869 resultados para Rape Myths
Resumo:
Este artículo se consagra a una comparación entre el temprano poema de Shakespeare, The Rape of Lvcrece, y sus dos principales fuentes latinas, Ab Vrbe Condita, de Tito Livio y los Fasti, de Ovidio. Anticipándose a la penetración del dramaturgo en sus personajes trágicos, Shakespeare da una aguda descripción de las psicomaquias de Tarquino y de Lucrecia. En el caso del primero, al revelar la lucha interior a propósito de la ética y las consecuencias de sus acciones. En el caso de la segunda, cuando Lucrecia analiza el horror de su vergüenza y los modos de purificarse. En ambos casos Shakespeare opera dramáticamente con sus fuentes, suprimiendo algunos detalles y enriqueciendo significativamente su narración. Existe una complicación adicional en cuanto precede al poema un Argumento que sigue de cerca la historia de Tito Livio. Sin embargo, paradójicamente, el poema se desvía de su mismo argumento en algunos puntos fundamentales
Resumo:
Este artículo se consagra a una comparación entre el temprano poema de Shakespeare, The Rape of Lvcrece, y sus dos principales fuentes latinas, Ab Vrbe Condita, de Tito Livio y los Fasti, de Ovidio. Anticipándose a la penetración del dramaturgo en sus personajes trágicos, Shakespeare da una aguda descripción de las psicomaquias de Tarquino y de Lucrecia. En el caso del primero, al revelar la lucha interior a propósito de la ética y las consecuencias de sus acciones. En el caso de la segunda, cuando Lucrecia analiza el horror de su vergüenza y los modos de purificarse. En ambos casos Shakespeare opera dramáticamente con sus fuentes, suprimiendo algunos detalles y enriqueciendo significativamente su narración. Existe una complicación adicional en cuanto precede al poema un Argumento que sigue de cerca la historia de Tito Livio. Sin embargo, paradójicamente, el poema se desvía de su mismo argumento en algunos puntos fundamentales
Resumo:
Este artículo se consagra a una comparación entre el temprano poema de Shakespeare, The Rape of Lvcrece, y sus dos principales fuentes latinas, Ab Vrbe Condita, de Tito Livio y los Fasti, de Ovidio. Anticipándose a la penetración del dramaturgo en sus personajes trágicos, Shakespeare da una aguda descripción de las psicomaquias de Tarquino y de Lucrecia. En el caso del primero, al revelar la lucha interior a propósito de la ética y las consecuencias de sus acciones. En el caso de la segunda, cuando Lucrecia analiza el horror de su vergüenza y los modos de purificarse. En ambos casos Shakespeare opera dramáticamente con sus fuentes, suprimiendo algunos detalles y enriqueciendo significativamente su narración. Existe una complicación adicional en cuanto precede al poema un Argumento que sigue de cerca la historia de Tito Livio. Sin embargo, paradójicamente, el poema se desvía de su mismo argumento en algunos puntos fundamentales
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The distribution of S to sulfate, glucosinolates, glutathione, and the insoluble fraction within oilseed rape (Brassica napus L.) leaves of different ages was investigated during vegetative growth. The concentrations of glutathione and glucosinolates increased from the oldest to the youngest leaves, whereas the opposite was observed for SO42−. The concentration of insoluble S was similar among all of the leaves. At sufficient S supply and in the youngest leaves, 2% of total S was allocated to glutathione, 6% to glucosinolates, 50% to the insoluble fraction, and the remainder accumulated as SO42−. In the middle and oldest leaves, 70% to 90% of total S accumulated as SO42−, whereas glutathione and glucosinolates together accounted for less than 1% of S. When the S supply was withdrawn (minus S), the concentrations of all S-containing compounds, particularly SO42−, decreased in the youngest and middle leaves. Neither glucosinolates nor glutathione were major sources of S during S deficiency. Plants grown on nutrient solution containing minus S and low N were less deficient than plants grown on solution containing minus S and high N. The effect of N was explained by differences in growth rate. The different responses of leaves of different ages to S deficiency have to be taken into account for the development of field diagnostic tests to determine whether plants are S deficient.
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Samurai Son is a story that captures the beauty, wonder and imagination of Japanese legends and mythology with some modern-day sensibilities and morals against the backdrop of medieval Japan. The story blends Shinto religion and stories about the tengu, bird-like wind spirits with a modern plotline in a Japanese fantasy universe. This world is filled with magic, demons, kami (magical spirits), gods and goddesses, samurai, ninja and martial arts.
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The activity of the Federation of Expellees and its chairperson Erika Steinbach, including efforts aimed at establishing the Centre Against Expulsions have been and will continue to be a source of controversy in Germany’s domestic policy, as well as in Polish–German and Czech–German relations. Steinbach has become a central figure in German inter-party conflicts and in disputes with the country’s immediate neighbours. In her efforts to gain more publicity for injustice and suffering in the German past she has resorted to controversial methods and has thus latched onto another stage in the historical debate on the consequences of World War II. This time it is related to and interpreted from the point of view of the German victims. The consequences of the present debate on how Germany suffered during the war do matter and will continue to matter both for Germany itself and for Germany’s relations with its near neighbours. Contrary to popular belief, the debate, still underway and in the shape imposed by Erika Steinbach, is likely to bring some benefit to Poland.
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No abstract.
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Is the world becoming multipolar or will it remain unipolar? Analysts disagree, but it might be that this does not matter too much and that we better skip polarity terminology altogether.
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Reproductions of tables from Nippur belonging to the Babylonian section of the University museum of the University of Pennsylvania. S. N. Kramer has grouped the plates in their present arrangement and has contributed the introductory descriptions of the text. Cf. Foreword.
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Illustrated t.-p.