Full-text publication of abstracts presented at European Orthodontic Society congresses.

INTRODUCTION Empirical evidence has indicated that only a subsample of studies conducted reach full-text publication and this phenomenon has become known as publication bias. A form of publication bias is the selectively delayed full publication of conference abstracts. The objective of this article was to examine the publication status of oral abstracts and poster-presentation abstracts, included in the scientific program of the 82nd and 83rd European Orthodontic Society (EOS) congresses, held in 2006 and 2007, and to identify factors associated with full-length publication. METHODS A systematic search of PubMed and Google Scholar databases was performed in April 2013 using author names and keywords from the abstract title to locate abstract and full-article publications. Information regarding mode of presentation, type of affiliation, geographical origin, statistical results, and publication details were collected and analyzed using univariable and multivariable logistic regression. RESULTS Approximately 51 per cent of the EOS 2006 and 55 per cent of the EOS 2007 abstracts appeared in print more than 5 years post congress. A mean period of 1.32 years elapsed between conference and publication date. Mode of presentation (oral or poster), use of statistical analysis, and research subject area were significant predictors for publication success. LIMITATIONS Inherent discrepancies of abstract reporting, mainly related to presentation of preliminary results and incomplete description of methods, may be considered in analogous studies. CONCLUSIONS On average 52.2 per cent of the abstracts presented at the two EOS conferences reached full publication. Abstracts presented orally, including statistical analysis, were more likely to get published.

A short bibliography on Scottish history and literature,

A list of books arranged by subject followed by an author list, with publisher, date, etc.

Proceedings of the Edinburgh Mathematical Society

Mode of access: Internet.

The art treasures of England; the master-pieces of the best English, Irish and Scottish painters and sculptors represented by one hundred fine steel engravings, with biographical and descriptive text.

Mode of access: Internet.

Annual for the year ... : containing full particulars of the system of conducting its business, and statistics of the society from its commencement in 1884.

Absorbed by the People's year book in 1919.

The curriculum and text-books of English schools in the first half of the seventeenth century. Enlarged from a paper read before the Bibliographical Society, February 1, 1902.

"Reprinted by Blades, East & Blades, from the Society's Transactions."--t.p.

The Christian endeavor manual : a text-book on the history, theory, principles, and practice of the society, with complete bibliography and several appendixes /

Mode of access: Internet.

Legends of the saints, in the Scottish dialect of the fourteenth century;

Published originally in 6 parts, 1888-96.

Scottish traditional versions of ancient ballads /

Cogswell.

The old Highlands; being papers read before the Gaelic Society of Glasgow, 1895-1906,

Forms the third volume of papers published by the Society; v. 1-2 were published 1891 and 1894 respectively, under title Transactions.

Irish Texts Society : [publications].

Mode of access: Internet.

The dialect of Banffshire; with a glossary of words not in Jamieson's Scottish dictionary.

On spine: Banffshire words.

Media Studies: "Media, History and Society", and "Thinking Popular Culture".

“When cultural life is re-defined as a perpetual round of entertainments, when serious public conversation becomes a form of baby talk, when, in short, a people become an audience and their public business a vaudeville act, then a nation finds itself at risk.” (Postman) The dire tones of Postman quoted in Janet Cramer’s Media, History, Society: A Cultural History of US Media introduce one view that she canvasses, in the debate of the moment, as to where popular culture is heading in the digital age. This is canvassed, less systematically, in Thinking Popular Culture: War Terrorism and Writing by Tara Brabazon, who for example refers to concerns about a “crisis of critical language” that is bothering professionals—journalists and academics or elsewhere—and deplores the advent of the Internet, as a “flattening of expertise in digital environments”.