Encontro Anual de Iniciação Científica 2012/2013 : Resumos dos Trabalhos

Traz os resumos dos trabalhos desenvolvidos pelos bolsistas do PIC da DIREITO GV dos anos 2012/2013

Pesquisador da FGV/DAPP participa do principal encontro de estatística do Brasil

O pesquisador da FGV/DAPP João Victor participou, durante o mês de Julho, do 21º SINAPE - Simpósio Nacional de Probabilidade e Estatística, em Natal, a principal reunião científica da comunidade estatística brasileira. Durante uma semana, o pesquisador da DAPP participou de palestras e minicursos e apresentou seu projeto sobre Ferramentas para Formatação e Verificação de Microdados de Pesquisas, sob orientação do atual presidente-eleito do International Statistical Institute, Pedro Luis do Nascimento Silva.

Palestras e eleição marcam o XIV encontro dos executivos de futebol

Dados retirados da ABEX Futebol

10º Encontro Brasileiro de Finanças: parte: I: ano 2010

Participantes do 10° Encontro da Sociedade Brasileira de Finanças (SBfin) comentam o evento

10º Encontro Brasileiro de Finanças: parte II: ano 2010

Participantes do 10° Encontro da Sociedade Brasileira de Finanças (SBfin) comentam o evento

10º Encontro Brasileiro de Finanças: parte III: ano 2010

Participantes do 10° Encontro da Sociedade Brasileira de Finanças (SBfin) comentam o evento

Encontro de revistas científicas

Editores das revistas científicas Journal of Operations and Supply Chain Management (JOSCM) e Revista de Administração de Empresas (RAE) falam sobre o processo de seleção de artigos acadêmicos

Encontro generativo

Oficina de Ikebamas ministrada pelas professoras Rumilda Fernandes e Ideli Domingues no Centro de Estudos em Sustentabilidade da FGV, dia primeiro de outubro

O Sangyo em Dolls: um encontro do Bunraku com Takeshi Kitano

This work aims to investigate the relationship between the Bunraku theater and the film Dolls (2002), by the Japanese director Takeshi Kitano. To do so, it was initially done a theoretical study of this theater, detailing its key elements, and thus allowing a direct analysis of the film to be made. The main objective here was to reveal the film‟s connections with the Bunraku. The Sangyo refers to the simultaneous presence of three arts in the Bunraku theater: the narrative, the music and the manipulation of puppets. In Dolls, the director Takeshi Kitano presents a narrative through three different stories, all built with references to the Bunraku. As in the theater the three distinct arts harmonize on stage, in Dolls three separate stories will perform in harmony within the film. By confronting the Bunraku Theater with the film Dolls, the intention is to establish the connections between the scenic language of the Bunraku, the dramaturgy of Chikamatsu and also the cinema of Kitano. These connections allow to the understanding of how characteristics of a secular art, governed by strong rules and conventions, can be presented again through another language: the cinematic language and its particular set of codes and conventions

Campo e contracampo : o encontro com o outro no filme Lavoura Arcaica

This dissertation aims to comprehend how we meet with the other at cinema. For this, it receives the doubt, the uncertainty, the way that the human being is unfinished as stance of observation. It takes into consideration the multiples social vectors, historical, subjective, temporal and cultural which constitute these phenomena. The cinema is used as a cognitive resource in order to incorporate the poetic and the imaginary, making possible not forgetting gestures and knowledge that hatch from sounds, colours, remembrances, images, words, social exchanges, cognitive reciprocity that allow us to think about the culture, the society and the communication. For this, it has as theoretical prerequisites ideas of double (myselfthe other) and effective participation (projection-identification) developed by Edgar Morin, as well as the idea of communication as possibility/impossibility of constructions of bonds with the other through the body, our primary media, concepts developed by Harry Pross and Norval Baitello Jr. The chosen film to analysis is Lavoura Arcaica, it is an emblematic movie in the discussion of the human condition and in the relationship between the man and its body, its desires, with its nature/culture ambivalence. About this film are made reflections about the process of activation of the double (myself-the other) in the searching for the other through cinematographically elements of construction, as: montage, direction, screenplay, actors, scenography, costumes and soundtrack. In conclusion, the cinema, when it allows the effective participation and provides t e experiment of the double, becomes a gateway line in the path to development of the alterity