The heroes : or, Greek fairy tales for my children /

Cover title: The Greek heroes.

The mythology of Greece and Rome,

Mode of access: Internet.

The King Oedipus of Sophocles : literally translated into English prose; from the text of Brunck ... /

Text in Greek and English.

Greek studies : a series of essays /

Mode of access: Internet.

Favorite Greek myths /

Mode of access: Internet.

The mythology of Greece and Rome : with special reference to its use in art /

Includes index.

The mythology of Greece and Rome : with special reference to its use in art /

Translation of: Kleine mythologie der Griechen undRömer.

Sophoclis Oedipus coloneus; cum scholiis graecis.

Text in Greek.

Plays, by Greek, Spanish, French, German and English dramatists,

--v. 1. [Eschylus] Prometheus bound. [Sophocles] Oedipus rex. [Euripides] Medea. [Aristophanes] The knights. [Calderon, P.] Life a dream. [Molière, J.B.P.] The misanthrope. [Racine, J.B.] Phædra. [Goldsmith, O.] She stoops to conquer.--v. 2. [Goethe, J.W. von] Faust. [Sheridan, R.B.] The rivals. [Schiller, F. von] Mary Stuart. [Ibsen, H.] A doll's house. [Sardou, V.] Les pattes de mouche.

Nine Greek dramas /

The house of Atreus (Aeschylus) tr. by E.D.A. Morshead.- Prometheus bound (Aeschylus) tr. by E.H. Plumptre.- Oedipus, the king (Sophocles).- Antigone (Sophocles) tr. by E.H. Plumptre.- Hippolytus (Euripides).- The Bacchae (Euripides) tr. by Gilbert Murray.- The frogs (Aristophanes) tr. by B.B. Rogers.

The Mythology of all races ...

I. Greek and Roman, by W. S. Fox, 1916.--II. Eddic, by J. A. Macculloch. 1930.--III. Celtic, by J. A. Macculloch; Slavic by Jan M_achal. 1918.--IV. Finno-Ugric, Siberian, by Uno Holmberg. 1927.--V. Semitic, by S. H. Langdon. 1931.--VI. Indian, by A. B. Keith; Iranian, by A. J. Carnoy. 1917.--VII. Armenian, by M. H. Ananikian; African, by Alice Werner. 1925.--VIII. Chinese, by J. C. Ferguson; Japanese, by Masaharu Anesaki. 1928.--IX. Oceanic, by R. B. Dixon. 1916.--X. North American, by H. B. Alexander. 1916.--XI. Latin-American, by H. B. Alexander. 1920.--XII. Egyptian, by W. M. M_uller; Indo-Chinese, by J. G. Scott. 1918.--XIII. Complete index to volumes I-XII. 1932.

Reconsidering the relationship between early Gothic literature and the Greek classics: the cases of William Beckford and Matthew G. Lewis

The view that Gothic literature emerged as a reaction against the prominence of the Greek classics, and that, as a result, it bears no trace of their influence, is a commonplace in Gothic studies. This thesis re-examines this view, arguing that the Gothic and the Classical were not in opposition to one another, and that Greek tragic poetry and myth should be counted among the literary sources that inspired early Gothic writers. The discussion is organised in three parts. Part I focuses on evidence which suggests that the Gothic and the Hellenic were closely associated in the minds of several British literati both on a political and aesthetic level. As is shown, the coincidence of the Hellenic with the Gothic revival in the second half of the eighteenth century inspired them not only to trace common ground between the Greek and Gothic traditions, but also to look at Greek tragic poetry and myth through Gothic eyes, bringing to light an unruly, ‘Dionysian’ world that suited their taste. The particulars of this coincidence, which has not thus far been discussed in Gothic studies, as well as evidence which suggests that several early Gothic writers were influenced by Greek tragedy and myth, open up new avenues for research on the thematic and aesthetic heterogeneity of early Gothic literature. Parts II and III set out to explore this new ground and to support the main argument of this thesis by examining the influence of Greek tragic poetry and myth on the works of two early Gothic novelists and, in many ways, shapers of the genre, William Beckford and Matthew Gregory Lewis. Part II focuses on William Beckford’s Vathek and its indebtedness to Euripides’s Bacchae, and Part III on Matthew Gregory Lewis’s The Monk and its indebtedness to Sophocles’s Oedipus Tyrannus. As is discussed, Beckford and Lewis participated actively in both the Gothic and Hellenic revivals, producing highly imaginative works that blended material from the British and Greek literary traditions.

MiAMP1, a novel protein from Macadamia integrifolia adopts a Greek key beta-barrel fold unique amongst plant antimicrobial proteins

MiAMP1 is a recently discovered 76 amino acid residue, highly basic protein from the nut kernel of:Macadamia integrifolia which possesses no sequence homology to any known protein and inhibits the growth of several microbial plant pathogens in vitro while having no effect on mammalian or plant cells. It is considered to be a potentially useful tool for the genetic engineering of disease resistance in transgenic crop plants and for the design of new fungicides. The three-dimensional structure of MiAMP1 was determined through homonuclear and heteronuclear (N-15) 2D NMR spectroscopy and subsequent simulated annealing calculations with the ultimate aim of understanding the structure-activity relationships of the protein. MiAMP1 is made up of eight beta-strands which are arranged in two Greek key motifs. These Greek key motifs associate to form a Greek key beta-barrel. This structure is unique amongst plant antimicrobial proteins and forms a new class which we term the beta-barrelins. Interestingly, the structure of MiAMP1 bears remarkable similarity to a yeast killer toxin from Williopsis mrakii. This toxin acts by inhibiting beta-glucan synthesis and thereby cell wall construction in sensitive strains of yeast. The structural similarity of MiAMP1 and WmKT, which originate from plant and fungal phyla respectively, may reflect a similar mode of action. (C) 1999 Academic Press.

Ancient Greek and Roman Worlds

"All are sole-authored, refereed items. I chose these four items because they are the eligible ones that, in my view, are most innovative in terms of content and/or methodology and are having the most impact in terms of reviews and citations."