Supplement to the 25th, 35th, 45th, 55th, 65th, 75th annual report of the registrar-general of births, deaths and marriages in England ... 1862, 1872, 1882, 1892, 1902, 1912, [Mortality in England and Wales during the period of ten years 1851-60, 1861-60, 1871-80, 1881-90]

Compilers: William Farr, 1862, 1872.--William Ogle, 1882.--John Tatham, 1892.

An entirely original comic opera in two acts entitled The Gondoliers, or, The King of Barataria /

Mode of access: Internet.

Modern American lathe practice; a new complete and practical work on the "king of machine shop tools," the American lathe. Giving its origin and development. Its design. Its various types as manufactured by different builders ... etc.

Mode of access: Internet.

The visitation of the county of Lincoln made by Sir Edward Bysshe, knight, Clarenceux king of arms, in the year of Our Lord 1666 /

Mode of access: Internet.

A catalogue of the flowering plants and higher cryptogams, both native and introduced, found within about thirty miles of Hanover, N. H., including a few cultivated species, to which is appended a list of vertebrate animals of the same region.

Spine title: Plants & vertebrates of Hanover, N.H.

King of the Renaissance: Art and Politics at the Neapolitan Court of Ferrante I, 1458-1494

In the second half of the fifteenth century, King Ferrante I of Naples (r. 1458-1494) dominated the political and cultural life of the Mediterranean world. His court was home to artists, writers, musicians, and ambassadors from England to Egypt and everywhere in between. Yet, despite its historical importance, Ferrante’s court has been neglected in the scholarship. This dissertation provides a long-overdue analysis of Ferrante’s artistic patronage and attempts to explicate the king’s specific role in the process of art production at the Neapolitan court, as well as the experiences of artists employed therein. By situating Ferrante and the material culture of his court within the broader discourse of Early Modern art history for the first time, my project broadens our understanding of the function of art in Early Modern Europe. I demonstrate that, contrary to traditional assumptions, King Ferrante was a sophisticated patron of the visual arts whose political circumstances and shifting alliances were the most influential factors contributing to his artistic patronage. Unlike his father, Alfonso the Magnanimous, whose court was dominated by artists and courtiers from Spain, France, and elsewhere, Ferrante differentiated himself as a truly Neapolitan king. Yet Ferrante’s court was by no means provincial. His residence, the Castel Nuovo in Naples, became the physical embodiment of his commercial and political network, revealing the accretion of local and foreign visual vocabularies that characterizes Neapolitan visual culture.

The importance of being Alfred -- from the king of West Saxons to Nobel

The article appeared in a Festschrift devoted to a distinguished Polish linguist Professor Alfred F. Majewicz. It discusses the Christian name Alfred born by the Jubilarian in its various aspects: its Anglo-Saxon origins, etymology and popularity (past and present) in various European countries, with particular emphasis on Poland. It also presents some famous people, literary characters and pop culture heroes bearing this name.

Pisma historyczne /

Includes bibliographical references.

Lingard's History of England : newly abridged and brought down to the accession of King Edward VII /

Mode of access: Internet.

Collecting the Painted Netherlands: The Art Collection of Ernest of Austria in Brussels

The (art) collection of Archduke Ernest of Austria (1553-1595) is widely unknown when it comes to early-modern Habsburg collections. Ernest, younger brother of Emperor Rudolf II (b. 1552) and educated at the Madrid court, was appointed Governor-General of the Netherlands by King Philip II of Spain, his uncle, in summer 1593. Ernest relocated his court from Vienna to Brussels in early 1594 and was welcomed there with lavish festivities: the traditional Blijde Inkomst, Joyous Entry, of the new sovereign. Unfortunately, the archduke died in February 1595 after residing in Brussels for a mere thirteen months. This investigation aims to shed new light on the archduke and his short-lived collecting ambitions in the Low Countries, taking into account that he had the mercantile and artistic metropolis Antwerp in his immediate reach. I argue, that his collecting ambitions can be traced back to one specific occasion: Ernest’s Joyous Entry into Antwerp in June 1594. There the archduke received a series of six paintings of Pieter Bruegel the Elder (1525/30-1569) known as The Months (painted in 1565), hanging today in separate locations in Vienna, New York and Prague. These works of art triggered Ernest’s collecting ambitions and prompted him to focus mainly on works of art and artefacts manufactured at or traded within the Netherlands during the last eight months of his lifetime. Additionally, it will be shown that the archduke was inspired by the paintings’ motifs and therefore concentrated on acquiring works of art depicting nature and landscape scenes from the 1560s and 1590s. On the basis of the archduke’s recently published account book (Kassabuch) and of the partially published inventory of his belongings, it becomes clear that Ernest of Austria must be seen in line with the better-known Habsburg collectors and that his specific collection of “the painted Netherlands” can be linked directly to his self-fashioning as a rightful sovereign of the Low Countries.

Here, there and everywhere, being the second part of "'Twixt old times and new" /

His Majesty King Ernestus Augustus of Hanover and the Iron Duke -- A page from the history of the Guelphs -- General Bosco -- Monseigneur Dupanloup -- The Empress Carlota's ride to Calvary -- Saxony saved by two yards of ribbon -- Thiers as Warwick of the second empire -- The Red Prince of Prussia and the white horse of Hanover -- General Gordon -- From Loanda to Zanzibar -- Bismarckiana -- "Rejected love" -- How to become a mistress of the robes -- A royal undertaker -- How to unhook a grand cordon -- Oscar -- Parisiana -- A well-deserved lesson -- Princess Metternich's madman.

On the increase of royal power in France under Philip Augustus, 1179-1223 /

Vita.

The Countess Cosel; a romance of history of the times of Augustus the Strong,

Mode of access: Internet.

Catalogue of a most interesting collection of manuscripts and books, of the poet Gray : the whole in beautiful condition : also of various editions of his works; a posthumous bust; a painting, "View of Gray's tomb and churchyard", by Baron; five original drawings by Westall, R. A.; &c. &c. which will be sold by auction, by Messrs. S. Leigh Sotheby & John Wilkinson ... at their house ... on Thursday, August 28th, 1851.

Library copy includes pen notations of prices realized.

Report to the Right Hon. the Lord Chief Baron, and the Hon. the Barons of His Majesty's Court of Exchequer in Scotland, by the King's Remembrancer, relative to the tomb of King Robert the Bruce, and the Cathedral Church of Dunfermline.

Mode of access: Internet.