Lettere critiche giocose, morali, scientifiche, ed erudite ... /

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Sette libri di satire di Lodovico Ariosto Hercole Bentivogli Luigi Alemanni Pietro Nelli Antonino Vinciguerra Francesco Sansovino ex d'altri scrittori : con un discoroso in materia della satira /

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L'Annibale Cartaginese : tragedia /

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Bibliotheque italique ou Histoire litteraire de l'Italie : septemb. Octob. Novemb. Decemb. 1731 : tome douzième.

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Lettere critiche giocose, morali, scientifiche, ed erudite : alla moda ed al gusto del secolo presente /

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Poesie toscane /

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Il canzoniere d'Orazio ridotto in versi toscani da Steffano Pallavicini Tomo secondo.

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Marci Antonii Mureti Operum in vsum scholarum selectorum : tomus III : carminum eiusdem libros duos continens cui exstant in Jacobi Thomasii editionibus ...

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A literatura latino-americana e as alegorias nacionais de concierto Barroco

The problematical identity of Latin America is reflected on the recurrence of the theme in the literature created in this part of the continent. The images of Caliban and anthropophagy and the attribution of a Baroque meaning to the Latin American experience characterize an expressive part of such literature. By means of the character Amo, Carpentier's Concierto Barroco exemplifies the difficulties of the Creole elite in finding a nobleorigin for themselves in their ancestors' Europe, and in identifying themselves with it. The slave musician Filomeno and Amo naturalizes narrative, whereas Filomeno provocativelytransits between the hierarchies, turning the Baroque meaning of identity into an allegory. Jazz is a Creole, anthropophagic and Baroque product whose erased origin was replaced by the fabled narrative in the Spirituals that renewed modern music. It is important to emphasize that Carpentier created, by means of Filomeno, the unity of the American experience whose frontier is Mexico.

A literatura carpentieriana e a história: aspectos metaficcionais historiográficos em concerto barroco

This work is set in the context of the Hispanic-American literature of the twentieth century (in particular, Alejo Carpentier) viewed in a historical perspective. For this task, we focus on a specific writer’s work: the novel Baroque Concert (1974). The text is divided into three parts: the first deals with some topics concerning the intersection between sui generis Literature and History. Next, we focus on the Hispanic-American literary context, discussing it in an analytical perspective, with regard to its connections with the historical discourse. Finally, we analyze the novel Baroque Concert, by means of the basic concepts of the theory of historiographic metafiction.

Tiziano en la literatura artística italiana de los siglos XVI y XVII

La tesis doctoral Tiziano en la literatura artística italiana de los siglos XVI y XVII presenta la traducción de una selección de fuentes italianas del Cinquecento y del Seicento fundamentales para conocer la figura y la recepción de la pintura de Tiziano Vecellio. Todas estas obras nos dan información clave no solo sobre la vida y obra del maestro, sino también sobre su papel en la teoría de la pintura del siglo XVI y sobre la imagen que de él tuvieron sus contemporáneos, así como de su proyección en el siglo XVII.