Stories and toasts for after dinner. The toastmaster, his duties and responsibilities.

Mode of access: Internet.

Mazzini, and other essays,

The essay entitled "Emerson's wit and humor" was first published in the Forum.

Lectures on subjects connected with literature and life.

Later editions appeared under title: Literature and life.

Wit and wisdom of George Eliot : with a biographical memoir.

Mode of access: Internet.

Wit and wisdom of Warren Akin Candler,

Mode of access: Internet.

Nederlandsche scherts : humor, satire, verzameld /

Mode of access: Internet.

Wit and mirth: or, Pills to purge melancholy : being a collection of the best merry ballads and songs, old and new having each their proper tune for either voice, or instrument: most of the songs being new set.

"A re-issue of Songs compleat, 1719 ... Volumes I and II ... consist of his own songs." Cambridge bibliography of English literature.

Partingtonian patchwork. : Blifkins the martyr: the domestic trials of a model husband. The modern syntax: Dr. Spooner's experiences in search of the delectable. Partington papers: Strippings of the warm milk of human kindness. New and old dips from an unambitious inkstand. Humourous, eccentric, rhythmical. /

On t-p verso: Stereotyped at the Boston Stereotype Foundry... -- "Lubricatory" (i.e., preface): p.5-6; "Contents": p.7-10

Mr. Dooley on making a will and other necessary evils /

On making a will -- Famous men -- At a summer resort -- Drink and politics -- On home life -- On food in war -- On old age -- On the power of music -- On the descent of man -- On the higher baseball -- On heros and history -- On going to see the doctor -- On "the gift of oratory" -- On golf -- On "the game of cards" -- On the Orange Revolution of 1914 -- On St. Patrick's Day -- On past glories -- On criminal trials.

Wise, witty, eloquent kings of the platform and pulpit.

Imperfect: facsimile, p. 146, wanting.

A woman of wit and wisdom; a memoir of Elizabeth Carter, one of the 'Basbleu' society (1717-1806),

Mode of access: Internet.

The Creative Unconscious and the Pictorial Sign

Within The Creative Unconscious and Pictorial Sign I explore the dialogue that exists between social language and personal expression to understand how creativity is mediated. I consider how the involuntary inventiveness of artistic creativity and the structuring function of language come to negotiate what artists can experience and represent. My Doctoral practice attempts to question the influence of orthodox postmodernist views and allow sensual and direct experiences to be located within improvisation and spontaneous approaches to image making. I ask if it is possible for a humanistic and psychological interpretation of creativity to move beyond the copy and quotation that some postmodern theories of simulation and the hyperreal advance; but to retain the communicative function of visual expression and the model of a social form of signification instead of naïvely promoting unintelligible and personal languages.

Edge enhancement improves disruptive camouflage by emphasising false edges and creating pictorial relief

Disruptive colouration is a visual camouflage composed of false edges and boundaries. Many disruptively camouflaged animals feature enhanced edges; light patches are surrounded by a lighter outline and/or a dark patches are surrounded by a darker outline. This camouflage is particularly common in amphibians, reptiles and lepidopterans. We explored the role that this pattern has in creating effective camouflage. In a visual search task utilising an ultra-large display area mimicking search tasks that might be found in nature, edge enhanced disruptive camouflage increases crypsis, even on substrates that do not provide an obvious visual match. Specifically, edge enhanced camouflage is effective on backgrounds both with and without shadows; i.e. this is not solely due to background matching of the dark edge enhancement element with the shadows. Furthermore, when the dark component of the edge enhancement is omitted the camouflage still provided better crypsis than control patterns without edge enhancement. This kind of edge enhancement improved camouflage on all background types. Lastly, we show that edge enhancement can create a perception of multiple surfaces. We conclude that edge enhancement increases the effectiveness of disruptive camouflage through mechanisms that may include the improved disruption of the object outline by implying pictorial relief.

The analysis of humour

INTRODUCTION Theories of humour are traditionally divided into two classes: superiority or relief theories, and incongruity or ambiguity theories. As their names imply, the former tend to ascribe amusement primarily to a particular attitude of mind, while the latter account for it by describing its objects as having a particular quality. Enjoyment as an attitude is always a response to an object present to the mind or feelings. If, then, enjoyment in amusement is identical with feelings of superiority or relief, its objects must always display characteristics of inferiority or inhibition. But the enjoyment of humour seems to be distinguishable from a reaction to particular kinds of topic, and from any personal relation felt between the subject and the objects of his amusement. Incongruity theories do not explicitly ascribe the enjoyment of humour to a particular range of topics.

A todo vapor: o projeto de uma websérie cômica

Esta pesquisa apresenta as etapas da elaboração do projeto A Todo Vapor. O projeto consiste no desenvolvimento de uma websérie cômica de formato mockumentary baseada na Empresa Júnior de Rádio e TV da UNESP. O projeto conta com: a sinopse da série; perfil dos personagens; sinopses dos cinco episódios da temporada; projeto de quatro programas spin-offs que permeiam a websérie; argumento do piloto; e também roteiro completo do piloto