993 resultados para provisional painting, Raphael Rubenstein, Yve-Alain Bois, Sigmar Polke, Raoul de Keyser, representational painting, abstraction, death of painting


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Provisional supervision (PS) is Hong Kong’s proposed new corporate rescue procedure. In essence, it is a procedure for the preparation by a professional, usually an accountant or a solicitor, of a proposal for a voluntary arrangement, supported by a moratorium. There should be little court involvement in the process and it is anticipated that the costs and delays of the process would be less than alternate, currently available procedures. This article will retrace some of the key events and issues arising from the numerous policy and legislative debates about PS in Hong Kong. At present the Hong Kong government is in the midst of drafting a new Bill on corporate rescue procedure to be introduced to the HKSAR Legislative Council. This will be the third attempt. Setting aside the controversies and the content of this new effort by the Hong Kong administration, the Global Financial Crisis in 2008 has signalled to the international policy and business community, free markets alone cannot be an effective regulatory mechanism. Having legal safeguards and clear rules to regulate procedures and conduct of market participants are imperative to avoid future financial meltdowns.

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This brief paper gives an outline of a series of painting workshops held over a two year period (2010 and 2011) with the principal aim of raising the awareness of University students to human impact on the planet and on its biodiversity. The workshops were part of a Post-graduate research students' network engagement programme instigated and supported by a number of staff in Counselling Services and International Student Services. Two of the United Nations International years were celebrated and student engagement in practical painting workshops had many benefits that are discussed in the body of the paper.

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This PhD practice-led research inquiry sets out to examine and describe how the fluid interactions between memory and time can be rendered via the remediation of my painting and the construction of a digital image archive. My abstract digital art and handcrafted practice is informed by Deleuze and Guattari’s rhizomics of becoming. I aim to show that the technological mobility of my creative strategies produce new conditions of artistic possibility through the mobile principles of rhizomic interconnection, multiplicity and diversity. Subsequently through the ongoing modification of past painting I map how emergent forms and ideas open up new and incisive engagements with the experience of a ‘continual present’. The deployment of new media and cross media processes in my art also deterritorialises the modernist notion of painting as a static and two dimensional spatial object. Instead, it shows painting in a postmodern field of dynamic and transformative intermediality through digital formats of still and moving images that re-imagines the relationship between memory, time and creative practice.

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Purpose While there is research indicating that many factors influence the young novice driver's increased risk of road crash injury during the earliest stages of their independent driving, there is a need to further understand the relationship between the perceived risky driving behaviour of parents and friends and the risky behaviour of drivers with a Provisional (intermediate) licence. Method As part of a larger research project, 378 drivers aged 17–25 years (M = 18.22, SD = 1.59, 113 males) with a Provisional licence completed an online survey exploring the perceived riskiness of their parents’ and friends’ driving, and the extent to which they pattern (i.e. base) their driving behaviour on the driving of their parents and friends. Results Young drivers who reported patterning their driving on their friends, and who reported they perceived their friends to be risky drivers, reported more risky driving. The risky driving behaviour of young male drivers was associated with the perceived riskiness of their fathers’ driving, whilst for female drivers the perceived riskiness of their mothers’ driving approached significance. Conclusions The development and application of countermeasures targeting the risky behaviour of same-sex parents appears warranted by the robust research findings. In addition, countermeasures need to encourage young people in general to be non-risky drivers; targeting the negative influence of risky peer groups specifically. Social norms interventions may minimise the influence of potentially-overestimated riskiness.

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Significance: Chronic wounds represent a major burden on global healthcare systems and reduce the quality of life of those affected. Significant advances have been made in our understanding of the biochemistry of wound healing progression. However, knowledge regarding the specific molecular processes influencing chronic wound formation and persistence remains limited. Recent Advances: Generally, healing of acute wounds begins with hemostasis and the deposition of a plasma-derived provisional matrix into the wound. The deposition of plasma matrix proteins is known to occur around the microvasculature of the lower limb as a result of venous insufficiency. This appears to alter limb cutaneous tissue physiology and consequently drives the tissue into a ‘preconditioned’ state that negatively influences the response to wounding. Critical Issues: Processes, such as oxygen and nutrient suppression, edema, inflammatory cell trapping/extravasation, diffuse inflammation, and tissue necrosis are thought to contribute to the advent of a chronic wound. Healing of the wound then becomes difficult in the context of an internally injured limb. Thus, interventions and therapies for promoting healing of the limb is a growing area of interest. For venous ulcers, treatment using compression bandaging encourages venous return and improves healing processes within the limb, critically however, once treatment concludes ulcers often reoccur. Future Directions: Improved understanding of the composition and role of pericapillary matrix deposits in facilitating internal limb injury and subsequent development of chronic wounds will be critical for informing and enhancing current best practice therapies and preventative action in the wound care field.

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Drawing on the fields of philosophy, phenomenology, art history and theory as well as the candidate's own painting practice, this PhD explores the nature of ambiguity and semiosis in contemporary abstract painting. The thesis demonstrates how the aesthetic qualities of pause and rupture, transition and slippage work emergently to break established clichés, habits and intentions in the experiencing of abstract painting and artistic practice.

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Anatase TiO2 nanocrystals were painted on H-titanate nanofibers by using an aqueous solution of titanyl sulfate. The anatase nanocrystals were bonded solidly onto the titanate fibers through formation of coherent interfaces at which the oxygen atoms were shared by the nanocrystals and the fiber. This approach allowed us to create large anatase surfaces on the nanofibers, which are active in photocatalytic reactions. This method was also applied successfully to coat anatase nanocrystals on surfaces of fly ash and layered clay. The painted nanofibers exhibited a much higher catalytic activity for the photocatalytic degradation of sulforhodamine B and the selective oxidation of benzylamine to the corresponding imine (with a product selectivity >99%) under UV irradiation than both the parent H-titanate nanofibers and a commercial TiO2 powder, P25. We found that gold nanoparticles supported on H-titanate nanofibers showed no catalytic activity for the reduction of nitrobenzene to azoxybenzene, whereas the gold nanoparticles supported on the painted nanofibers and P25 could efficiently reduce nitrobenzene to azoxybenzene as the sole product under visible light irradiation. These results were different from those from the reduction on the gold nanoparticles photocatalyst on ZrO2, in which the azoxybenzene was the intermediate and converted to azobenzene quickly. Evidently, the support materials significantly affect the product selectivity of the nitrobenzene reduction. Finally, the new photocatalysts could be easily dispersed into and separated from a liquid because of their fibril morphology, which is an important advantage for practical applications.

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Newly licenced drivers are disproportionately represented in traffic injuries and crash statistics. Despite the implementation of countermeasures designed to improve safety, such as graduated driver licencing (GDL) schemes, many young drivers do not comply with road rules. This study used a reconceptualised deterrence theory framework to investigate young drivers’ perceptions of the enforcement of road rules in general and those more specifically related to GDL. A total of 236 drivers aged 17–24 completed a questionnaire assessing their perceptions of various deterrence mechanisms (personal and vicarious) and their compliance with both GDL-specific and general road rules. Hierarchical multiple regressions conducted to explore noncompliant behaviour revealed that, contrary to theoretical expectations, neither personal nor vicarious punishment experiences affected compliance in the expected direction. Instead, the most influential factors contributing to noncompliance were licence type (P2) and, counterintuitively, having previously been exposed to enforcement. Parental enforcement was also significant in the prediction of transient rule violations, but not fixed rule violations or overall noncompliance. Findings are discussed in light of several possibilities, including an increase in violations due to more time spent on the road, an ‘emboldening effect’ noted in prior studies and possible conceptual constraints regarding the deterrence variables examined in this study.

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This thesis narrates the professional learning experiences of seven Northern Territory teachers. It outlines the evolution from traditional professional development in schools to an active, responsive professional learning agenda. With increasing demands on teachers, standardisation and the quest for improved student outcomes, key themes in the re-storied narrative emerge about the definition and role of professional learning in complex conditions, effective teaching, quality programmes, and teacher agency. This thesis contributes to knowledge about the characteristics that teachers value in their professional learning experiences. An Ongoing Professional Enhancement Model (OPE) is proposed, highlighting directions in this field for key stakeholders.

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Ranskalaisen uuden romaanin isän, Alain Robbe-Grillet'n romaani Djinn (1981) on alun perinilmestynyt ranskan kielen oppikirjana nimellä Le Rendez-vous (1981). Oppikirjaelementti tulee selkeimmin esiin siinä, että tarinan edetessä verbit esitellään helpoimmasta konjugaatiosta vaikeimpaan, eri aikamuodot ja modukset esitellään järjestelmällisesti indikatiivin preesensistä alkaen,jne. Tästä kieliopillisen kehityksen periaatteesta generoituu myös itse tarina. Ts. kieliopillinen aineisto ja didaktisuus tunkeutuvat vastustamattomasti myös tarinan tasolle. Viime kädessä Djinn on siis kertomus kielestä. Toisaalta, vaikka Djinn väistää kaikki genre-luokitukset, voisi sitä luonnehtia eräänlaiseksi salapoliisiromaaniksi tai mysteeriksi, sillä siinä päähenkilö Simon Lecœur saa vallankumoukselliselta organisaatiolta omituisen toimeksiannon. Tehtävän luonnetta ei kuitenkaan paljasteta, mutta vähitellen selviää, että kysymys on kielen arvoituksesta. Matkansa varrella romaanin päähenkilö ja lukija ikään kuin vihitään kieltä ja kirjallisuutta koskevaan pyhään tietoon. Mukaansavetävän kerronnan ja kertomuksen "takaa" paljastuu siis myös metakirjallinen ja (kirjallisuuden)filosofinen teos. Djinn-romaanissa toimiva vallankumouksellinen organisaatio taistelee ihmiskunnan koneistumista ja mekanisaatiota vastaan, sillä ne ovat vieraannuttaneet ihmisen todellisesta elämästä. Samalla tavalla koko romaani taistelee kielen jähmettyneisyyttä, atomisoitumista ja mekanisoitumista vastaan. Aivan kuten lingvistis-didaktinen elementti sekoittuu romaanissa fantastiseen fiktioon, sekoittuvat siinä vastaansanomattomasti toisiinsa myös länsimaisen populaarikulttuurin stereotypiat ja mytologinen aineisto, aika ja kielen aikamuodot, fiktio ja todellisuus, jne. Romaanissa purkautuvat myös monet dikotomiset oppositioparit - mm. mies vs. nainen, puhe vs. kirjoitus, järjestys vs. epäjärjestys ja jopa lukija vs. kirjailija. Teoksen vallankumouksellisuus on välitilassa, joka on kohtaamisen (rendez-vous) tila. Ts. romaani pyrkii kaikilta osin siihen kielen ja merkityksen syntymän tilaan, jossa mieli ja merkitys (sens) ei vielä ole erottautunut "mielettömyydestä" ja "merkityksettömyydestä" (non-sens). Välitilanvapaus on siinä, että ihmisen jähmettyneet käsitykset ja konstruktiot maailmasta rikkoutuvat ja korvautuvat sisäisellä liikkeellä, jossa ihminen ja maailma kohtaavat toisensa välittömällä tavalla. Pyrkimys välitilaan yhdistää Djinnin myös Gilles Deleuzen filosofiaan. Tässä välitilassa kieli ei ole enää todellisuudesta vieraantunutta. "Simulaatio" tai "kommunikaation ekstaasi" ei ole mahdollista kielellä, joka kieltäytyy kommunikoimasta, kieltäytyy olemasta pelkkä väline. Sen sijaan tämä kieli vaatii lähikosketusta, tuntoaistia, osallistumista. Tätä tapahtumaa välitilassa voi kutsua tanssiksi Möbiuksen renkaalla. Avainsanat: Alain Robbe-Grillet, Gilles Deleuze, Djinn, nouveau roman (uusi romaani)

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The images in this exhibition were based on questioning relationships between the histories of painting and photography, which helped to establish the indexical references that became both photography’s most powerful attribute and most subtle illusion. Debates over the objectivity or subjectivity of the photograph and the uneasy relationship between painting and photography, as played out in the history of art, have been brought into sharp relief with the contemporary proliferation of digital images. The digital realm of photography gives rise to a general and relative skepticism of verity, but it can be argued that to artist/photographers, this representational malleability is precisely what their purpose becomes. In researching current issues of the indexical in photographic practice, landscape provides a potent vehicle for exploring issues of representation and illusion, the nexus of painting and photography, and the digital realm. One of contemporary photography’s most resonant themes is a return to pictorial subjects and methods, including a renewed interest in floribunda, still life and landscape. The resulting deconstruction and reconstruction of landscape ‘painting’ in this body of work- the monochrome, linear abstraction, painterly representationalsism and pictorialist detail is presented as a perceptual, aesthetic and digital act. The exhibition incorporates landscape painting’s simplicity and complexity, photography’s significance of representation and minimalist aesthetics in an over-mediated world.

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Digital Image

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Digital Image