Juma al-Majid Center for Culture and Heritage Competition, Dubai, United Arab Emirates, 1993 (unbuilt project)

[Conceptual Sketch], untitled. Ink and blue, orange and green pencil sketch on tracing paper, 18x37 inches [from photographic copy by Lance Burgharrdt]

Juma al-Majid Center for Culture and Heritage Competition, Dubai, United Arab Emirates, 1993 (unbuilt project)

[Conceptual Sketches], untitled. Ink sketches on tracing paper, 12x24 inches [from photographic copy by Lance Burgharrdt]

Juma al-Majid Center for Culture and Heritage Competition, Dubai, United Arab Emirates, 1993 (unbuilt project)

[Conceptual Sketches], untitled. Ink sketches on tracing paper, 18x22 inches [from photographic copy by Lance Burgharrdt]

Juma al-Majid Center for Culture and Heritage Competition, Dubai, United Arab Emirates, 1993 (unbuilt project)

[Conceptual Sketch], untitled. Ink sketch with marker coloring on tracing paper, 18x38 inches [from photographic copy by Lance Burgharrdt]

Juma al-Majid Center for Culture and Heritage Competition, Dubai, United Arab Emirates, 1993 (unbuilt project)

[Conceptual Sketch], untitled. Ink sketch on tracing paper, 12 x 32 1/4 inches [from photographic copy by Lance Burgharrdt]

Juma al-Majid Center for Culture and Heritage Competition, Dubai, United Arab Emirates, 1993 (unbuilt project)

[Conceptual Sketch], untitled. Ink sketch with yellow marker coloring on tracing paper, 12x29 inches [from photographic copy by Lance Burgharrdt]

Juma al-Majid Center for Culture and Heritage Competition, Dubai, United Arab Emirates, 1993 (unbuilt project)

[Conceptual Sketch], untitled. Ink sketch with blue marker coloring on tracing paper, 12 x 23 1/4 inches [from photographic copy by Lance Burgharrdt]

Juma al-Majid Center for Culture and Heritage Competition, Dubai, United Arab Emirates, 1993 (unbuilt project)

[Conceptual Sketch], untitled. Ink sketch with blue marker coloring on tracing paper, 12 x 19 3/4 inches [from photographic copy by Lance Burgharrdt]

Juma al-Majid Center for Culture and Heritage Competition, Dubai, United Arab Emirates, 1993 (unbuilt project)

[Conceptual Sketch], untitled. Brown ink sketch on tracing paper, 14 1/2 x 18 inches [from photographic copy by Lance Burgharrdt]

Juma al-Majid Center for Culture and Heritage Competition, Dubai, United Arab Emirates, 1993 (unbuilt project)

[Conceptual Sketch], untitled. Ink sketch with marker coloring on tracing paper, initialed, 18 3/4 x 18 inches [from photographic copy by Lance Burgharrdt]

A memoir of the construction, cost, and capacity of the Croton aqueduct, compiled from official documents; together with an account of the civic celebration of the fourteenth October, 1842, on occasion of the completion of the great work: preceded by a preliminary essay on ancient and modern aqueducts.

Goldsmiths'-Kress no. 33456.15.

What is history? Five lectures on the modern science of history,

--Historical development and present character of the science of history.--The general course of German history from a psychological point of view.--The transition to the psychic character of the German present; universal mechanism of psychic periods of transition.--Psychology of the periods of culture in general.--Problems of universal history.

The place of science in modern civilisation and other essays /

"Reprinted from various periodicals, running over a period of about twenty years."

The Failures of Consent: How the (En)gendering of Sexual Scripts and Desire within Consensual Sex Preserves Rape Culture within the University

The epidemic of sexual assault on American university campuses that was first acknowledged by Mary P. Koss in 1987 has resulted in the centering of consent as a key way of distinguishing between acceptable, normal sex and unacceptable, punishable sex. Unfortunately, various experiences of sex that fit within the acceptable, normal sex category according to university policy frameworks can often have just as detrimental side effects on women as rape does. The need to investigate how simplistic notions of consent might be failing women in challenging rape culture then becomes paramount. This paper uses a mix of intersectional feminist theory and script theory to provide an analytical review of contemporary writings and studies derived from various books, journals, and news articles on sexual assault and consent movements available through the University of Washington library system and various online resources. The findings include how various forms of apparently consensual sex such as coerced sex, compliant sex, and even enthusiastic, pleasurable sex can play into upholding rape culture, harm women disproportionately, and uphold men’s systemic power. By becoming involved in the continued modern discussions of consent, this paper seeks to redirect the current discourse on sexual consent now common on university campuses in hopes of broadening our perception of consensual sex and more adequately challenge rape culture.

Female Exiles in Language: Reading for New Poetic Subjects in Modern and Contemporary Feminist Experimental Poetry

Thesis (Ph.D.)--University of Washington, 2016-06