Memoirs of the Queens of France.

"Dedicated, by express permission, to the Queen of the French; and containing a portrait and memoir of her majesty."

Jean de Reilhac, secrétaire, maître des comptes, géneral des finances et ambassadeur des rois Charles VII, Louis XI & Charles VIII. Documents pour servir à l'histoire de ces règnes de 1455 à 1499.

Preface signed. A. de R.

Personal memoirs of Charles the Second; with sketches of his court and times.

Mode of access: Internet.

The troublesome raigne of John, king of England. The first quarto, 1591, which Shakspere rewrote (about 1595) as his "Life and death of King John"...

"Forewords" to pt. II contain extracts from the sources of the play(Hall's and Holinshed's chronicles) : p. iii-xxxviii.

Memorials of Henry the Fifth, king of England,

Mode of access: Internet.

(Le) parlement de Paris de Philippe-le-Bel à Charles VII (1314-1422); son organisation.

Mode of access: Internet.

The royal martyr and The dutiful subject, in two sermons. The royal martyr lamented, in a sermon preached at the Savoy, on King Charles the Martyr's day, 1674/5.

Includes advertisement, p. 48.

Louise de Keroualle, duchess of Portsmouth, 1649-1734: society in the court of Charles II.

Published in 1897 under title: The court of Charles II., 1649-1734.

Modern American lathe practice; a new complete and practical work on the "king of machine shop tools," the American lathe. Giving its origin and development. Its design. Its various types as manufactured by different builders ... etc.

Mode of access: Internet.

The history of France under the Bourbons. 1589-1830.

Mode of access: Internet.

King of the Renaissance: Art and Politics at the Neapolitan Court of Ferrante I, 1458-1494

In the second half of the fifteenth century, King Ferrante I of Naples (r. 1458-1494) dominated the political and cultural life of the Mediterranean world. His court was home to artists, writers, musicians, and ambassadors from England to Egypt and everywhere in between. Yet, despite its historical importance, Ferrante’s court has been neglected in the scholarship. This dissertation provides a long-overdue analysis of Ferrante’s artistic patronage and attempts to explicate the king’s specific role in the process of art production at the Neapolitan court, as well as the experiences of artists employed therein. By situating Ferrante and the material culture of his court within the broader discourse of Early Modern art history for the first time, my project broadens our understanding of the function of art in Early Modern Europe. I demonstrate that, contrary to traditional assumptions, King Ferrante was a sophisticated patron of the visual arts whose political circumstances and shifting alliances were the most influential factors contributing to his artistic patronage. Unlike his father, Alfonso the Magnanimous, whose court was dominated by artists and courtiers from Spain, France, and elsewhere, Ferrante differentiated himself as a truly Neapolitan king. Yet Ferrante’s court was by no means provincial. His residence, the Castel Nuovo in Naples, became the physical embodiment of his commercial and political network, revealing the accretion of local and foreign visual vocabularies that characterizes Neapolitan visual culture.