Trance psicadélico no Algarve: um estudo sobre as práticas culturais de um movimento marginal

Dissertação de mest., Comunicação, Cultura e Artes (Estudos Culturais), Faculdade de Ciências Humanas e Sociais, Univ. do Algarve, 2011

Latinidade e cidadania: apontamentos sobre modelos sociais animais na poesia, da antiguidade ao iluminismo

No livro IV das Geórgicas, afamado poema didáctico de Virgílio, é descrita a vida das abelhas, apontadas como modelo de organização social e destacando-se a sua dedicação ao bem comum. O tópico tornou-se num dos paradigmas literários da Antiguidade, tendo sido repetidamente retomado, por exemplo nas obras de poetas didácticos modernos, quer europeus, quer do Novo Mundo. Referimo-nos especificamente ao poema Praedium rusticum (Toulose, 1730), do escritor inaciano francês Jacques Vanière, que aborda a sociedade das abelhas (Apes) no livro XIV, e a Rusticatio mexicana (Modena, 1781; Bolonha, 1782), do jesuíta guatemalteco Rafael Landívar, cujo livro VI descreve a sociedade dos castores (Fibri), procurando emular a obra Vanière. Na sociedade colectiva de Vanière não existe riqueza privada e cada abelha se dedica à tarefa que prefere. Em vez da ganância e do ódio prevalecem a generosidade e o amor. Na res publica dos castores, por seu lado, tal como a apresenta Landívar, existe divisão das tarefas a desempenhar e um forte sentido de comunidade. Os castores são felizes no seu trabalho, altamente inteligentes, nobres, amantes da paz e igualmente libertos de sentimentos como o ódio, a vingança e outras preocupações mais profundas. Esta comunicação pretende avaliar o modo como são apresentadas nestes textos concepções políticas e sociais que, embora procurem adaptar e integrar os ideais do Iluminismo, seguem na esteira do modelo literário virgiliano.

Recuperar, reviver e reanimar a poesia de Emiliano da Costa

Dar a conhecer a ignota poesia de Emiliano da Costa, contribuir para a sua revalorização e impedir o seu esquecimento são os derradeiros propósitos deste estudo. Numa primeira fase realça-se o cunho regional e universal de Emiliano e, uma vez justificada a importância da sua revalorização no panorama literário português, imagina-se um projeto fundamentado numa exposição museológica. Emiliano distingue-se como um dos mais admiráveis poetas algarvios e, por essa razão, é imperativo lê-lo no seio da designada literatura regionalista. As fronteiras geográficas fazem-se sentir na linguagem, na interioridade do sujeito poético, no retrato dos locais, das gentes, dos seus usos e costumes, nomeadamente em obras como Rosairinha. Porém, uma vez consagrado o seu testemunho como algarvio, Emiliano prorroga a sua poesia para a universalidade. As catorze obras publicadas dão a conhecer um indivíduo, uma história, um tempo e um lugar que não se encerram em si mesmos. Sendo um homem do mundo, o poeta rodeou-se de arte escrita, pintada e musicada, dos mais variados autores portugueses e estrangeiros. Estas influências artísticas estão imortalizadas na sua poesia e tomaram um importante lugar na sua própria casa. Destacamse as pinturas que cobrem as paredes da sua sala, pois é a partir desse acervo que se imagina uma exposição multifacetada, ilustradora da poesia, vida e contexto sociocultural de Emiliano da Costa.

Ao oriente do oriente transformações do orientalismo em poesia portuguesa do início do século XX . Camilo Pessanha, Alberto Osório de Castro e Álvaro de Campos

Tese de doutoramento, Estudos de Literatura e de Cultura (Estudos Comparatistas), Universidade de Lisboa, Faculdade de Letras, 2014

Marginal Activity Access Cost (MAAC): a new indicator for sustainable Land Use/Transport (LUT) planning

The paper presents the ‘Marginal Activity Access Cost’, an accessibility indicator providing estimation in monetary terms of the impacts on mobility and on the environment of locating a single new activity in a specific zone of the urban area. In the first part of this paper, the new indicator is presented and compared to other accessibility indicators proposed in literature. In the second part, the MAAC is validated through an application to the urban area of Rome. The paper concludes with brief remarks on using the proposed accessibility indicator as index of performance for sustainable spatial planning.

Virtual power players demand response programs management based on locational marginal prices

Power systems have been suffering huge changes mainly due to the substantial increase of distributed generation and to the operation in competitive environments. Virtual power players can aggregate a diversity of players, namely generators and consumers, and a diversity of energy resources, including electricity generation based on several technologies, storage and demand response. Resource management gains an increasing relevance in this competitive context, while demand side active role provides managers with increased demand elasticity. This makes demand response use more interesting and flexible, giving rise to a wide range of new opportunities.This paper proposes a methodology for managing demand response programs in the scope of virtual power players. The proposed method is based on the calculation of locational marginal prices (LMP). The evaluation of the impact of using demand response specific programs on the LMP value supports the manager decision concerning demand response use. The proposed method has been computationally implemented and its application is illustrated in this paper using a 32 bus network with intensive use of distributed generation.

Tradução e poesia: actividades irreconciliáveis?

Associar tradução e poesia será, muitas vezes, sinónimo de enfrentar preconceitos académicos e científicos muito enraizados na cultura ocidental. Se, por um lado, a tradução é vista como indispensável à troca de informações entre códigos linguísticos diferentes e até mesmo como a possibilitadora de avanços científicos e tecnológicos decorrentes do contacto com outras realidades economicamente mais evoluídas, a verdade é que o seu papel enquanto “ponte” cultural está longe de ser aceite universalmente quando em causa passam a estar os “tesouros literários” de uma cultura nacional. Este carácter polémico levou-me a ponderar a hipótese de analisar, de um ponto de vista eminentemente prático, quatro traduções dissemelhantes, de épocas também distintas, do poema The Tyger, de William Blake. Ter ao dispor quatro traduções de quatro tradutores diferentes tornou possível a compilação de um corpus mais alargado e diversificado onde basear conclusões reais para os problemas de tradução de poesia, devidamente contextualizados.

O Peso da gravidade: corpos e gestos na poesia galego-portuguesa

This article studies how galician-portuguese medieval poetry deals with the human body and the human gestures, taking in account the three major poetical genres, the love song, the "amiga" song (feminine voices) and the satyrical song.

Anne Blonstein : poesia como tradução?

Esta dissertação pretende dar a conhecer o trabalho de uma poeta, Anne Blonstein (1958-2011), que se move num “inbetween space” muito próximo ao do tradutor. No primeiro capítulo, damos a conhecer a autora e algumas das suas obras, fazendo um apanhado da sua actual recepção enquanto poeta. No segundo capítulo, olhamos para Anne Blonstein ‘ao microscópio’, apresentando uma leitura radial de um poema seu, so die Bindung ihrer Seele, seguida de uma versão em português analisada segundo o modelo hermenêutico de Venuti (2013). Depois de tecermos algumas considerações sobre o modelo desse autor, que também adoptamos para defender a escrita de Anne Blonstein como tradução, passamos ao terceiro capítulo, em que avançamos com uma reflexão final sobre se e como a poesia de Anne Blonstein poderá ser considerada uma forma de tradução. O trabalho termina com o “Início de uma experimentação” sobre so die Bindung ihrer Seele numa tradução não à letra nem pelo sentido mas letra-a-letra.

Managing marginal capital requirements in solvency II: Analysis of a real insurance portfolio

This thesis provides a complete analysis of the Standard Capital Requirements given by Solvency II for a real insurance portfolio. We analyze the investment portfolio of BPI Vida e Pensões, an insurance company affiliated with a Portuguese bank BPI, both at security, sub-portfolio and asset class levels. By using the Standard Formula from EIOPA, Total SCR amounts to 239M€. This value is mostly explained by Market and Default Risk whereas the former is driven by Spread and Concentration Risks. Following the methodology of Leblanc (2011), we examine the Marginal Contribution of an asset to the SCR which allows for the evaluation of the risks of each security given its characteristics and interactions in the portfolio. The top contributors to the SCR are Corporate Bonds and Term Deposits. By exploring further the composition of the portfolio, our results show that slight changes in allocation of Term and Cash Deposits have severe impacts on the total Concentration and Default Risks, respectively. Also, diversification effects are very relevant by representing savings of 122M€. Finally, Solvency II represents an opportunity for the portfolio optimization. By constructing efficient frontiers, we find that as the target expected return increases, a shift from Term Deposits/ Commercial Papers to Eurozone/Peripheral and finally Equities occurs.

Genomic, Epigenomic and Transcriptomic Molecular Characterization of Splenic Marginal Zone Lymphoma Reveals Recurrent Abnormalities in miR-182

Splenic marginal zone lymphoma (SMZL) is a low grade B-cell non-Hodgkin's lymphoma. The molecular pathology of this entity remains poorly understood. To characterise this lymphoma at the molecular level, we performed an integrated analysis of 1) genome wide genetic copy number alterations 2) gene expression profiles and 3) epigenetic DNA methylation profiles.We have previously shown that SMZL is characterised by recurrent alterations of chromosomes 7q, 6q, 3q, 9q and 18; however, gene resolution oligonucleotide array comparative genomic hybridisation did not reveal evidence of cryptic amplification or deletion in these regions. The most frequently lost 7q32 region contains a cluster of miRNAs. qRT-PCR revealed that three of these (miR-182/96/183) show underexpression in SMZL, and miR-182 is somatically mutated in >20% of cases of SMZL, as well as in >20% of cases of follicular lymphoma, and between 5-15% of cases of chronic lymphocytic leukaemia, MALT-lymphoma and hairy cell leukaemia. We conclude that miR-182 is a strong candidate novel tumour suppressor miRNA in lymphoma.The overall gene expression signature of SMZL was found to be strongly distinct fromthose of other lymphomas. Functional analysis of gene expression data revealed SMZL to be characterised by abnormalities in B-cell receptor signalling (especially through the CD19/21-PI3K/AKT pathway) and apoptotic pathways. In addition, genes involved in the response to viral infection appeared upregulated. SMZL shows a unique epigenetic profile, but analysis of differentially methylated genes showed few with methylation related transcriptional deregulation, suggesting that DNA methylation abnormalities are not a critical component of the SMZL malignant phenotype.

BCR and TLR signalling pathways are recurrently targeted by genetic changes in splenic marginal zone lymphomas.

The genetics and pathogenesis of splenic marginal zone lymphoma are poorly understood. The lymphoma lacks chromosome translocation, and ~30% of cases are featured by 7q deletion, but the gene targeted by the deletion is unknown. A recent study showed inactivation of A20, a 'global' NF-kB negative regulator, in 1 of 12 splenic marginal zone lymphoma. To investigate further whether deregulation of the NF-kB pathway plays a role in the pathogenesis of splenic marginal zone lymphoma, we screened several NF-kB regulators for genetic changes by PCR and sequencing. Somatic mutations were found in A20 (6/46=13%), MYD88 (6/46=13%), CARD11 (3/34=8.8%), but not in CD79A, CD79B and ABIN1. Interestingly, these genetic changes are largely mutually exclusive from each other and MYD88 mutation was also mutually exclusive from 7q deletion. These results strongly suggest that deregulation of the TLR (toll like receptor) and BCR (B-cell receptor) signalling pathway may play an important role in the pathogenesis of splenic marginal zone lymphoma.

Marginal/minority popular music : the concept of the "third space" and the case for "hybridities" of cultures/identities /

The topic of this thesis is marginaVminority popular music and the question of identity; the term "marginaVminority" specifically refers to members of racial and cultural minorities who are socially and politically marginalized. The thesis argument is that popular music produced by members of cultural and racial minorities establishes cultural identity and resists racist discourse. Three marginaVminority popular music artists and their songs have been chosen for analysis in support of the argument: Gil Scott-Heron's "Gun," Tracy Chapman's "Fast Car" and Robbie Robertson's "Sacrifice." The thesis will draw from two fields of study; popular music and postcolonialism. Within the area of popular music, Theodor Adorno's "Standardization" theory is the focus. Within the area of postcolonialism, this thesis concentrates on two specific topics; 1) Stuart Hall's and Homi Bhabha's overlapping perspectives that identity is a process of cultural signification, and 2) Homi Bhabha's concept of the "Third Space." For Bhabha (1995a), the Third Space defines cultures in the moment of their use, at the moment of their exchange. The idea of identities arising out of cultural struggle suggests that identity is a process as opposed to a fixed center, an enclosed totality. Cultures arise from historical memory and memory has no center. Historical memory is de-centered and thus cultures are also de-centered, they are not enclosed totalities. This is what Bhabha means by "hybridity" of culture - that cultures are not unitary totalities, they are ways of knowing and speaking about a reality that is in constant flux. In this regard, the language of "Otherness" depends on suppressing or marginalizing the productive capacity of culture in the act of enunciation. The Third Space represents a strategy of enunciation that disrupts, interrupts and dislocates the dominant discursive construction of US and THEM, (a construction explained by Hall's concept of binary oppositions, detailed in Chapter 2). Bhabha uses the term "enunciation" as a linguistic metaphor for how cultural differences are articulated through discourse and thus how differences are discursively produced. Like Hall, Bhabha views culture as a process of understanding and of signification because Bhabha sees traditional cultures' struggle against colonizing cultures as transforming them. Adorno's theory of Standardization will be understood as a theoretical position of Western authority. The thesis will argue that Adorno's theory rests on the assumption that there is an "essence" to music, an essence that Adorno rationalizes as structure/form. The thesis will demonstrate that constructing music as possessing an essence is connected to ideology and power and in this regard, Adorno's Standardization theory is a discourse of White Western power. It will be argued that "essentialism" is at the root of Western "rationalization" of music, and that the definition of what constitutes music is an extension of Western racist "discourses" of the Other. The methodological framework of the thesis entails a) applying semiotics to each of the three songs examined and b) also applying Bhabha's model of the Third Space to each of the songs. In this thesis, semiotics specifically refers to Stuart Hall's retheorized semiotics, which recognizes the dual function of semiotics in the analysis of marginal racial/cultural identities, i.e., simultaneously represent embedded racial/cultural stereotypes, and the marginal raciaVcultural first person voice that disavows and thus reinscribes stereotyped identities. (Here, and throughout this thesis, "first person voice" is used not to denote the voice of the songwriter, but rather the collective voice of a marginal racial/cultural group). This dual function fits with Hall's and Bhabha's idea that cultural identity emerges out of cultural antagonism, cultural struggle. Bhabha's Third Space is also applied to each of the songs to show that cultural "struggle" between colonizers and colonized produces cultural hybridities, musically expressed as fusions of styles/sounds. The purpose of combining semiotics and postcolonialism in the three songs to be analyzed is to show that marginal popular music, produced by members of cultural and racial minorities, establishes cultural identity and resists racist discourse by overwriting identities of racial/cultural stereotypes with identities shaped by the first person voice enunciated in the Third Space, to produce identities of cultural hybridities. Semiotic codes of embedded "Black" and "Indian" stereotypes in each song's musical and lyrical text will be read and shown to be overwritten by the semiotic codes of the first person voice, which are decoded with the aid of postcolonial concepts such as "ambivalence," "hybridity" and "enunciation."

Estudio comparativo in vitro sobre la adaptación marginal en coronas de disilicato de litio : prensadas vs CAD

Tesis (Maestría en Odontología Restauradora) UANL, 2012.

La Madonna di Guadalupe cantata divisa in tre parti poesia dell'Arciprete D. Antonio Centi, musica del maestro Cesare Pascucci

UANL