"Anti-human life amendment" demonstration

General note: Title and date provided by Bettye Lane.

"Anti-human life amendment" demonstration

General note: Title and date provided by Bettye Lane.

"Anti-human life amendment" demonstration

General note: Title and date provided by Bettye Lane.

"Anti-human life amendment" demonstration

General note: Title and date provided by Bettye Lane.

"Grandmothers for Life," a group from the Peace and Freedom contingent, demonstrate for a nuclear free world at the Federal Court House

General note: Title and date provided by Bettye Lane.

"Anti-human life amendment" demonstration

General note: Title and date provided by Bettye Lane.

"Anti-human life amendment" demonstration

General note: Title and date provided by Bettye Lane.

Women sign petition against "human life amendment" in NYC

General note: Title and date provided by Bettye Lane.

Jeannette Rankin book display at NOW conference for older and mid-life women

General note: Title and date provided by Bettye Lane.

"Anti-human life amendment" demonstration

General note: Title and date provided by Bettye Lane.

Writing Violence: the legal, moral and aesthetic Implications of creative non-fiction.

This essay began as a hybrid critical/creative paper that was presented as part of an all-female panel discussing the intersections between writing and extreme violence. My own paper was on the relationship between my creative nonfiction novel The Museum of Atheism and the real life murder of six-year-old beauty queen, JonBenet Ramsey. This essay is an attempt to represent the writing process of the creative nonfiction author, and to consider the ways in which critical theory can be used to highlight, or conversely obscure, fictional writing. In addition to considering the effect of using a real story, a true crime, as the basis for a semi-fictional work, this essay will also consider the relationship I had as a writer to my publisher, editor and agent, and their interventions in the writing process to ensure that facts were deliberately skewed or warped in order to avoid litigation. Finally, I will consider my own relationship to the material, and the impact that this had on the writing process.

En/titled: The space where writing, editing and teaching intersect

Editing a literary magazine offers us a cultural space where our ideas and aesthetics can be expressed collectively and therefore be heard more effectively. This informs and frames our own writing by increasing our confidence in our own unusual voices. The sense of belonging Brand creates further breaks down the isolation of the writing life. The internationalism of Brand reinforces our own cultural identities as non-English writers. However, acting as a facilitator of others’ creativity can sometimes dissipate or even deplete creative energy. Editing and teaching can take over your writing to the point of annihilation. Further, in terms of external perceptions, you run the risk of disappearing as a writer. We shall look at how this can happen and explore ways that we can prevent it e.g. keeping the boundaries firm and clear.

Richard Yates: re-writing postwar American culture

This thesis explores the fiction of American author Richard Yates to propose that his work provides an insistent questioning and alternative vision of postwar American culture. Such an approach is informed by a revisionist account of four distinct yet interconnected areas of postwar culture: the role of the non-heroic soldier stepping in and out of World War II; suburbanisation and fashioning of anti-suburban performance; demarcation of gender roles and unraveling of sexual conservatism in the 1950s; consideration of what constituted the normative within postwar discourse and representations of mental illness in Yates’ work. These four spheres of interest form the backbone to this study in its combined aim of reclaiming Yates’ fiction in line with a more progressive historical framework while shaping a new critical appreciation of his fiction. Such analysis will be primed by an opening discussion that illustrates how Yates’ fiction has frequently been ensconced in a limited interpretative lens: an approach, that I argue, has kept Yates on the periphery of the canon and ultimately resulted in the neglect of an author who provided a rich, progressive and historically significant dialogue of postwar American life. This PhD arrives at a point when Yatesian scholarship is finally gaining momentum after the cumulative impact of a comprehensive biography, a faithful film adaptation of his seminal text Revolutionary Road (1961), plus the recent re-issue of his catalogue of work. An assessment as to why he remained on the margins of success for the duration of his career is therefore of pressing interest in light of this recent critical and commercial recognition.

Reading and writing at the university in literacy project context - what really chance?

Regarding reading and writing practice, Higher Education context is one privileged setting for text study in order to provide knowledge acquisition and production for students. It is also recognizable that texts vary linguistically depending on the purpose and context of production which leads to academic literacy notion. In such context, courses are developed aiming to prepare students to master texts and practices in order to achieve academic success. Text Reading and Production I Course is an example of a course which has been introduced in the university programs. The paper aims to analyze the pedagogical practice that takes such projects as leading planning for reading and writing education at the university. It is part of a research carried out by the researcher who is a professor of Text Reading and Production I Course of a university center placed in the Taquari Valley/RS. The present essay aims to analyze texts the students read and wrote in the mentioned project. It is understood that (KLEIMAN, 2000, P. 238) literacy projects represent activities that result from real interest in students’ life and the implementation involves reading and writing as social practice. Data were collected from a group of students enrolled in the Text Reading and Production I Course during 2013/B term. One of the eleven projects developed by the students and the importance as literacy practices for reading and writing education at the university are analyzed.