Cannibale, Frigidaire, and the Multitude: Post-1977 Italian Comics through Radical Theory

A direct connection between comics and contemporary critical theory is to be found in the activity of the collective of artists who created "Cannibale" and "Frigidaire", the two most innovative Italian comics magazines of the late 1970s and early 1980s. The work of Andrea Pazienza, Filippo Scòzzari, Stefano Tamburini, Tanino Liberatore and Massimo Mattioli should be regarded as an expression of the radical movements from which Marxist Autonomist thinkers such as Antonio Negri, Franco ‘Bifo’ Berardi and Paolo Virno also emerged in the same period. As a consequence, the writings of the latter can be used to analyse the narrative and visual style, the recurring themes, and the editorial characteristics of the comics of the former. Moreover, an interesting parallel can also be drawn between the work of the most influential of these artists, Andrea Pazienza, and the thought of another prominent Italian philosopher, Giorgio Agamben, whose earliest books were published at that time too. The aim of this article is to show that the ideas of a number of the thinkers who have recently become internationally known as representatives of radical Italian theory, are useful to understand the work of this group of comics authors.

Enseignement moral et enseignement de l'éthique : analyse des ruptures et des continuités dans les programmes d'étude québécois au primiare et au secondaire depuis 1977

La discussion des résultats expose ce qui s'avère être des éléments de continuité majeurs transversaux. Ces huit éléments de continuité majeurs, soit finalement les résultats principaux de notre recherche, se détaillent ainsi: (1) Le développement de l'individu est au coeur des préoccupations de tous les programmes; (2) Les relations interpersonnelles sont toujours travaillées; (3) Bien qu'on touche des savoirs davantage théoriques, ce sont surtout des aptitudes et des habiletés qu'on désire développer en morale et en éthique; (4) L'évaluation formative est prédominante sur l'évaluation sommative, bien que celle-ci soit également utilisée; (5) Les valeurs et les normes composent une partie du contenu de tous les programmes; (6) Le développement du jugement (moral, éthique, critique) est une constante; (7) On s'attend à ce que l'élève soit actif dans le développement de son jugement; (8) L'enseignant a plusieurs rôles, les plus importants étant d'être un motivateur, une personne ressource et un modèle. Parce qu'ils marquent une cassure certaine entre l'enseignement de l'éthique et l'enseignement de la morale, certains éléments de rupture retiennent également l'attention : (1) La place et le rôle de la religion; (2) La question du positionnement. En conclusion, cette recherche théorique permet de faire le pont entre l'enseignement moral et l'enseignement de l'éthique, exposant entre autres ce qui peut être transféré du premier vers le second.

Letter, Redwine Jackson Parish, LA, to George Washington Spencer, Chesterfield, SC, 1887 February 21

This letter is from J. J. Spencer to G. W. Spencer.

University Symphony Orchestra, January 30, 1977

Concert program for University Symphony Orchestra, January 30, 1977

Jazz Concert, February 22, 1977

Concert program for Jazz Concert, February 22, 1977

University Symphony Orchestra, February 25, 1977

Concert program for University Symphony Orchestra, February 25, 1977

University Chorale, March 1, 1977

Concert program for University Chorale, March 1, 1977

University Sinfonietta, March 3, 1977

Concert program for University Sinfonietta, March 3, 1977

The Studio Jazz Ensemble, The Western Washington State University Workshop Band, The University of Washington Contemporary Group Jazz Ensemble November 23, 1977

Concert program for Studio Jazz Ensemble, Western Washington State University Workshop Band, The University of Washington Contemporary Group Jazz EnsembleNovember 23, 1977

Choral Conducting Recital, February 23, 1977

Concert program for Choral Conducting Recital, February 23, 1977

Die Fledermaus, November 18, 19, 21, and 22, 1977

Concert program for Die Fledermaus, November 18, 19, 21, and 22, 1977

Anatomy of the portuguese stock market risk and return in the 1977-2012 period

This paper analyses the Portuguese stock market since it reopened in 1977, with a special focus on the evolution of the statistic and stochastic characteristics of the market return throughout this 36 year period. The market return for the period of time between 1977 and 2012 (September 28th) is estimated and then compared with the return that would have been achieved with Government bonds and treasury bills, which allows us to confirm that the hierarchy of return / risk across the different financial instruments is verified. The market risk premium for this 36 year period is also estimated and a comparison with other markets is performed, suggesting that the Portuguese market’s risk has not been compensated by an adequate return. The study also examines the evolution of the Portuguese market’s volatility in the 1977-2012 period and compares it with other markets, showing the existence of extremely high peaks during the first 11 years, but indicating a downwards trend throughout the whole period under analysis. Finally, the correlation between market returns for Portugal and for other countries and the degree of integration are estimated and their evolution throughout time is assessed, leading to the conclusion that the performance of the Portuguese stock market has become increasingly correlated with major European markets – correlation with some markets close to 0.70 from 2000 onwards-, but that country-specific risk factors are still relevant.