Landscape painting

The images in this exhibition were based on questioning relationships between the histories of painting and photography, which helped to establish the indexical references that became both photography’s most powerful attribute and most subtle illusion. Debates over the objectivity or subjectivity of the photograph and the uneasy relationship between painting and photography, as played out in the history of art, have been brought into sharp relief with the contemporary proliferation of digital images. The digital realm of photography gives rise to a general and relative skepticism of verity, but it can be argued that to artist/photographers, this representational malleability is precisely what their purpose becomes. In researching current issues of the indexical in photographic practice, landscape provides a potent vehicle for exploring issues of representation and illusion, the nexus of painting and photography, and the digital realm. One of contemporary photography’s most resonant themes is a return to pictorial subjects and methods, including a renewed interest in floribunda, still life and landscape. The resulting deconstruction and reconstruction of landscape ‘painting’ in this body of work- the monochrome, linear abstraction, painterly representationalsism and pictorialist detail is presented as a perceptual, aesthetic and digital act. The exhibition incorporates landscape painting’s simplicity and complexity, photography’s significance of representation and minimalist aesthetics in an over-mediated world.

Implementation of CSP-S for description of distributed algorithms

The implementation of CSP-S (a subset of CSP)—a high level language for distributed programming—is presented in this paper. The language CSP-S features a parallel command, communication by message passing and the use of guarded command. The implementation consists of a compiler translating the CSP-S constructs into intermediate language. The execution is carried out by a scheduler which creates an illusion of concurrency. Using the CSP-S language constructs, distributed algorithms are written, executed and tested with the compiler designed.

Portrait of a Woman.

A lady about 30 to 40 years old, dressed in a white dress is shown holding two roses up to her left shoulder in her right hand.

Portrait of a Man

A bust view of a man about 30 - 40 years, wearing a black coat and three-cornered hat, a wig, lace shirt front and cuffs. He is shown against a light blue sky with a suggestion of mountains on his right and cypress trees on the left. He is shaven and his attire modern, but his tricorn hat - no no longer fashionable among Christians in the late 18th century- is the mark of an observant Jew.

Portrait of an Old Lady

This waist-length frontal representation shows an old lady with crossed arms wearing a lace bonnet and a white cape over a red dress against a plain greenish background. Her hands seem to be unfinished. The white gouache is applied so as to give the painting textural interest.

Portrait of an old Man

Bust of Rabbi with luxuriant white beard wearing a plain black coat and tall black cap. The background is dark-gray. The hair and beard are exquisite, obtained with very fine brushes and textured use of white paint. The psychological study of the face is also unusually high quality.

Bombed out Houses of London. (WorldWar II)

Mrs. Schames, 1967

The Gate, Internment camp at Huyton, near Liverpool.

Signed and dated lower right. See also 78.1689

Dancer Casablanca 1930

A seated figure dressed in pink against a background of vegetation. Titled in lower left corner.

Terezin Theresienstadt.

Figure of a dejected man sitting on a small stool next to his suitcase. Titled, signed and dated in ink.

Terezin, The Deportation Train.

Signed and dated lower right.

Terezin: Portrait of Jirina Kanova. (Prague 1938-Auschwitz 1944).

The child is shown in threequarter view, looking into the distance. Her dark head is silhoutted against the background and accented by a whitecolored blouse. Signed L. Buresova, Terezin 15.IX.1943

[Draft for a Painting (St. Cyprien)].

This symbolic study of "St.Cyprien" concentration camp life done while Nussbaum was interned there in France. It is inscribed "Entwurf zu einem Gemälde" (Study for a painting) at lower left corner. It shows a group of men huddled around a globe or hunched in isolation against a desolate background of barren land and barbed wire. The drawing is one of the most artistically powerful and technically perfect in the collection.

Vue Iles du Salut Dreyfus.

Handwritten list of buildings, including Dreyfuss"Case" on the Ile du Diable. On verso: "Ligue des Droits de l'Homme, Section El Affroun ALger"

Case du deporte Dreyfus Devil's Island.

Dreyfus was imprisoned in French Colony Devil's Island