin who was to become the intermediary between Pushkin and classical tragedy.