Una questione di divorzio secondo il diritto ebraico

[von] Samuele Colombo

Where Empires Meet: Orientalism and Marginality at the Former Russo-British Frontier

This article explores the intersection of orientalism and marginality in two regions at the former Russo-British frontier between Central and South Asia. Focussing on Tajikistan’s Gorno-Badakhshan and Gilgit-Baltistan in today’s Pakistan, an analysis of historical and contemporary orientalist projections on and in the two border regions reveals changing modes of domination through the course of the twentieth century (British, Kashmiri, Pakistani and Russian, Soviet, Tajik). In this regard, different local experiences of “ colonial ” rule, both in Gorno-Badakhshan and Gilgit-Baltistan, challenge “ classical ” periodisations of colonial/postcolonial and colonial/socialist/postsocialist. This article furthermore maintains that processes of marginalisation in both regions can be interpreted as effects of imperial and Cold War contexts that have led to the establishment of the frontier. Thus, a central argument is that neither the status of the frontier between Central and South Asia as a stable entity, nor the periodisations that have conventionally been ascribed to the two regions as linear timelines can be taken for granted.

ll "Pasquillus extaticus" di Celio Secondo Curione: eresia, censura, tradizione a stampa e manoscritta del testo

The essay examines the print and manuscript traditions of the "Pasquillus extaticus" by Celio Secondo Curione with a particular focus on their relation with censorship. At first, the essay investigates into the redactional evolution and into the editorial history of the dialogue and of its vernacular versions, e.g. the relation between some editions of the "Pasquillus extaticus" and of the "Pasquino in estasi" (which appeared anonymously and without typographical information) and the provisions of political and ecclesiastical censorship in the 16th century. Finally, analysing the manuscript tradition, the essay discusses Carlos Gilly’s identification of «Coelii Secundi Pasquillus, emendatus impress[us]», registered in the inventory of the private library of the Basel typographer Johannes Oporinus, with the copy preserved at the Herzog August Bibibliothek Wolfenbüttel [hab: p 1811. 8º Helmst. (1)]). The author refutes Gilly’s hypothetical attribution to Curione’s handwriting of the many marginalia present in this copy.

Il messia secondo gli Ebrei

studio di David Castelli

Ms. Ff. Mus. 1043 - Dom. Trinit. : Gelobet sey Gott und der Vater pp ; C. A. T. B., violino primo, violino secondo, oboe primo et secondo, viola, violoncello, e organo

del Sige. Telemann

Mus Hs 1156 - Offertorium ex A# "O salutaris hostia" : à 2 cantis, 2 alto, tenore et basso, violino primo, violino secondo, viola, violone con organo

Auth.: Lösel

Ms. Ff. Mus. 471 - Misericordias Domini : C: A: T: B:, Violino primo, Violino secondo, Viola, Oboe pmo obl., Oboe sdo obl., Violoncello et Organo ; 1772

vom Seibert

Ms. Ff. Mus. 1261 - Dom: XXI post Trinit. : Mein Kind verwirff die Zucht pp ; C. A. T. B., violino primo, violino secondo, oboe primo, oboe secondo, viola, violoncello em organo

del Sige. Telemann. [Textverf.: Gottfried Simonis]

Mus Hs 1660 - Ave Maria gratia plena : ex D ; canto, alto, tenore, basso, violino primo, violino secondo, clarino primo, clarino secondo, con organo

J B Z. C F.i

Michelangelo Russo, Brustbild

Signatur des Originals: S 36/G03593

Michelangelo Russo, Brustbild

Signatur des Originals: S 36/G04364

Mus Hs 1556 - Parthia à oboa prima, oboa seconda, clarinetto primo, clarinetto secondo, corno primo, corn secondo, fagotto e basso

[Anonymus]. Transposta del Henrico Ehrenfried

Mus Hs 1163 - Offertorium de sanctissimo "O Salutaris Hostia" : canto, alto, tenore, basso, violino primo, violino secondo, Altviola, 2 cornua, 2 clarinis, 2 Clarinetten, tympano, violonone con organo

Auth. Fils