986 resultados para natural heritage


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By submitting a brief example of the production process in the maritime heritage and fishing, we try to show that, among the different maritime heritage production processes that are occurring today in the Costa Brava (Catalonia, Spain), different “logics” are guiding these processes, which are causing a real transformation of the concept of maritime heritage and practices associated with it

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In the middle of the hustle and bustle of a city, you may find a city meadow. A city meadow refers to a green area situated in an urban setting, the management of which aims at maintaining meadow species and facilitating outdoor recreation for city residents. Some of these green areas situated in cities are managed in a detailed and planned manner, while others have been left untended and are now wild, overgrown and in some cases impenetrable. However, all these meadows share one similarity: they play an important role in producing ecosystem services. What, then, is meant by ecosystem services? The multitude of flowers that bloom during summer, recreational opportunities, maintaining nature’s diversity, as well as filtering urban runoff are some of the everyday “services” that city meadows provide for the urban environment and its residents. This publication covers several different points of view by numerous experts on the importance of green areas in cities. The message is clear: management of city meadows improves both natural and cultural environments in a cost-effective manner. City meadows also help improve the health and enjoyment of city residents. When a green area is well-managed, the reputation and image of the surrounding properties and neighbourhood will also improve, as will their financial value!

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Presentation at Open Repositories 2014, Helsinki, Finland, June 9-13, 2014

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A Conferência geral da organização das Nações Unidas para a educação, a ciência e a cultura, reunida em Paris de 17 a 21 de Novembro de 1972, na sua décima sétima sessão, Constatando que o património cultural e o património natural estão cada vez mais ameaçados de destruição não apenas pelas causas tradicionais de degradação mas ainda pela evolução da vida social e económica que as agrava por fenómenos de alteração ou de destruição ainda mais perigosos, Considerando que a degradação ou o desaparecimento dum bem do património cultural e natural constitui um empobrecimento nefasto do património de todos os povos do mundo, Considerando que a protecção desse património à escala nacional é frequentemente incompleto em virtude da amplitude dos meios necessários e da insuficiência de recursos económicos, científicos e técnicos do país no território do qual se encontra o bem a salvaguardar.

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ABSTRACT World Heritage sites provide a glimpse into the stories and civilizations of the past. There are currently 1007 unique World Heritage properties with 779 being classified as cultural sites, 197 as natural sites, and 31 falling into the categories of both cultural and natural sites (UNESCO & World Heritage Centre, 1992-2015). However, of these 1007 World Heritage sites, at least 46 are categorized as in danger and this number continues to grow. These unique and irreplaceable sites are exceptional because of their universality. Consequently, since World Heritage sites belong to all the people of the world and provide inspiration and admiration to all who visit them, it is our responsibility to help preserve these sites. The key form of preservation involves the individual monitoring of each site over time. While traditional methods are still extremely valuable, more recent advances in the field of geographic and spatial technologies including geographic information systems (GIS), laser scanning, and remote sensing, are becoming more beneficial for the monitoring and overall safeguarding of World Heritage sites. Through the employment and analysis of more accurately detailed spatial data, World Heritage sites can be better managed. There is a strong urgency to protect these sites. The purpose of this thesis is to describe the importance of taking care of World Heritage sites and to depict a way in which spatial technologies can be used to monitor and in effect preserve World Heritage sites through the utilization of remote sensing imagery. The research conducted in this thesis centers on the Everglades National Park, a World Heritage site that is continually affected by changes in vegetation. Data used include Landsat satellite imagery that dates from 2001-2003, the Everglades' boundaries shapefile, and Google Earth imagery. In order to conduct the in-depth analysis of vegetation change within the selected World Heritage site, three main techniques were performed to study changes found within the imagery. These techniques consist of conducting supervised classification for each image, incorporating a vegetation index known as Normalized Vegetation Index (NDVI), and utilizing the change detection tool available in the Environment for Visualizing Images (ENVI) software. With the research and analysis conducted throughout this thesis, it has been shown that within the three year time span (2001-2003), there has been an overall increase in both areas of barren soil (5.760%) and areas of vegetation (1.263%) with a decrease in the percentage of areas classified as sparsely vegetated (-6.987%). These results were gathered through the use of the maximum likelihood classification process available in the ENVI software. The results produced by the change detection tool which further analyzed vegetation change correlate with the results produced by the classification method. As well, by utilizing the NDVI method, one is able to locate changes by selecting a specific area and comparing the vegetation index generated for each date. It has been found that through the utilization of remote sensing technology, it is possible to monitor and observe changes featured within a World Heritage site. Remote sensing is an extraordinary tool that can and should be used by all site managers and organizations whose goal it is to preserve and protect World Heritage sites. Remote sensing can be used to not only observe changes over time, but it can also be used to pinpoint threats within a World Heritage site. World Heritage sites are irreplaceable sources of beauty, culture, and inspiration. It is our responsibility, as citizens of this world, to guard these treasures.

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Tourism represents a socio-economic activity to generate local and regional development and at the same time contribute to the valuation and conservation of natural and cultural landscape. From this premise, we believe that the study area - PESM – Núcleo Santa Virginia and surroundings - has a great tourism potential, which can be further explored through public policies that value and at the same time assist the conservation of the natural and cultural landscape of the region. Therefore, this project, which arises from a research project conducted by the National Council for Scientific and Technological Development (CNPq) in partnership with the Forestry Institute (IF), analyzes the possibilities and limitations of the attractions and tourist activities in areas of intensive, extensive use and around this area. Through literature research and application of semi-structured questionnaires to the main agents of local tourism important information for the characterization of tourism activities in the study area were obtained, as well as to identify gaps in planning instruments and management about PESM - Núcleo Santa Virginia. Through this diagnosis, we intend to provide support for the development of tourism in Núcleo Santa Virginia and its surrounding area, seeking to conserve natural and cultural heritage and improving the quality of life of local people

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The passage of the Native American Graves Protection and Repatriation Act (NAGPRA) in 1991 significantly changed the way archaeology would be done in the United States. This act was presaged by growing complaints and resentment directed at the scientific community by Native Americans over the treatment of their ancestral remains. Many of the underlying issues came to a head with the discovery and subsequent court battles over the 9,200-year-old individual commonly known as Kennewick Man. This had a galvanizing effect on the discipline, not only perpetuating the sometimes adversarial relationship between archaeologists and Native Americans, but also creating a rift between those archaeologists who understood Native American concerns and those who saw their ancestral skeletal remains representing the legacy of humankind and thus belonging to everyone. Similar scenarios have emerged in Australia.

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According to one’s personal biography, social background and the resultant degree of affectedness, a person has certain ideas about the meaning of, in our example, a World Heritage Site (WHS), what he or she can expect from it and what his or her relation to it can and should be. The handling of potentially different meaningful spaces is decisive, when it comes to the negotiation of pathways towards the sustainable development of a WHS region. Due to the fact that – in a pluralistic world – multiple realities exist, they have to be taken seriously and adequately addressed. In this article we identified the ways the Jungfrau-Aletsch- WHS was constructed by exploring the visual and verbal representations of the WHS during the decision-making process (1998-2001). The results demonstrate that in the visual representations (images), the WHS was to a large extent presented as an unspoiled natural environment similar to a touristy promotion brochure. Such a ‘picture-book’-like portrait has no direct link to the population’s daily needs, their questions and anxieties about the consequences of a WHS label. By contrast, the verbal representations (articles, letters-to-the-editor, comments) were dominated by issues concerning the economic development of the region, fears of disappropriation, and different views on nature. Whereas visual and verbal representations to a large extent differ significantly, their combination might have contributed to the final decision of the majority of people concerned to support the application for inscription of the Jungfrau-Aletsch-Bietschhorn region into the World Heritage list. The prominence of economic arguments and narratives about intergenerational responsibility in the verbal representations and their combination with the aesthetic appeal of the natural environment in the visual representations might have built a common meaningful space for one part of the population.

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Bathurst Harbour in World Heritage southwest Tasmania, Australia, is one of the world’s most pristine estuarine systems. At present there is a lack of data on pollution impacts or long-term natural variability in the harbor. A ca. 350-year-old 210Pb-dated sediment core was analysed for trace metals to track pollution impacts from local and long-range sources. Lead and antimony increased from AD 1870 onwards, which likely reflects remote (i.e. mainland Australian and global) atmospheric pollution sources. Variability in the concentrations of copper and zinc closely followed the history of mining activities in western Tasmania, which began in the AD 1880s. Tin was generally low throughout the core, except for a large peak in AD 1989 ± 0.5 years, which may be a consequence of input from a local small-scale alluvial tin mine. Changes in diatom assemblages were also investigated. The diatom flora was composed mostly of planktonic freshwater and benthic brackish-marine species, consistent with stratified estuarine conditions. Since mining began, however, an overall decrease in the proportion of planktonic to benthic taxa occurred, with the exception of two distinct peaks in the twentieth century that coincided with periods of high rainfall. Despite the region’s remoteness, trace metal analyses revealed evidence of atmospheric pollution from Tasmanian and possibly longer-range mining activities. This, together with recent low rainfall, appears to have contributed to altering the diatom assemblages in one of the most pristine temperate estuaries in the world.

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The introduction and establishment of non-indigenous species through human activities often poses a major threat to natural biodiversity. In many parts of the world management efforts are therefore focused on their eradication. The environment of World Heritage sub-Antarctic Macquarie Island has been severely damaged by non-indigenous species including rabbits, rats and mice, introduced from the late AD 1800s. An extensive eradication programme is now underway which aims to remove all rabbits and rodents. To provide a long-term context for assessing the Island's pre-invasion state, invasion impacts, and to provide a baseline for monitoring its recovery, we undertook a palaeoecological study using proxies in a lake sediment core. Sedimentological and diatom analyses revealed an unproductive catchment and lake environment persisted for ca. 7100 years prior to the introduction of the invasive species. After ca. AD 1898, unprecedented and statistically significant environmental changes occurred. Lake sediment accumulation rates increased >100 times due to enhanced catchment inputs and within-lake production. Total carbon and total nitrogen contents of the sediments increased by a factor of four. The diatom flora became dominated by two previously rare species. The results strongly suggest a causal link between the anthropogenic introduction of rabbits and the changes identified in the lake sediments. This study provides an example of how palaeoecology may be used to determine baseline conditions prior to the introduction of non-indigenous species, quantify the timing and extent of changes, and help monitor the recovery of the ecosystem and natural biodiversity following successful non-indigenous species eradication programmes.

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The conflict between nature-orientated conservation and man-orientated rural development is examined, along with the degree to which ecological research contributes to mountain development, and whether conservation areas can be protected from being areas of natural resources ultimately to be used by man in life-threatening need. A high mountain national park in Ethiopia is taken as an example within UNESCO's concept of Biosphere Reserves. The main finding is that conservation without development will fail, and therefore the focus is more on the area surrounding a national park than on the park itself. A buffer zone must be developed as an economically stable and socially secure area for man, so that his needs do not drive him to exploit the last natural resource area in his vicinity. Simen is a World Heritage Site for future generations. Man and nature, development and conservation, belong together in this unique mountain area.

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La historia de la construcción de las catedrales góticas es la historia de la búsqueda de la luz. Esta afirmación casi metafísica, recoge una realidad asumida por todos los historiadores tanto de la arquitectura antigua como del resto de las artes. La luz en el gótico ha sido descrita bajo múltiples matices como son su carácter simbólico, cromático e incluso místico, sin embargo no existe, en el estudio del conocimiento de la luz gótica, ninguna referencia a la misma como realidad física cuantificable, cualificable y por tanto, clasificable. La presente tesis doctoral aborda el concepto de la iluminación gótica desde una perspectiva nueva. Demuestra, con un método analítico inédito, que la iluminación gótica es cuantificable y cualificable. Para ello analiza en profundidad la iluminación de una selección de 6 edificios muestra, las catedrales de Gerona, Toledo, Sevilla y León, la basílica de Santa María del Mar y la capilla de la Sainte Chapelle de París, mediante una toma de datos “in situ” de iluminación y su comparación con los datos lumínicos obtenidos por un programa de soleamiento de la simulación en tres dimensiones de los distintos proyectos originales góticos. El análisis exhaustivo de las muestras y su introducción en el método analítico descrito, permite determinar, en primer lugar, unas cualidades inéditas que identifican la luz de los espacios góticos según unos parámetros nuevos como son la intensidad, expresividad, recorrido, distorsión y color. También describe cuales son los factores determinantes, de nuevo inéditos, que modulan cada una de las cualidades y en que proporción lo hacen cada uno de ellos. Una vez establecidas las cualidades y los factores que las definen, la tesis doctoral establece los rangos en los que se mueven las distintas cualidades y que conformarán la definitiva clasificación según “tipos de cualidad lumínica”. Adicionalmente, la tesis propone un procedimiento abreviado de acercamiento a la realidad de la iluminación gótica a través de unas fórmulas matemáticas que relacionan los factores geométricos detectados y descritos en la tesis con el resultado luminoso del espacio en lo que concierne a las dos cualidades más importantes de las reflejadas, la intensidad y la expresividad. Gracias a este método y su procedimiento abreviado, la clasificación se hace extensible al resto de catedrales góticas del panorama español y europeo y abre el camino a nuevas clasificaciones de edificios históricos de distintas épocas, iniciando un apasionante camino por recorrer en la recuperación de “la luz original”. Esta clasificación y sus cualidades podrán a su vez, ser utilizadas como herramientas de conocimiento de un factor determinante a la hora de describir cualquier espacio gótico y su aportación pretende ser un nuevo condicionante a tener en cuenta en el futuro, ayudando a entender y respetar, en las posibles intervenciones a realizar sobre el patrimonio arquitectónico, aquello que fue en su inicio motor principal del proyecto arquitectónico y que hoy día no se valora suficientemente tan solo por falta de conocimiento: su luz. The history of the construction of the Gothic cathedrals is the history of the search for light. This almost etaphysical statement reflects a reality accepted by all historians both of ancient architecture and other arts. Light in the Gothic period has been described under multiple approaches such as its symbolic, chromatic and even mystical character. However, in the study of the Gothic light, no references exist to it as a physical quantifiable and qualifiable reality and therefore, classifiable. This dissertation deals with the concept of Gothic light from a new perspective. With a new analytical method, it shows that Gothic lighting is quantifiable and can be classified regarding quality. To this end, a selection of 6 buildings light samples are analyzed; the cathedrals of Gerona, Toledo, Seville and León, the basilica of Santa María of the Sea and the Sainte Chapelle in Paris. "In situ" lighting data is collected and it is compared with lighting data obtained by a program of sunlight of the 3D simulation of various Gothic original projects. The comprehensive analysis of the samples and the data introduced in the analytical method described, allows determining, first, important qualities that identify the light of Gothic spaces according to new parameters such as intensity, expressiveness, trajectory, distortion and color. It also describes the determinant factors, which modulate each of the qualities and in what proportion they do it. Once the qualities and factors that define them have been established, in this doctoral dissertation the ranges regarding different qualities are set, which will make up the final classification according to "types of light quality". In addition, this work proposes an abbreviated procedure approach to the reality of the Gothic lighting through some mathematical formulae, relating the geometric factors identified and described in the study with the bright result of space regarding the two most important qualities of the light,intensity and expressiveness. Thanks to this method and to the abbreviated procedure, the classification can be applied to other Spanish and European Gothic cathedrals and opens up the way to new classifications of historic buildings from different eras, starting an exciting road ahead in the recovery of the "original light". This classification and its qualities may in turn be used as tools to know a determinant factor when describing any Gothic space. Its contribution is intended to be a new conditioning factor to keep in mind in the future, helping to understand and respect, in possible interventions on the architectural heritage, what was the main engine to start the architectural project and which today is not valued enough due to the lack knowledge: the light.

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The aim of this work is an approach using multisensor remote sensing techniques to recognize the potential remains and recreate the original landscape of three archaeological sites. We investigate the spectral characteristics of the reflectance parameter and emissivity in the pattern recognition of archaeological materials in several hyperspectral scenes of the prehispanic site in Palmar Sur (Costa Rica), the Jarama Valley site and the celtiberian city of Segeda in Spain. Spectral ranges of the visible-near infrared (VNIR), shortwave infrared (SWIR) and thermal infrared (TIR) from hyperspectral data cubes of HyMAP, AHS, MASTER and ATM have been used. Several experiments on natural scenarios of Costa Rica and Spain of different complexity, have been designed. Spectral patterns and thermal anomalies have been calculated as evidences of buried remains and change detection. First results, land cover change analyses and their consequences in the digital heritage registration are discussed.

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La presente tesis investiga sobre la manera en que la arquitectura se ha construido para utilizar la luz natural, con el fin de aplicar estos conocimientos a la rehabilitación de edificios históricos. Para ello es necesario conocer aspectos técnicos en el uso de la luz, partiendo por comprender cuáles son los fenómenos físicos que debiéramos conocer los arquitectos para poder utilizarla adecuadamente. Es necesario también saber cómo es el comportamiento de los materiales frente a la luz y cómo utilizar¬los en el contexto rehabilitación. Dentro de los aspectos técnicos, se establece cuáles son las estrate¬gias, los sistemas y las tecnologías necesarias para la utilización de la luz en arquitectura, y se organiza esta información con el fin de hacerla clara, accesible y útil. Sin embargo, la luz no puede ser empleada en forma adecuada si no se conocen los requerimientos y las necesidades que el ser humano tiene respecto de ella, para habitar en forma confortable y salu¬dable. Es por eso que se establecen a su vez los requerimientos humanos respecto de la luz desde el punto de vista de sus características biológicas, su percepción y sus necesidades ergonómicas. Como la tesis se enmarca dentro de la problemática de la rehabilitación de edificios históricos, es necesario conocer cuál es la relación entre los procesos histórico-culturales y la técnica para utilizar la luz en la historia de la arquitectura. Se busca establecer la correlación entre historia y técnica, con el fin de responder en forma adecuada a los valores patrimoniales de un edificio histórico al alterar un aspecto tan importante como su iluminación natural. Con este conjunto de conocimientos técnicos, humanos e históricos establecidos en la primera parte de la tesis, se propone un protocolo de diseño para un proyecto de rehabilitación en cinco casos de estudio. Esta herramienta analiza el comportamiento actual de la luz para una determinada función, detecta los problemas lumínicos, establece criterios para la elección de soluciones y analiza el compor¬tamiento de estas soluciones. Finalmente compara los resultados lumínicos de las condiciones actua¬les y la solución propuesta. Por último, la investigación genera criterios que pueden ser aplicables a la normativa chilena de plani¬ficación territorial respecto del uso de la luz en contextos urbanos patrimoniales. ABSTRACT This thesis addresses how the architecture has been built to use natural light, in order to apply this knowledge to the historic buildings rehabilitation. This requires knowing technical aspects in the use of light, starting to understand what physical phenomena we, the architects, should know to use it properly. It is also necessary to know how materials behave in regards to light and how to use it in the rehabilitation context. Among the technical aspects, we should define strategies, systems and techno¬logies necessary for the use of light in architecture, and organize this information in order to make it clear, available and useful. However, light cannot be used properly if are not known requirements and needs that human beings have towards it, to live in comfortable and healthy way. That is why light human requirements are determined to know how light influences their cycles, perception and comfort. As the thesis is in frame of rehabilitation of historic building problem, it is necessary to know how is the relationship between historic-cultural processes and technology of light use, in the architecture history. It seeks to establish the correlation between History and technology, in order to give an ade¬quately answer to the heritage values of a historic building by altering an important aspect like its natural lighting. With this set of technical, human and historical knowledge, established in the first part of the thesis, a protocol is proposed for a rehabilitation project design in five study cases. This tool analyzes current behavior of light for a specifically function, detects lighting problems, establishes criteria for the selec¬tion of solutions and analyzes solution behaviors. Additionally, it compares results of current lighting conditions and the proposed solution. Finally this research generates criteria that may be applicable to Chilean territorial planning legislation, regarding use of light in patrimonial urban contexts.