Catherine of Bragança, infanta of Portugal, & queen-consort of England,

"Authorities consulted": p. ix-x.

Book of martyrs; or, A history of the lives, sufferings, and triumphant deaths of the primitive as well as Protestant martyrs: from the commencement of Christianity, to the latest periods of pagan and popish persecution. To which is added, an account of the Inquisition, the Bartholomew massacre, in France, the general persecution under Louis XIV, the massacre in the Irish rebellion ... 1641, and the recent persecutions of the Protestants in the south of France.

An abridgement of the author's Actes and monuments.

Memoirs of the Queens of France.

"Dedicated, by express permission, to the Queen of the French; and containing a portrait and memoir of her majesty."

Personal memoirs of Charles the Second; with sketches of his court and times.

Mode of access: Internet.

The troublesome raigne of John, king of England. The first quarto, 1591, which Shakspere rewrote (about 1595) as his "Life and death of King John"...

"Forewords" to pt. II contain extracts from the sources of the play(Hall's and Holinshed's chronicles) : p. iii-xxxviii.

Memorials of Henry the Fifth, king of England,

Mode of access: Internet.

The royal martyr and The dutiful subject, in two sermons. The royal martyr lamented, in a sermon preached at the Savoy, on King Charles the Martyr's day, 1674/5.

Includes advertisement, p. 48.

Louise de Keroualle, duchess of Portsmouth, 1649-1734: society in the court of Charles II.

Published in 1897 under title: The court of Charles II., 1649-1734.

Modern American lathe practice; a new complete and practical work on the "king of machine shop tools," the American lathe. Giving its origin and development. Its design. Its various types as manufactured by different builders ... etc.

Mode of access: Internet.

The history of France under the Bourbons. 1589-1830.

Mode of access: Internet.

King of the Renaissance: Art and Politics at the Neapolitan Court of Ferrante I, 1458-1494

In the second half of the fifteenth century, King Ferrante I of Naples (r. 1458-1494) dominated the political and cultural life of the Mediterranean world. His court was home to artists, writers, musicians, and ambassadors from England to Egypt and everywhere in between. Yet, despite its historical importance, Ferrante’s court has been neglected in the scholarship. This dissertation provides a long-overdue analysis of Ferrante’s artistic patronage and attempts to explicate the king’s specific role in the process of art production at the Neapolitan court, as well as the experiences of artists employed therein. By situating Ferrante and the material culture of his court within the broader discourse of Early Modern art history for the first time, my project broadens our understanding of the function of art in Early Modern Europe. I demonstrate that, contrary to traditional assumptions, King Ferrante was a sophisticated patron of the visual arts whose political circumstances and shifting alliances were the most influential factors contributing to his artistic patronage. Unlike his father, Alfonso the Magnanimous, whose court was dominated by artists and courtiers from Spain, France, and elsewhere, Ferrante differentiated himself as a truly Neapolitan king. Yet Ferrante’s court was by no means provincial. His residence, the Castel Nuovo in Naples, became the physical embodiment of his commercial and political network, revealing the accretion of local and foreign visual vocabularies that characterizes Neapolitan visual culture.

Peftjauawybast, king of Nen-nesut : genealogy, art history, and the chronology of late libyan Egypt

This paper argues in detail for the identification of Peftjauawybast, King of Nen-nesut (fl. 728/720 BC ), with Peftjauawybast, High Priest of Ptah in Memphis (fl. c. 790–780 BC2), known from the Apis stela of year 28 of Shoshenq III. This identification ties in with a significant lowering of the accepted dates for the kings from Shoshenq III, Osorkon III and Takeloth III to Shoshenq V, and the material culture associated with them. Such a shift seems to be supported by stylistic and genealogical evidence. As a consequence, it is further suggested that the Master of Shipping at Nen-nesut, Pediese i, was perhaps related by descent and marriage to the family of the High Priests of Memphis and King Peftjauawybast.

Charles I : unhero of royalist poetry

During the English Civil War, Charles I appeared as a character in Royalist poetry, both directly and allegorically. These depictions drew on ancient Roman epic poems, particularly Lucan’s De Bello Civili, in their treatment of the subject matter of civil war and Charles as an epic hero. Though the authors of these poems supported Charles, their depictions of him and his reign reveal anxiety about his weakness as a ruler. In comparison to the cults of personality surrounding his predecessors and the heroes of De Bello Civili, his cult appears bland and forced. The lack of enthusiasm surrounding Charles I may help to explain his downfall at the hands of his Parliamentarian opponents.