166 resultados para Transcendence
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Fundação de Amparo à Pesquisa do Estado de São Paulo (FAPESP)
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A obra de Karl Marx é um complexo orgânico cuja a categoria central é o trabalho. O trabalho funda o ser social e estabelece mediações que remetem para além de si, num desenvolvimento contínuo que impulsiona a humanidade a um desenvolvimento omnilateral, isto é, em todas as suas dimensões, um desenvolvimento que abrange todas as necessidades reais do ser humano. O desenvolvimento do complexo de relações geradas pelo trabalho, designadas como forças produtivas, foi exponencialmente ampliado pelo modo de produção do capital, no entanto, o capital dissocia o trabalhador de seus meios de produção, de maneira que a evolução das forças produtivas não reflete o desenvolvimento das propriedades verdadeiramente humanas. Isto acontece porque o capital possui como necessidade sociometabólica acumular-se e expandir-se initerruptamente, fenômeno só alcançado com a extração do sobretrabalho do trabalhador, que consiste no prolongamento da duração da jornada de um mesmo processo de trabalho, ou seja, um dispêndio excessivo da força de trabalho, uma exploração do trabalhador, denominado de mais-valia. É este movimento que gera um excedente sobre o valor original investido pelo capitalista, que altera na esfera da circulação a grandeza de seu valor. O trabalho excedente ou sobretrabalho que produz a maisvalia é um imperativo ou uma imposição objetiva do capital, sem esta não há continuidade no ciclo capitalista de produção. A produção da riqueza, sob o regime do capital, revela sempre seu par, a produção da miséria absoluta para a maioria esmagadora da humanidade. Enquanto as relações de produção forem mediadas pelo imperativo da extração da mais-valia, o capital resiste e contraria todas as teses a respeito de um “capitalismo humanitário”, pois a mais-valia é a essência da exploração, da dominação e da opulência do capital às custas do trabalhador. Portanto, só poderá haver uma verdadeira satisfação das necessidades humanas com a superação da mais-valia que garante a valorização do capital, isto significa que se para o capital é imperativo a apropriação constante da mais-valia, para a humanidade é imperativo a emancipação do capital, isto significa, uma radical transcendência da divisão hierárquica do trabalho e a superação completa de todas as relações do capital.
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Pós-graduação em Serviço Social - FCHS
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Fundação de Amparo à Pesquisa do Estado de São Paulo (FAPESP)
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Considering the investigating course of Information Science which, under different perspectives, admits theoretical constructions influenced by objective and/or subjective and/or social dimensions of information, this paper aims to identify conceptual elements about notions of user employed in modeling constructs in the area. For such, an investigation was made in a corpus comprised of 15 literature reviews on need, search, behavior and use of information published in the Annual Review of Information Science and Technology - ARIST. Corpus analysis allowed to illustrate the subject-object relation in traditional and alternative approaches, directed towards objective and subjective dimensions of information. It also allowed to propose systemic and emerging models, the latter comprising of the relative attraction of subjective and social dimensions. In the end, a table is outlined with results pointing towards the displacement and/or transcendence of the strict notion of subject, underlying as a singularity managing or using information in a system - then considering, complementarily, other possibilities for acting. In this direction, the subject is then conceived not only in terms of management or use actions, but also taking as fundament his/her agency in the process of appropriation and construction of information and knowledge, interactively and in context.
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Way in the theme of the story of my life and training and electingchildhood as a guide in the works of Benjamin. Narrating a series of reflections on childhood and experience, taking for reading and interpretation of aphorisms that make up my childhood and training as a fellow researcher, a full text simultaneously, is juxtaposed with other texts and authors, intertwining with Benjamin, memory and history in my narrative, in a singular moment, an event. In this course highlight the place ofexperience and their languages, between the know-how, andknowing how to express thinking about childhood and educationevent in the making, which announces the issue of impoverishment and destitution of the experience of life ineducational practice, indicating the possibility resume thembetween school knowledge and practices through different view of childhood and the event, as a teacher. I will continue outliningmy experience in research groups choosing the language and itsinterfaces specifically with art cinema / pictures in the construction of our subjectivity in postmodernity. The methodology is qualitative, will take place within what we call the ethical self. Transcendence is an act and not a process, and yetas an overshooting of history is always historically situated and,therefore, has a concrete context. Using my own journey as an educator / researcher in my path as an area of passage / travel / experience / track / time in the constitution of my subjectivity in my own life story
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Pós-graduação em Letras - FCLAS
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The present article considers the configuration of poetic features of a song in the context of the so called Brazilian Popular Music. The inicial discussion draws general and theoretical considerations about the relations between literature and music and deepens the analysis on the nature of the song as a manifestation of a consciousness of the historical memory as a metaphysical and aesthetical transcendence. The ludic element is then considered as an important element of the poetic features of songs in the 60‟s and nowadays.
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In this paper we analyze the question of character essayistic the historiography of the first half of the twentieth century. We examined this issue due to the emergence of a new trend on the historiographical colonization (School of Rio) who criticizes, among other things, the essay-like character in historiography. Whereas the criticism expressed how a new trend breaks with the existing historiography, we decided to examine this critical gauge. To promote the overcoming of a certain history is necessary to understand it in its historicity, that is, the motivations that led historians to examine the history of a given way. Of course, criticism is a moment of transcendence. But to be a radical departure is necessary to understand the historiography of historical criticism and not simply point their supposed mistakes, shortcomings and failures.
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This article is a discussion on the vision of transcendence peculiar to the poetic of Decadentism and considers the reference offered for the Cruz e Sousa´s poetry. We call poetic transcendence the search for Ideal and for broke the barrier of usual perception by the poetic work. Among the romantics, the transcendence was search for many ways; one of them was the sublime ravishing. In the Symbolism/Decadentism, the transcendent ravishing finds its opposite – the fall. The Cruz e Sousa´s poetry illustrates this new leitmotiv which have rise in the center of Modernity.
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Pós-graduação em Matemática - IBILCE
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Pós-graduação em Educação Matemática - IGCE
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Reflection about the contemporary production artistic, the own make artistic and the creative process that involve them it is noted that, comes to the poetic construction the action to greater understanding the being as artist and from the being while humanity. In current procedures that do not prioritize more materials, supports or languages for the production of works, but human being and his complexities, the art is manifested as the essence, need of renovation. From the documentary "Window of the Soul", directed by João Jardim and Walter Carvalho, and from personal creations is studied the transcendence of materiality in hybrids process, actions at resignify the look that investigates and reinterprets. In this exercise, art is justified as experience necessary, metaphors for the life, to teach us to see, fell and restructure us.
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Pós-graduação em Letras - IBILCE
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Topics include: Free groups and presentations; Automorphism groups; Semidirect products; Classification of groups of small order; Normal series: composition, derived, and solvable series; Algebraic field extensions, splitting fields, algebraic closures; Separable algebraic extensions, the Primitive Element Theorem; Inseparability, purely inseparable extensions; Finite fields; Cyclotomic field extensions; Galois theory; Norm and trace maps of an algebraic field extension; Solvability by radicals, Galois' theorem; Transcendence degree; Rings and modules: Examples and basic properties; Exact sequences, split short exact sequences; Free modules, projective modules; Localization of (commutative) rings and modules; The prime spectrum of a ring; Nakayama's lemma; Basic category theory; The Hom functors; Tensor products, adjointness; Left/right Noetherian and Artinian modules; Composition series, the Jordan-Holder Theorem; Semisimple rings; The Artin-Wedderburn Theorem; The Density Theorem; The Jacobson radical; Artinian rings; von Neumann regular rings; Wedderburn's theorem on finite division rings; Group representations, character theory; Integral ring extensions; Burnside's paqb Theorem; Injective modules.