Man in heavy coat and mittens holding wheel of ship, 1925

2 scans - 1of2 includes negative inscription, 2of2 is image alone

The rights of man, (not Paines,) but the rights of man, in the West Indies.

Title on added t.p.: The rights of man in the West Indies.

From flying horse to man in the moon; a history of flight from it earliest beginnings to the conquest of space.

Mode of access: Internet.

Robert F. Kennedy, assistant President; the dramatic life story of the second most powerful man in Washington

Includes bibliography.

The man versus the state: containing "The new Toryism," "The coming slavery," "The sins of legislators," and "The great political superstition."

"Reprinted from 'The populr science monthly,' with a postscript."

The rights of man in America,

The Mexican War.--The administration of President Polk.--The state of the nation.--The like and the different.--The Fugitive Slave Law.--An anti-slavery address.--The progress of America.--The new crime against humanity.--The rights of man in America.--The present aspect of the anti-slavery enterprise.--The present crisis in American affairs.

Streptococci in relation to man in health and disease,

Bibliography: p. 221-247.

On and Off the Stage at Atlanta Greek Picnic: Performances of Collective Black Middle-Class Identities and the Politics of Belonging

This dissertation presents a thick ethnography that engages in the micro-analysis of the situationality of black middle-class collective identification processes through an examination of performances by members of the nine historically black sororities and fraternities at Atlanta Greek Picnic, an annual festival that occurs at the beginning of June in Atlanta, Georgia. It mainly attracts undergraduate and graduate members of these university-based organizations, as they exist all over the United States. This exploration of black Greek-letter organization (BGLO) performances uncovers processes through which young black middle-class individuals attempt to combine two universes that are at first glance in complete opposition to each other: the domain of the traditional black middle-class values with representations and fashions stemming from black popular culture. These constructions also attempt to incorporate—in a contradiction of sorts— black popular cultural elements in the objective to deconstruct the social conservatism that characterizes middle-class values, particularly in relation to sexuality and its representation in social behaviors and performances. This negotiation between prescribed v middle-class values of respectability and black popular culture provides a space wherein black individuals challenge and/or perpetuate those dominant tropes through identity performances that feed into the formation of black sexual politics, which I examine through a variety of BGLO staged and non-staged performances.