140 resultados para casino


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Contiene : Iglesia del Buen Pastor ; Iglesia de Sta Maria ; El Casino ; Palacio Real

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El arquitecto Víctor Eusa (Pamplona, 1894-1990) es la figura central de la arquitectura en Navarra durante la mayor parte del siglo XX. Desde 1920, año en que termina sus estudios en Madrid, hasta 1973, año de su jubilación, produjo centenares de obras y proyectos en esta región española, con esporádicas intervenciones en otras zonas, como las provincias vecinas de Guipúzcoa, Vizcaya y Zaragoza. Su periodo activo coincide con el de la construcción del II Ensanche de Pamplona. La cantidad y calidad de su producción hacen posible establecer una identificación entre la obra de Eusa y la ciudad entonces existente. Sus obras principales son auténticos hitos urbanos que caracterizan el Ensanche. El archivo personal del arquitecto se perdió desgraciadamente en los años setenta del pasado siglo. Este trabajo de investigación ha partido de la recopilación de la documentación gráfica existente en archivos públicos y privados, que ha dado como fruto la catalogación de las obras y proyectos de Víctor Eusa, que constituye el tomo II de la tesis. En el tomo I se analiza la trayectoria del arquitecto y la evolución formal de su lenguaje, a partir de su formación académica y las sucesivas influencias que jalonan sus primeros años de profesión: sus viajes por Europa y Oriente, Otto Wagner y la Sezession vienesa, Perret y el hormigón armado, el Art-Déco y la Exposición de París de 1925, Dudok y la arquitectura holandesa, etc. Todo ello fructifica en una arquitectura expresionista muy personal, basada en la geometría de líneas rectas y quebradas, que combina el ladrillo y el hormigón como sus materiales preferidos. Su madurez se alcanza a finales de los años veinte y se prolonga hasta la guerra civil española. En este periodo se concentran sus obras más conocidas: Casa de Misericordia, Iglesia de los Paúles, Colegio de Escolapios, edificios de viviendas en plaza Príncipe de Viana y calle García Castañón, Seminario, Casino Eslava,… Después del 36, sus responsabilidades públicas sucesivas como arquitecto municipal de Pamplona y como arquitecto provincial de la Diputación Foral de Navarra introducen en su obra una nueva dimensión urbana. ABSTRACT The architect Víctor Eusa (Pamplona, 1894-1990) was the central figure in architecture in Navarra for most of the 20th century. From 1920, when he finished his studies in Madrid, to his retirement in 1973, he was responsible for hundreds of buildings in Navarra, as well as occasional projects in the neighbouring provinces of Guipúzcoa, Vizcaya and Zaragoza. His career as an architect developed in parallel with the second phase of urban expansion in Pamplona. In terms of both quantity and quality, this new district can be seen as an embodiment of Eusa's work, and his most outstanding buildings form the landmarks which give character to this area. Unfortunately, Eusa's personal archive was lost in the 1970s. By collecting and analyzing the graphic information available in public archives, the author of this dissertation was able to compile a catalogue of Eusa's work and projects, which is provided in volume II. Volume I focuses on Eusa's career and the formal development of his language, starting from his academic training and tracing the successive influences that were at work during his early years as an architect: his journeys through Europe and the East, Otto Wagner and the Vienna Secession, Perret and reinforced concrete, Art-Déco and the Paris Exhibition of 1925, Dudok and the Dutch architecture represented in the magazines Wendingen and De Stijl, and many others. All of this came together in Eusa's highly personal expressionist style, based on a geometry of straight and zigzag lines, combining his favourite materials, brick and concrete. His mature period consolidated by end of the 1920s and lasted until the Spanish Civil War. After 1936, Eusa's responsibilities as municipal architect for Pamplona and later as head of architecture for Navarra enabled him to develop his talents in the area of urban design.

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La plupart des études sur l'étiquetage social porte sur une plateforme ou un type de plateforme précis, ce qui limite la portée de leurs résultats. Cette étude explore et compare les pratiques d'étiquetage social de quatre plateformes--Goodreads, un catalogue de bibliothèque publique, Last.fm et WordPress--au moyen d'une étude de cas multiples et emboîtés. Le contenu généré par les utilisateurs, principalement les étiquettes ou "tags", lié au livre Casino royale de Ian Fleming ou à ses produits dérivés ou associés (p. ex. : chanson thème, film, billet de blogue) a été analysé avec une approche qualitative et inductive. L'analyse révèle que le contenu généré par les utilisateurs des quatre plateformes mettait l'emphase sur les événements historiques associés au livre tout en fournissant de nombreux points d'accès plus subjectifs : recommandation, ton, ambiance, opinion, expérience de lecture, d'écoute ou de visionnement. On remarque par ailleurs des différences entre les étiquettes associées au livre et à ses produits dérivés : alors que le contenu généré par les utilisateurs en lien avec le produit d'origine dans les catalogues de bibliothèques et dans Goodreads portait essentiellement sur le livre, les étiquettes attribuées par les utilisateurs aux produits dérivés dans Last.fm (la chanson thème du film) et WordPress (des billets de blogues sur le livre ou le film) renvoyaient souvent à d'autres produits culturels, incluant des livres, de la musique et des films.

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La plupart des études sur l'étiquetage social porte sur une plateforme ou un type de plateforme précis, ce qui limite la portée de leurs résultats. Cette étude explore et compare les pratiques d'étiquetage social de quatre plateformes--Goodreads, un catalogue de bibliothèque publique, Last.fm et WordPress--au moyen d'une étude de cas multiples et emboîtés. Le contenu généré par les utilisateurs, principalement les étiquettes ou "tags", lié au livre Casino royale de Ian Fleming ou à ses produits dérivés ou associés (p. ex. : chanson thème, film, billet de blogue) a été analysé avec une approche qualitative et inductive. L'analyse révèle que le contenu généré par les utilisateurs des quatre plateformes mettait l'emphase sur les événements historiques associés au livre tout en fournissant de nombreux points d'accès plus subjectifs : recommandation, ton, ambiance, opinion, expérience de lecture, d'écoute ou de visionnement. On remarque par ailleurs des différences entre les étiquettes associées au livre et à ses produits dérivés : alors que le contenu généré par les utilisateurs en lien avec le produit d'origine dans les catalogues de bibliothèques et dans Goodreads portait essentiellement sur le livre, les étiquettes attribuées par les utilisateurs aux produits dérivés dans Last.fm (la chanson thème du film) et WordPress (des billets de blogues sur le livre ou le film) renvoyaient souvent à d'autres produits culturels, incluant des livres, de la musique et des films.

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Also known by title: Travel impressions.

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At head of title: Casino de Madrid.

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Text by Ennio Quirino Visconti.

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[A car is parked near a memorial cannon with a figure draped over it, a flagpole and sign for a casino are positioned nearby]

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Casmer P. Ogonowski, chairman.

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Over the past 25 years, betting on sports in the United States has grown dramatically with the majority of wagers being placed in illicit markets. Only 1% of an estimated 500 billion dollar sports betting industry in the United States is done legally. With this much at stake, the incentives to alter the outcome of the games are high. Corrupt gamblers can “fix” the match by offering payments to players to “throw the game,” that is, to predetermine the outcome in exchange for a payment (match fixing). This paper addresses whether match fixing in college basketball can be detected and contained with the current policies. A mixed method design will be used to identify possible “triggers” in Nevada Casino betting line movements that might warrant an investigation of cheating in the games. If match fixing can be detected at acceptable levels of probability, then current federal prohibitive law on sports betting might no longer be appropriate. Additionally, a survey will be administered to bettors in Nevada to analyze perceptions of the game’s integrity, further eroding the logic of current law.

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In the discussion - Ethics, Value Systems And The Professionalization Of Hoteliers by K. Michael Haywood, Associate Professor, School of Hotel and Food Administration, University of Guelph, Haywood initially presents: “Hoteliers and executives in other service industries should realize that the foundation of success in their businesses is based upon personal and corporate value systems and steady commitment to excellence. The author illustrates how ethical issues and manager morality are linked to, and shaped by the values of executives and the organization, and how improved professionalism can only be achieved through the adoption of a value system that rewards contributions rather than the mere attainment of results.” The bottom line of this discussion is, how does the hotel industry reconcile its behavior with that of public perception? “The time has come for hoteliers to examine their own standards of ethics, value systems, and professionalism,” Haywood says. And it is ethics that are at the center of this issue; Haywood holds that component in an estimable position. “Hoteliers must become value-driven,” advises Haywood. “They must be committed to excellence both in actualizing their best potentialities and in excelling in all they do. In other words, the professionalization of the hotelier can be achieved through a high degree of self-control, internalized values, codes of ethics, and related socialization processes,” he expands. “Serious ethical issues exist for hoteliers as well as for many business people and professionals in positions of responsibility,” Haywood alludes in defining some inter-industry problems. “The acceptance of kickbacks and gifts from suppliers, the hiding of income from taxation authorities, the lack of interest in installing and maintaining proper safety and security systems, and the raiding of competitors' staffs are common practices,” he offers, with the reasoning that if these problems can occur within ranks, then there is going to be a negative backlash in the public/client arena as well. Haywood divides the key principles of his thesis statement - ethics, value systems, and professionalism – into specific elements, and then continues to broaden the scope of each element. Promotion, product/service, and pricing are additional key components in Haywood’s discussion, and he addresses each with verve and vitality. Haywood references the four character types - craftsmen, jungle fighters, company men, and gamesmen – via a citation to Michael Maccoby, in the portion of the discussion dedicated to morality and success. Haywood closes with a series of questions derived from Lawrence Miller's American Spirit, Visions of a New Corporate Culture, each question designed to focus, shape, and organize management's attention to the values that Miller sets forth in his piece.

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In her piece entitled - Current Status Of Collectability Of Gaming-Related Credit Dollars - Ruth Lisa Wenof, Graduate Student at Florida International University initially states: “Credit is an important part of incentives used to lure gamblers to gaming establishments. However, a collection problem exists in casinos retrieving gaming-related credit losses of individuals living in states where gambling is illegal. The author discusses the history of this question, citing recent cases related to Atlantic City.” This author’s article is substantially laden with legal cases associated with casinos in New Jersey; Atlantic City to be exact. The piece is specific to the segment of the gaming industry that the title suggests, and as such is written in a decidedly technical style. “Legalized casino gaming, which was approved by the citizens of New Jersey on November 8, 1976, has been used as a unique tool of urban redevelopment for Atlantic City,” Wenof says in providing some background on this ‘Jersey shore municipality. “Since Resorts International opened its casino…revenues from gambling have increased rapidly. Resorts' gross win in 1978 was $134 million,” Wenof says. “Since then, the combined gross win of the city's 11 casinos has been just shy of $7.5 billion.” The author points out that the competition for casino business is fierce and that credit dollars play an integral role in soliciting such business. “Credit plays a most important part in every casino hotel. This type of gambler is given every incentive to come to a particular hotel,” says the author. “Airplanes, limousines, suites, free meals, and beverages all become a package for the person who can sign a marker. The credit department of a casino is similar to that of a bank. A banker who loans money knows that it must be paid back or his bank will fail. This is indeed true of a casino,” Wenof warns in outlining the potential problem that this article is fundamentally designed around. In providing further background on credit essentials and possible pitfalls, Wenof affords: “…on the Casino Control Act the State Commission of Investigation recommended to the legislature that casinos should not be allowed to extend credit at all, by reason of a concern for illicit diversion of revenues, which is popularly called skimming within the industry…” Although skimming is an after-the-fact problem, and is parenthetic to loan returns, it is an important element of the collective [sic] credit scheme. “A collection problem of prime importance is if a casino can get back gaming-related credit dollars advanced by the casino to a gambler who lives in a state where gambling is illegal,” is a central factor to consider, Wenof reveals. This is a primary focus of this article. Wenof touches on the social/societal implications of gambling, and then continues the discussion by citing a host of legal cases pertaining to debt collection.

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The proliferation of legalized gaming has significantly changed the nature of the hospitality industry. While several aspects of gaming have flourished, none has become more popular, profitable, or technologically advanced as the slot machine. While more than half of all casino gambling, and earnings, is generated by slot machines, little has been written about the technology integral to these devices. The author describes the workings of computer-controlled slot machines and exposes some of the popular operating myths.

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A study of Delaware’s statewide smoking ban suggests that it may have had a significant negative economic impact on the state’s gaming industry. However, such impact may vary in different segments of the hospitality industry, and therefore, must be examined strategically and on a case-by-case basis. The specific market environment, including both demand and competition of each state or each municipality, should be carefully analyzed by both governmental decision makers and by hospitality operators who influence these decision makers.

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The Indian Gaming Regulatory Act of 1988 was intended to provide a statutory basis for the growth of Indian gaming. This article explains that the intentions of the act, when coupled with court decisions and a competitive economic environment, may be the basis for federal intervention in the gaming industry, specifically for Native American gaming. The author reviews the history of programs and promises, the magnitude of the total gaming industry, and the role of Native American gaming.