954 resultados para Lequeu, Jean-Jacques, 1757-approximately 1825.
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Mode of access: Internet.
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Mode of access: Internet.
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Mode of access: Internet.
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Sabin,
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Mode of access: Internet.
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Each plate accompanied by guard sheet with descriptive letterpress.
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Mode of access: Internet.
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"Liste par ordre chronologique des ouvrages composés par J. J. Rousseau" : v. 20, p. [379]-393. "Notice des principaux écrits relatifs à la personne et aux ouvrages de J. J. Rousseau, par A. A. B. [i.e. Antoine Alexandre Barbier] Nouvelle édition, revue, corrigée et augmentée": v.21, p. [219]-283.
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Includes index.
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"Critical observations on the maps of ancient Greece, compiled for the Travels of Anacharsis the Younger, by M. Barbié du Bocage": p. [1]-104.
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"Analyse critique des cartes de l'ancienne Grèce ... par M. Barbié du Bocage."
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t. 1-2. Discours.--t.3-4. Émile.--t. 5. Politique.--t. 6. Lettres de la montagne, précédées de la lettre à m. de Beaumont.--t. 7. Lettres sur la botanique, suivies d'une introduction à l'étude de cette science, et de fragments pour un dictionnaire des termes d'usage en botanique.--t. 8-9. La nouvelle Héloise.--t. 10. Mélanges, ou Littérature variée.--t. 11. Écrits sur la musique.--t. 12-13. Dictionnaire de musique.--t.14-16. Les confessions.--t. 17. Dialogues.--t. 18-22. Corréspondance.--t. 23-24. Œuvres inédites de J. J. Rousseau, suivies d'un Supplément à l'Histoire de sa vie et de ses ouvrages; par V. D. Musset-Pathay, 1825.--t. 25. Table générale.
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Index ([28] p.) at end.
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In this practice-led research project I work to show how a re-reading and a particular form of listening to the sound-riddled nature of Gertrude Stein's work, Two: Gertrude Stein and her Brother, presents us with a contemporary theory of sound in language. This theory, though in its infancy, is a particular enjambment of sounded language that presents itself as an event, engaged with meaning, with its own inherent voice. It displays a propensity through engagement with the 'other' to erupt into love. In this thesis these qualities are reverberated further through the work of Seth Kim-Cohen's notion of the non-cochlear, Simon Jarvis's notion of musical thinking, Jean-Jacques Lecercle's notion of délire or nonsense, Luce Irigaray's notion of jouissant love and the Bracha Ettinger's notion of the generative matrixial border space. This reading then is simultaneously paired with my own work of scoring and creating a digital opera from Stein's work, thereby testing and performing Stein's theory. In this I show how a re-reading and relistening to Stein's work can be significant to feminist ethical language frames, contemporary philosophy, sonic art theory and digital language frames. Further significance of this study is that when the reverberation of Stein's engagements with language through sound can be listened to, a pattern emerges, one that encouragingly problematizes subjectivity and interweaves genres/methods and means, creating a new frame for sound in language, one with its own voice that I call soundage.
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"In Perpetual Motion is an "historical choreography" of power, pedagogy, and the child from the 1600s to the early 1900s. It breaks new ground by historicizing the analytics of power and motion that have interpenetrated renditions of the young. Through a detailed examination of the works of John Locke, Jean-Jacques Rousseau, Johann Herbart, and G. Stanley Hall, this book maps the discursive shifts through which the child was given a unique nature, inscribed in relation to reason, imbued with an effectible interiority, and subjected to theories of power and motion. The book illustrates how developmentalist visions took hold in U.S. public school debates. It documents how particular theories of power became submerged and taken for granted as essences inside the human subject. In Perpetual Motion studiously challenges views of power as in or of the gaze, tracing how different analytics of power have been used to theorize what gazing could notice."--BOOK JACKET.