Der Rezensent : Novelle /

Mode of access: Internet.

Selim : historische Novelle /

Mode of access: Internet.

Ausgewählte Schriften /

Mode of access: Internet.

Cancan eines deutschen Edelmanns.

Mode of access: Internet.

August Wilhelm Schlegel, der Romantiker und die Politik,

"Quellen und Literatur": p. 249-254.

Der jüngere Titurel,

Mode of access: Internet.

Handbook to the controversy with Rome /

"Translated from the seventh edition of the Handbuch der protestantischen Polemik gegen die Römisch-Katholische Kirche."

Malerische Naturgeschichte der Hausthiere : ein Bilderbuch mit rhythmischem Text : mit 30 Tafeln Abbildungen

von K.A. Schönke, Lehrer an der Königl. Luisenschule und dem Königl. Seminar für Erzieherinnen zu Posen

Symposion : von der Würde der weiblichen Natur und Bestimmung

von Christian und August Bomhard

Discorso dellʹeminentissimo e reverendissimo signor Cardinale Carlos di Reisach alle Pontificie accademie romane di S. Luca e di archeologia insieme adunate il dì XVII di Marzo MDCCCLIX.

Mode of access: Internet.

Le naturalisme finlandais : Une conception entropique du quotidien

Le naturalisme finlandais. Une conception entropique du quotidien. Finnish Naturalism. An Entropic Conception of Everyday Life. Nineteenth century naturalism was a strikingly international literary movement. After emerging in France in the 1870s, it spread all over Europe including young, small nations with a relatively recent literary tradition, such as Finland. This thesis surveys the role and influence of French naturalism on the Finnish literature of the 1880s and 1890s. On the basis of a selection of works of six Finnish authors (Juhani Aho, Minna Canth, Kauppis-Heikki, Teuvo Pakkala, Ina Lange and Karl August Tavaststjerna), the study establishes a view of the main features of Finnish naturalism in comparison with that of French authors, such as Zola, Maupassant and Flaubert. The study s methodological framework is genre theory: even though naturalist writers insisted on a transparent description of reality, naturalist texts are firmly rooted in general generic categories with definable relations and constants on which European novels impose variations. By means of two key concepts, entropy and everyday life , this thesis establishes the parameters of the naturalist genre. At the heart of the naturalist novel is a movement in the direction of disintegration and confusion, from order to disorder, from illusion to disillusion. This entropic vision is merged into the representation of everyday life, focusing on socially mediocre characters and discovering their miseries in all their banality and daily grayness. By using Mikhail Bakhtin s idea of literary genres as a means of understanding experience, this thesis suggests that everyday life is an ideological core of naturalist literature that determines not only its thematic but also generic distinctions: with relation to other genres, such as to Balzac s realism, naturalism appears primarily to be a banalization of everyday life. In idyllic genres, everyday life can be represented by means of sublimation, but a naturalist novel establishes a distressing, negative everyday life and thus strives to take a critical view of the modern society. Beside the central themes, the study surveys the generic blends in naturalism. The thesis analyzes how the coalition of naturalism and the melodramatic mode in the work of Minna Canth serves naturalisms ambition to discover the unconscious instincts underlying daily realities, and how the symbolic mode in the work of Juhani Aho duplicates the semantic level of the apparently insignificant, everyday naturalist details. The study compares the naturalist novel to the ideological novel (roman à these) and surveys the central dilemma of naturalism, the confrontation between the optimistic belief in social reform and the pessimistic theory of determinism. The thesis proposes that the naturalist novel s contribution to social reform lies in its shock effect. By means of representing the unpleasant truth the entropy of everyday life it aims to scandalize the reader and make him aware of the harsh realities that might apply also to him.

[BÖCKH: ordentliche Mitglieder des Philologischen Seminars Berlin].

Lists of participants in Prof. August Boeck‘s philological societies in Berlin and in Heidelberg, circa 1822-1857, compiled by Klaus Grotsch.

Dois cisnes à procura de um personagem: uma leitura pirandelliana do filme Cisne Negro

Pós-graduação em Letras - FCLAS