Free Improvisation in Europe:Lecture and Hands-on Workshop, given at 5 different universities in Brazil during February - June 2014

The lecture traces the beginnings of the free improvisation scene in Europe, commencing in the 1960. I present a multitude of video and audio examples of some of the most prominent improvisers of the time.
I focus specifically on the scene that developed around John Stevens and his SME (Spontaneous Music Ensemble). The work of Derek Bailey, specifically his writings in “Improvisation: its nature and practice in music” (1980), will feature.

The practical workshop invites improvisers (beginners to advanced with any instruments) to work with me on several listening and improvisation exercises.
Many of the exercises will be based on the innovative methods as developed by John Stevens in his work “Search and Reflect”. Participants will be able to experiment with a few essential ‘sound/listening’ exercises, guided by myself.
It is envisaged that a small ensemble is formed which will explore several improvisatory strategies. This part is open to all skill levels, all ages and any instrumental groupings.

Trio Performance with 'Faint' at "Sounds New Contemporary Music Festival":Graphic Scores and Free improvisation: Canterbury, Kent

The programme contained a performance by the trio FAINT (Pedro Rebelo - Piano and instru- mental parasites, Franziska Schroeder - Saxophone and Steve Davis - Drums). The performance includes short electroacoustic works based on the trio's free improvisation and a performance of Rebelo's Cipher Series graphic scores.

Performative Book launch of "Soundweaving: Writings on improvisation" (ed. Schroeder) with colleagues from SARC

A whole day event curated by F. Schroeder for the "2014 Sounds Alive Audio Festival, Dublin", included lecture, listening rooms and performance events

Cable correction of membrane currents recorded from root hairs of Arabidopsis thaliana L.

Membrane currents were recorded under voltage clamp from root hairs of Arabidopsis thaliana L. using the two-electrode method. Concurrent measurements of membrane voltage distal to the point of current injection were also carried out to assess the extent of current dissipation along the root hair axis. Estimates of the characteristic cable length, λ, showed this parameter to be a function both of membrane voltage and of substrate concentration for transport. The mean value for λ at 0 mV was 103 ± 20 μm (n=17), but ranged by as much as 6-fold in any one cell for membrane voltages from -300 to +40 mV and was affected by 0.25 to 3-fold at any one voltage on raising [K⁺]₀ from 0.1 to 10 mol m^-3. Current dissipation along the length of the cells lead to serious distortions of the current-voltage [I-V) characteristic, including consistent underestimates of membrane current as well as a general linearization of the I-V curve and a masking of conductance changes in the presence of transported substrates. In some experiments, microelectrodes were also placed in neighbouring epidermal cells to record the extent of intercellular coupling. Even with current-passing microelectrodes placed at the base of root hairs, coupling was ≤5% (voltage deflection of the epidermal cell ≤5% that recorded at the site of current injection), indicating an appreciable resistance to current passage between cells. These results demonstrate the feasibility of using root hairs as a 'single-cell model' in electrophysiological analyses of transport across the higher-plant plasma membrane; they also confirmed the need to correct for the cable properties of these cells on a cell-by-cell basis. © 1994 Oxford University Press.

Late-Pleistocene palaeoclimate and glacial activity recorded from lake sediments in the Eastern Alps

Greenland ice core data show that the last glaciation in the Northern Hemisphere was characterized by relatively short and rapid warming-cooling cycles. While the Last Glacial Maximum (LGM) and the following Late Glacial are well documented in the Eastern Alps, continuous and well dated records of the time period preceding the LGM are only known from stalagmites. Although most of the sediment that filled the Alpine valleys prior to the LGM was eroded, thick successions have been locally preserved as terraces along the flanks of large longitudinal valleys. The Inn valley in Tyrol (Austria) offers the most striking examples of Pleistocene terraces in the Eastern Alps. A large number of drill cores provides the opportunity to study these sediments for the first time in great detail. Our study focuses on the river terrace of Unterangerberg near Wörgl, where LGM gravel and till were deposited on top of (glacio)lacustrine sediments. The cores comprise mostly silty material, ranging from organic-rich to organic-poor and dropstone-rich beds. A diamictic layer classified as basal till is present at the bottom of the lake sediments. Radiocarbon ages of plant macro remains from the lake sequences indicate deposition between ~40 and >50 cal. ka BP. Luminescence ages obtained from fine-grain polymineral (4-11 μm) samples suggest an age of the lake deposits between ~40 to 60 ka and are consistent with the radiocarbon dates. Sedimentological analyses indicate that sedimentation in these palaeolakes was driven by local processes, but also by climatically induced changes in nearby glacier activity. These observations strongly hint towards a significant ice advance in the Eastern Alps during the early last glacial and subsequent mild interstadial conditions, supporting a local coniferous forest vegetation.

Improvisation, Indeterminacy and Game-Mediated Participation in Network Music Performance

This chapter focuses on the relationship between improvisation and indeterminacy. We discuss the two practices by referring to play theory and game studies and situate it in recent network music performance. We will develop a parallel with game theory in which indeterminacy is seen as a way of articulating situations where structural decisions are left to the discernment of the performers and discuss improvisation as a method of play. The improvisation-indeterminacy relationship is discussed in the context of network music performance, which employs digital networks in the exchange of data between performers and hence relies on topological structures with varying degrees of openness and flexibility. Artists such as Max Neuhaus and The League of Automatic Music Composers initiated the development of a multitude of practices and technologies exploring the network as an environment for music making. Even though the technologies behind “the network” have shifted dramatically since Neuhaus’ use of radio in the 1960’s, a preoccupation with distribution and sharing of artistic agency has remained at the centre of networked practices. Gollo Föllmer, after undertaking an extensive review of network music initiatives, produced a typology that comprises categories as diverse as remix lists, sound toys, real/virtual space installations and network performances. For Föllmer, “the term ‘Net music’ comprises all formal and stylistic kinds of music upon which the specifics of electronic networks leave considerable traces, whereby the electronic networks strongly influence the process of musical production, the musical aesthetic, or the way music is received” (2005: 185).

Museum City - Improvisation and the narratives of space

This paper provides four viewpoints on the narratives of space, allowing us to think about possible relations between sites and sounds, reflecting on how places might tell stories, or how practitioners embed themselves in a place in order to shape cultural, social and/or political narratives through the use of sound. I propose four viewpoints that investigate the relationship between sites and sounds, where narratives are shaped and made through the exploration of specific sonic activities. These are:
- sonic activism
- sonic preservation
- sonic participatory action
- sonic narrative of space

I examine each of these ideas in turn before focusing in more detail on the final viewpoint, which provides the context for discussing and analysing a recent site-specific music improvisation project, entitled ‘Museum City’, a work that aligns closely with my proposal for a ‘sonic narrative of space’.
The work ‘Museum City’ by Pedro Rebelo, Franziska Schroeder, Ricardo Jacinto and André Cepeda specifically enables me to reflect on how derelict and/or transitional spaces might be re-examined through the use of sound, particularly through means of live music improvisation. The spaces examined as part ‘Museum City’ constitute either deserted sites or sites about to undergo changes in their architectural layout, their use and sonic make-up. The practice in ‘Museum City’ was born out of a performative engagement with[in] those sites, but specifically out of an intimate listening relationship by three improvisers situated within those spaces.
The theoretical grounding for this paper is situated within a wider context of practising and cognising musical spatiality, as proposed by Georgina Born (2013), particularly her proposition for three distinct lineages that provide an understanding of space in/and music. Born’s third lineage, which links more closely with practices of sound art and challenges a Euclidean orientation of pitch and timbre space, makes way for a heightened consideration of listening and ‘the place’ of sound. This lineage is particularly crucial for my discussion, since it positions music in relation to social experiences and the everyday, which the work ‘Museum City’ endeavoured to embrace.

Two species of caridean shrimps (Decapoda:Hippolytidae and Nematocarcinidae) newly recorded from hydrothermally vents on the Manus Basin, Southwestern Pacific.

Two species of caridean shrimps are newly recorded from hydrothermal vents on the Manus Basin, southwestern Pacific, at depths of 1540-1577m. Lebbeus manus, new species, is related to L.curvirostris Zarenkov, 1976, L.elegans Komai, Hayashi & Kohtsuka, 2004, L.longipes (Kobjakova, 1936), L.vicinus vicinus (Rathbun, 1902) and L.vicinus motereyensis (Wicksten & Mendez, 1982) because of the lack of strap-like epipods on the second and third pereopods; but characters of the rostrum, carapace and abdomen immediately distinguish the new species from the these five taxa. Subadult and juvenile specimens of Nematocarcinus are referred to N.sp.aff.exilis, but their definite identification is postponed until additional specimens become available for study. There are a few minor differences between the present Manus specimens and European specimens representing N.exilis (Bate, 1888), suggesting that the Manus population may indeed represent a separate species.

Les composantes de l'entraînement à l'improvisation actives dans la gestion des imprévus en classe du secondaire

Le désir de trouver des outils pour rendre moins ardue l'adaptation des jeunes enseignantes et des jeunes enseignants à la profession enseignante est à l'origine de cette recherche. En effet, des statistiques alarmantes révèlent un taux très élevé d'abandon de la profession dans les cinq premières années d'enseignement au secondaire. La gestion de classe est reconnue dans la documentation scientifique comme une des principales difficultés éprouvées par les enseignantes et les enseignants débutants. Malgré toute la préparation liée, en grande partie, à la phase préactive de l'enseignement, la gestion des imprévus, une fois en classe, pose problème aux novices, puisqu'ils ne disposent pas d'un répertoire expérientiel suffisant pour faire face à une grande variété de situations. Cependant, avec le temps, les enseignants développent une certaine assurance qui les rend moins vulnérables devant les imprévus qui surviennent en classe, notamment en raison de leur capacité à improviser. Cette aisance manifestée par des enseignantes et des enseignants expérimentés devant toutes sortes de situations en classe semble établir un lien très étroit entre l'improvisation et une gestion de classe efficace, en particulier lorsque se présentent des situations non planifiées. Holborn (2003), à partir des travaux de Schön (1983) sur le processus de réflexion-en-action, établit un lien entre l'improvisation et l'enseignement de même que Yinger (1987) et Tochon (1993b). Durand (1996) et Le Boterf (2002) permettent de situer l'acte d'improviser à l'intérieur d'un système complexe de connaissances préalables ou complémentaires et font émerger l'idée que cette capacité puisse se développer autrement que par l'expérience. Les travaux de Sawyer (2004) et Lobman (2005), quant à eux, tissent des liens entre une formation en improvisation théâtrale et la gestion des interactions en classe. La recension des écrits révèle qu'une bonne partie de l'expertise en classe s'explique par l'utilisation de l'improvisation. Curieusement, mis à part Sawyer (2004) et Lobman (2005), aucun auteur ne semble considérer l'entraînement à l'improvisation comme un outil permettant d'apprendre à réagir face aux imprévus. Si Lobman (2005) démontre, en partie, qu'un entraînement à l'improvisation théâtrale peut avoir des incidences sur la gestion des interactions des enseignantes et des enseignants du préscolaire, aucune autre étude ne révèle les incidences que pourraient avoir les habiletés acquises dans un entraînement à l'improvisation sur la gestion des imprévus en classe chez des enseignantes et des enseignants du secondaire. C'est la raison pour laquelle cette recherche poursuit l'objectif d'expliciter la perception d'enseignantes et d'enseignants des composantes de leur entraînement à l'improvisation actives dans la gestion des imprévus en classe du secondaire. Pour atteindre cet objectif, une méthodologie qualitative est mise en oeuvre. Le cadre de collecte des données repose sur des entrevues semi-dirigées auprès d'enseignantes et d'enseignants ayant reçu ou non un entraînement à l'improvisation. La stratégie d'analyse utilisée s'inspire de l'analyse par théorisation ancrée de Paillé (1994) en empruntant les deux premières étapes de cette stratégie: la codification et la catégorisation. Par la suite, une schématisation préliminaire permet la mise en relation des composantes et alimente l'interprétation des résultats. Les résultats révèlent que la vigilance et la rapidité d'exécution interviennent directement dans le processus de gestion des imprévus en classe du secondaire et apparaissent comme étant exclusives aux enseignantes et enseignants ayant reçu un entraînement à l'improvisation. La discussion des résultats met non seulement en parallèle ces résultats avec les travaux de Tochon (1993b) et ceux de Yinger (1987) qui établissent un lien entre l'improvisation et la rapidité d'exécution, mais également avec les travaux de Nault (1998) sur l'hypersensitivité, concept inspiré du withitness de Kounin (1970) et des travaux de Doyle (1986) sur l'interactivité dans l'enseignement. De plus, un lien significatif est établi avec les études de Sawyer (2004) et Lobman (2005) au sujet du développement de la vigilance chez les sujets ayant reçu un entraînement à l'improvisation théâtrale. L'entraînement à l'improvisation offre d'intéressantes possibilités, notamment en ce qui a trait au développement de la compétence en gestion de classe chez les novices. Ainsi, en offrant des outils permettant à ces derniers d'atténuer le choc de la réalité à leurs débuts, ce moyen de formation pourrait contribuer, ultimement, à diminuer le taux d'abandon de la profession.

Comparison of Poaceae Pollen Counts Recorded at Sites in Portugal, Spain and the UK

The main aim of this study was to analyse the temporal and spatial variations in grass (Poaceae) pollen counts (2005–2011) recorded in Évora (Portugal), Badajoz (Spain) and Worcester (UK). Weekly average data were examined using nonparametric statistics to compare differences between places. On average, Évora recorded the earliest start dates of the Poaceae pollen seasons and Worcester the latest. The intensity of the Poaceae pollen season varied between sites, with Worcester usually recording the least and Évora the most grass pollen in a season. Mean durations of grass pollen seasons were 77 days in Évora, 78 days in Badajoz and 59 days in Worcester. Overall, longer Poaceae pollen seasons coincided with earlier pollen season start dates. Weekly pollen data, from March to September, from the three pollen-monitoring stations studied were compared. The best fit and most statistically significant correlations were obtained by moving Worcester data backward by 4 weeks (Évora, r = 0.810, p < 0.001) and 5 weeks (Badajoz,r = 0.849, p < 0.001). Weekly data from Worcester therefore followed a similar pattern to that of Badajoz and Évora but at a distance of more than 1,500 km and 4–5 weeks later. The sum of pollen recorded in a season was compared with monthly rainfall between January and May. The strongest positive relationship between season intensity and rainfall was between the annual sum of Poaceae pollen recorded in the season at Badajoz and Évora and total rainfall during January and February. Winter rainfall noticeably affects the intensity of Poaceae pollen seasons in Mediterranean areas, but this was not as important in Worcester.

Système de superposition arborescente et aspect soliste (le vibraphone et le bending tone) : éléments de détermination d’un langage musical personnel

La version intégrale de cette thèse est disponible uniquement pour consultation individuelle à la Bibliothèque de musique de l’Université de Montréal (http://www.bib.umontreal.ca/MU).