Sublime acts : desire in the studio

Acknowledging the recent call to review design creativity and consideration of the body's affective states in education, this paper explores how desire, conceptualized as an immanent force (Deleuze & Guattari, 1987) and an irresistible force (Burke, 1753) can be a means of deeper engagement within the design studio. Positing 'disruption or blockage' as a key agent which propels subjects from fields of normalcy to fields of otherness, and subsequently mobilises distinct modes of desire, this paper takes Edmund Burke's Romantic sublime and Patricia Yaeger's feminine sublime as critical lenses through which to review a first year interior program posited around the body. The paper highlights how the embodiment of 'desirous processes' within the design program and relational encounters within the studio represent an overarching pedagogical 'hinge' (Ellsworth, 2005). Rather than being a point of beginning, the start of first year is seen and experienced as a threshold opening to a new rhythm in a proces of becoming that is already underway.

Jean Baptiste Francois Pompallier, Thomas Arnold and Julian Edmund Tenison Woods and their contribution to the formation and development of Catholic schooling in Australasia

Histories of Catholic education have received little attention by Church historians and are usually written by members of the Catholic clergy, with a strong emphasis placed on the spiritual and building accomplishments of the bishops. This thesis examines the provision of Catholic Education in Australasia, with a focus on the contribution of three men, Jean Baptiste Francois Pompallier, Thomas Arnold and Julian Edmund Tenison Woods. These men received support from the female religious orders in the regions where they worked, frequently with little recognition or praise by Catholic Church authorities. The tenets of their faith gave Pompallier and Woods strength and reinforced their determination to succeed. Arnold, however, possessed a strong desire to change society. All three believed in the desirability of providing Catholic schooling for the poor, with the curriculum facilitating the acquisition of socially desirable values and traits, including obedience, honesty, moral respectability and a strong adherence to Catholic religious values. The beneficiaries included society, future employers, the Church, the children and their parents. With the exception of promoting distinctly Catholic religious values, Roman Catholic schools and National schools in Australasia shared identical objectives. Historians have neglected the contributions of these men.

In Response: "Oral versus IV treatment for catheter-related bloodstream infections - by Burke A. Cunha"

In his letter Cunha suggests that oral antibiotic therapy is safer and less expensive than intravenous therapy via central venous catheters (CVCs) (1). The implication is that costs will fall and increased health benefits will be enjoyed resulting in a gain in efficiency within the healthcare system. CVCs are often used in critically ill patients to deliver antimicrobial therapy, but expose patients to a risk of catheter-related bloodstream infection (CRBSI). Our current knowledge about the efficiency (i.e. costeffectiveness) of allocating resources toward interventions that prevent CRBSI in patients requiring a CVC has already been reviewed (2). If for some patient groups antimicrobial therapy can be delivered orally, instead of through a CVC, then the costs and benefits of this alternate strategy should be evaluated...

Corrections: Association of variants in MMEL1 and CTLA4 with rheumatoid arthritis in the Han Chinese population (Annals of the Rheumatic Diseases (2011) 70, (1793-1797))

Patrick Danoy, Meng Wei, Hadler Johanna, et al. Association of variants in MMEL1 and CTLA4 with rheumatoid arthritis in the Han Chinese population. Ann Rheum Dis 2011;70:1793–97. The following authors were listed as contributing equally to the study...

Portrait of Elsa Jonas, Emilie Schloss, Elsa, Paula, Frieda and Olga, participants in the "Baby Aufführung" ("Baby Performance") given at the wedding of Edmund and Ottilie.

Digital Image

Portrait of Elsa Jonas, Emilie Schloss, Elsa, Paula, Frieda and Olga, participants in the "Baby Aufführung" ("Baby Performance") given at the wedding of Edmund and Ottilie.

Digital Image

The sublime, affective process + architectural production

A year before Kate Nesbitt’s Theorising a New Agenda For Architecture (1996), the author penned a chapter on the significance of the sublime and its contribution to post-modern architecture via the uncanny or disturbing through the theories of Vidler and Eisenman (Nesbit, 1995). Twenty years on, we see its ongoing presence within the contemporary works of artists Kapoor, Ellison and Viola. Eisenmann and Libeskind aside, explicit reference to the Sublime whether through architectural praxis or theory appears to have been trumped by ecological derivatives and associated transactions, as catalyst for new architecture and architectural thinking. For Edmund Burke (1757), the Sublime was seen as a leading, an overpowering of self to a state of intense self-presence, often leading to a state of otherness. To experience the sublime is to experience affect, physiologically overwhelming the mental faculties through intensities of astonishment, terror, obscurity, magnificence, and reverence. Key here is Burke’s articulation of the stages of the sublime encounter, particularly so, its implications for the process of production which architectural theorists appear to have overstepped in their valorisation of the sublime object. This paper seeks to resituate the sublime within the context of architectural production. Through concepts such as material thinking, bodies and making strange, the paper explores a shift in focus toward affective processes traced from Burke’s inquiry. Rather than proposing strategies solely for affect within the work itself, the focus lies upon the designing experience, where blockage and desirous forces are critical partners in the process of production, as revealed through recent studio programs entitled Strange Space.

Baron Edmund Rothschild

Digital image

Baron Edmund de Rothschild Commemorative Coin

Obverse: Portrait of Baron Rothschild. Reverse: Inscription, emblem of the State of Israel.

Baron Edmund de Rothschild Commemorative Coin

Obverse: Portrait of Baron de Rothschild. Reverse: Emblem of the State of Israel, inscription

Prudentia Iuris, 1995, n° 40 (número completo)

Contenido: En defensa de la moralidad del Derecho / Daniel A. Herrera -- Los animales ¿tienen derechos? / Luis María Bandieri -- La estructura del orden moral : una introducción a la ética de cuño aristotélico-tomista / Félix A. Lamas -- Derecho, religión y tolerancia : reflexiones sobre un debate siempre actual / Maricruz Díaz de Terán Velasco -- Los buques públicos y el Derecho Internacional contemporáneo : el caso de la "Fragata ARA Libertad" / Leopoldo M. A. Godio -- El estado de derecho contra el estado de codicia : Edmund Burke contra la Compañía Británica de las Indias Orientales / Jakob Fortunat Stagl -- Los principios jurídicos : revisión histórica y concepción actual desde la perspectiva neoconstitucionalista / Florencia Ratti Mendaña -- Intervención de terceros en el amparo : comunidad de controversias y afectación de derechos / Guillermina Moreno -- Alcance y límites de la interpretación analógica / Juan Carlos Riofrío Martínez Villalba -- La fundamentación eugenésica del Artículo 86, inc. 2, del Código Penal y el fallo "F., A. L. s/medida autosatisfactiva" : convalidación de una teoría aberrante / Patricio J. López Díaz Valentín -- El bien común como fundamento de la responsabilidad del Estado / Florencia Quiroga ; María Ibarzábal ; Belén Abbondanza -- Notas y comentarios -- Documentos -- Recensiones

Problemas formales de la traducción de The Shepheards Calender de Edmund Spenser

Eguíluz, Federico; Merino, Raquel; Olsen, Vickie; Pajares, Eterio; Santamaría, José Miguel (eds.)

The sublime and its different perspective in the gothic literature

O objetivo da presente dissertação consiste em analisar o sublime, um conceito estético que vem sendo estudado desde os primeiros séculos. Tomamos como base a definição do sublime como algo paradoxal que cria o prazer e o medo ao mesmo tempo. Porém, o sublime apresenta especificidades que variam de acordo com o filósofo analisado. Neste trabalho, três críticos foram estudados: Longinus, Edmund Burke e Immanuel Kant. Assim, o sublime pode ser representado através da imensidão da natureza, do poder de uma criatura sobrenatural ou, até mesmo, através da sexualidade feminina. E, com o intuito de exemplificar essas diferentes perspectivas do sublime, buscamos obras da Literatura Gótica. Sendo esta uma vertente literária que buscava a oposição ao racionalismo trazido pelo movimento iluminista, as características sublimes foram essenciais para enfatizar a emoção. Para tal exemplificação, utilizamos trechos de dois romances góticos dos séculos XVIII e XIX, respectivamente: The Monk escrito por Matthew Lewis e Dracula escrito por Bram Stoker

A fundamentação do conhecimento: sentido e objetividade na fenomenologia de Edmund Husserl

A tese a seguir possui como tema norteador a questão da fundamentação do conhecimento em Edmund Husserl. No interior da fenomenologia husserliana, o questionamento epistemológico é colocado em novos termos, na medida em que ele passará a pressupor uma superação do lapso entre sujeito e objeto, bem como do consequente problema do acesso à realidade, tal como instaurados pelo pensamento moderno. Portanto, todo o nosso trabalho consiste em uma confrontação e reapropriação crítica de conceitos decisivos para a teoria do conhecimento, tais como os de, sentido, objeto, consciência, transcendência, entre outros.