Acknowledgement of Jacques Judah Lyons' letter by Sir Moses Montefiore

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Draft of letter by Jacques Judah Lyons to Sir Moses Montefiore, sending him payment for the Jews of Palestine, and acknowledgement

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Copy of letter from Jacques Judah Lyons to Sir Moses Montefiore enclosing bill of exchange for Palestinian Jews

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Evaluación de Rhizobium tropici UMR 1899 en tres variedades de frijol común (Phaseolus vulgaris L.) y la extracción de macronutrientes primarios por el cultivo

El presente trabajo fue realizado en la finca experimental La Compañía, Carazo, en época de postrera (octubre- diciembre de 1996), en suelos jóvenes de origen volcánico con altos contenidos de potasio y deficiente de fósforo. El propósito del experimento fue determinar la influencia de dos tipos de Rhizobium en tres variedades de frijol común (Phaseolus vulgaris L.), sobre la producción de materia seca y rendimiento, así como la extracción de los elementos mayores tales como N, P y K. Las variedades evaluadas fueron: Honduras - 46, DOR - 364 y Revolución - 79 y los tipos de Rhizobium evaluados fueron: Rhizobium tropici UMR 1899 y la bacteria nativa Rhizobium leguminosarum bv phaseoli. El diseño utilizado fue bloques completos al azar (B.C.A), con seis tratamientos y cuatro repeticiones. Las variables evaluadas fueron: altura de planta, número de nódulos, peso seco de nódulos, peso seco de cada nódulo, materia seca, densidad de plantas por hectárea, número de vainas por planta, número de granos por vaina, peso de 100 granos, rendimiento y extracciones de macronutrientes como N, P y K. Los datos se procesaren usando análisis de varianza (ANDEVA) y se utilizó la prueba de rangos múltiples de DUNCAN (Ps0.05). Los resultados obtenidos se pueden sintetizar de la siguiente forma: la variedad Honduras - 46, presentó mayor producción de materia seca en los tejidos del follaje (1563.23 kg/ha), así como también obtuvo el mayor rendimiento (1 000.51 kg/ha), la variedad Revolución - 79 obtuvo la mayor producción de materia seca en los tejidos de la raíz (117.91 Kg/ha). La variedad DOR - 364 obtuvo la mayor extracción de macro nutrientes primarios (67.12 kg/ha de nitrógeno, 6.90 kg/ha de fósforo y 60.91 kg/ha de potasio). La bacteria nativa Rhlzobium leguminosarum bv phaseoli obtuvo la mayor producción de materia seca en los tejidos del follaje y la raíz, asi como en el rendimiento y extracciones totales de macronutrientes primarios.

Região occidental de Matto Grosso : viagem e estudos sobre o Valle do Baixo Guaporé : da cidade de Matto Grosso ao Forte de Principe da Beira pelo Dr. Manoel Esperidião da Costa Marques, 1906. A seguir : Projectos de vias de communicação : exploração do Alto Guaporé e dos rios Jaurú, Aguapehy e Alegre : do mesmo autor, 1899

Apontamentos, notas e narrativas sobre o vale do Baixo Guaporé, com detalhes sobre riqueza, civilização, indústria, comércio, população, comunidades indígenas, usos e costumes.

Collecção das Leis do Imperio do Brazil de 1825

Parte 1 - Decretos, Cartas Imperiaes e Alvarás

Collecção das Leis da Republica dos Estados Unidos do Brazil de 1899

Parte 1 - Atos do Poder Legislativo

A Declaração da maioridade de Sua Magestade Imperial o Senhor D. Pedro II, desde o momento em que essa idea foi aventada no corpo legislativo até o acto de sua realisação

Navegação e conquistas : tres estudos : I. Vasco da Gama, II. Villegagnon, III. Colombo /A. Zeferino Candido. Rio de Janeiro : Typ. Federal, 1899 -- Dois discursos / por Assis Brasil. Porto Alegre : Officinas Typographicas da Federação, 1886 -- Carta aos senhores eleitores da provincia de Minas Geraes / por Bernardo Pereira de Vasconcellos. 2ª Edição. Rio de Janeiro : Francisco Rodrigues de Paiva, Alfarrabista Brasileiro, Editor, 1840 -- A revolta de 1720 em Villa Rica : discurso historico-politco. Ouro Preto : Imprensa Official de Minas Geraes, 1898.

Exposição, e confrontação das cartas de lei de 15 de novembro de 1825

Referência : Diccionario Bibliographico Portuguez / Innocencio Francisco da Silva, 1859. v. 2, 254 p.

Coming conflicts for liberty : a Thanksgiving sermon, preached November 30th, 1899, at a Union service in the First Baptist Church of Fall River, Mass.

The print copy of this sermon is held by Pitts Theology Library. The Pitts Theology Library's digital copy was produced as part of the ATLA/ATS Cooperative Digital Resources Initiative (CDRI), funded by the Luce Foundation. Reproduction note: Electronic reproduction. Atlanta, Georgia : Pitts Theology Library, Emory University, 2003. (Thanksgiving Day Sermons, ATLA Cooperative Digital Resources Initiative, CDRI). Joint CDRI project by: Andover-Harvard Library (Harvard Divinity School), Pitts Theology Library (Emory University), and Princeton Theological Seminary Libraries.

SELECTED AMERICAN VIOLIN WORKS AND THEIR EUROPEAN CONTEXT

For my dissertation, I did a study and performance of American violin works by Charles Ives, Aaron Copland, Leonard Bernstein, and John Corigliano, along with contemporaneous European works by Paul Hindemith, Bela Bartok, Igor Stravinsky, Sergei Prokofiev, and Francis Poulenc. The selected American violin works display the development of a distinctively American style and cover a significant formative period (1914-1963) of American classical music. I intend that the European works form a backdrop for setting in relief any distinctly American qualities possessed by the American works. This is because they cover a similar time period and have significant stylistic affinities and shared influences. My topic stems from a question, "What defines the American Sound?" I attempted to find the answer by looking at the time when American composers consciously searched for their identities, and declared their music to be distinctly American. I found that those distinctive qualities stemmed from three sources: folk music, jazz and hymns. Ives and Copland can be viewed as American in content for their inclusion of such elements, while Bernstein and Corigliano can also be considered as "ideologically American" for their adventurous and eclectic spirit. The simplicity derived from singing a hymn or crooning a popular song; the freedom inspired by jazz; the optimism of accepting all possibilities-these elements inform the common spirit that I found in the music of these four American composers. FIRST RECITAL Sonatafor Violin Solo Op.3112 (1924), Paul Hindemith (1895-1963) Suite Italiennefor Violin and Piano (1932), Igor Stravinsky (1882-1971) Sonatafor Violin and Piano (1963), John Corigliano (b.1938) SECOND RECITAL Second Sonatafor Violin and Piano (1914-17), Charles Ives (1874-1954) First Rhapsody for Violin and Piano (1928), Bela Bart6k (1881-1971) Violin Sonata No.1 infminor (1938-46), Sergei Prokofiev (1891-1953) THIRD RECITAL Nocturne for Violin and Piano (1926), Aaron Copland (1900-1990)Sonata for Violin and Piano, Op. 119 (1942-3, rev.1949), Francis Poulenc (1899-1963)Serenade (after Plato's "Symposium'') (1954) by Leonard Bernstein (1918-1990) The pianists were Sun Ha Yoon (Bart6k) and Grace Eunae Cho (all other repertoire).