Quatuors für 2 Violinen, Viola und Violoncell /

Each part paged continuously.

Nuova raccolta di 11 sonate e un minuetto variato, per violino con acc. di pianoforte/

1. A min. (C.[II] 56).--2. G maj.--3. G maj. (Op. 6/6).--4. E min. (C.[II] 57).--5. G maj. (Op. 6/1).--6. D maj. (Op. 7/1).--7. A maj. (C[II] 21).--8. A maj. (Op. 6/4).--9. E maj. (Op. 7/4).--10. F maj.--11. G min. (C.[II] 33).--12. A maj.

Four works for violin and piano.

Rando brillant, op. 70, D.895-- Sonata, D major, op. 137, No. 1, D.384-- Sonata, A minor, op. 137, No. 2, D.385-- Sonata, G minor, op. 137, No. 3, D.408.

Beethoven's Violinists: The Influence of Clement, Viotti, and the French School on Beethoven's Violin Compositions

Over the course of his career, Ludwig van Beethoven (1770–1827) admired and befriended many violin virtuosos. In addition to being renowned performers, many of these virtuosos were prolific composers in their own right. Through their own compositions, interpretive style and new technical contributions, they inspired some of Beethoven’s most beloved violin works. This dissertation places a selection of Beethoven’s violin compositions in historical and stylistic context through an examination of related compositions by Giovanni Battista Viotti (1755–1824), Pierre Rode (1774–1830) and Franz Clement (1780–1842). The works of these violin virtuosos have been presented along with those of Beethoven in a three-part recital series designed to reveal the compositional, technical and artistic influences of each virtuoso. Viotti’s Violin Concerto No. 2 in E major and Rode’s Violin Concerto No. 10 in B minor serve as examples from the French violin concerto genre, and demonstrate compositional and stylistic idioms that affected Beethoven’s own compositions. Through their official dedications, Beethoven’s last two violin sonatas, the Op. 47, or Kreutzer, in A major, dedicated to Rodolphe Kreutzer, and Op. 96 in G major, dedicated to Pierre Rode, show the composer’s reverence for these great artistic personalities. Beethoven originally dedicated his Violin Concerto in D major, Op. 61, to Franz Clement. This work displays striking similarities to Clement’s own Violin Concerto in D major, which suggests that the two men had a close working relationship and great respect for one another. The first recital was performed in Ulrich Recital Hall; the second and third recitals were performed in Gildenhorn Recital Hall at the University of Maryland. All three performances were collaborations with pianist, Hsiang-Ling Hsiao. A Recording of the first program can be found in the Digital Repository at the University of Maryland (DRUM). Recordings of the second and third recitals can be accessed at the University of Maryland Hornbake Library.

[Sonaatti viululle ja pianolle] : [D-duuri]

Soitinnus: viulu, piano.

[Sonaatti h-molli] : [viululle, obligatocembalolle ja viola da gamballe]

Lübecker Kammermusikkreis:n konsertti konservatorion salissa.

[Sonatiini op. 45 nro 1 oboelle, oboe d'amorelle ja englannintorvelle]

Soitinnus: oboe, oboe d'amore, englannintorvi.

Beethoven Plus 3 : Beethoven: Sonaatit viululle ja pianolle, 1900- luvun viulu-pianoteoksia

Esitetty myös: Hämeenlinna: Raatihuone, Tampere: Pyynikkisali

Sonaatti es-molli

Soitinnus: Piano.

[2. Sinfonia op. 43 D-duuri]

Soitinnus: orkesteri.

[Sonaatti h-molli]

Soitinnus: piano.

Desenvolupament d'un node sensor sense fils autoalimentat. Mòdul piezo-magnètic

En aquest projecte es pretén implementar un dispositiu capaç de ser auto-suficient i no dependre de cap tipus de pila, bateria o fil elèctric que l’abasteixi d’energia elèctrica. El dispositiu recol·lectarà la energia magnètica generada per la corrent elèctrica a un fil i la transformarà en energia elèctrica, que serà emmagatzemada per el seu posterior ús. A demès, aquest projecte s’ha desenvolupat en col·laboració amb un segon projecte, dintre del qual s’implementarà una xarxa de sensors, mitjançant el protocol MIWI. Aquest projecte es divideix en tres grans blocs. El primer bloc del projecte serà una introducció teòrica de tots els coneixements relacionats amb el concepte d’energy harvesting i els mecanismes físic implicats. Al segon bloc podrem veure com s’han realitzat els càlculs, simulacions i posada en marxa, dels diferents elements que formaran el dispositiu recol·lector d’energia. Per últim en el tercer bloc veurem el prototip ja implementat. Es valoraran els resultats obtinguts, i es veuran els temps que necessitarà per alimentar al microcontrolador.