943 resultados para Lear, King (Legendary character)
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International audience
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'Appalling Behaviour' is a critically acclaimed contemporary Australian monologue, written by AWGIE Award winning playwright, Stephen House. This production, directed and creatively adapted by Shane Pike, was presented at the Brisbane Powerhouse in February 2016, as part of Queensland's LGBTIQ festival, Melt. This adaptation of the work experimented with notions of gender, taking the original script and manipulating character and scene to investigate expressions of identity beyond the traditional notions of binary gender-norms. To this end, the sole character (and actor) was (re)presented as a homeless bi-sexual queen with the aim of inferring that gender un/ab-normative characters can exist not only as disruptors/comments on/agitators of traditional expectations of performed gender (both onstage and off), but can also exist as accepted characters in and of themselves. Put simply: can a bi-sexual queen just be an actor/character in a play, or do all gender extra-normative characters inherently exist as political, social and cultural challengers? If so, why is this the case and should we be aiming for this kind of character to be an accepted part of the performative fabric, seamless and fitting within any onstage situation and play (why can't Willy Loman, King Lear or Nora be gender non-normative), or should such (re)presentations always exist as 'different'? Is it time for individual expressions of gender to just 'be' and be accepted as givens, or are we not quite there yet?
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A presente tese está calcada na análise da obra de Ariano Suassuna, o Romance dA Pedra do Reino e o príncipe do sangue do vai-e-volta, considerado pelo autor como a sua obra maior e, a princípio, o primeiro volume da trilogia A maravilhosa desaventura de Quaderna, o decifrador, e no primeiro volume da segunda parte da trilogia, O rei degolado ao Sol da Onça Caetana. O trabalho consiste, fundamentalmente, em examinar o diálogo estabelecido entre a obra de Suassuna com textos representativos da tradição literária ocidental, mais propriamente com os que remontam ao medievo. Para isso, fez-se um recorte nas relações que o romance trava com a matéria cavaleiresca, principalmente com a Demanda do Santo Graal, na sua estrutura e no desenho psicológico e moral dos personagens, notadamente de Sinésio, que encarna o mito do herói prometido, cujos paradigmas se assentam na figura lendária do Rei Artur, além de Galaaz, e na histórica de D. Sebastião, o rei desaparecido de Portugal. Sabe-se que esses reis e heróis míticos, considerados salvadores, uma vez que retornariam para restituir ao povo a dignidade e a liberdade perdidas, povoaram o imaginário ibérico e chegaram ao Brasil trazidos pelos colonizadores europeus. Dessa forma, a cultura popular do Nordeste brasileiro é povoada de histórias e lendas eternizadas e recriadas no folclore da região e na literatura de Cordel. Mas, ao lado do messianismo, outro aspecto faz-se notório nos personagens de Suassuna: a crueldade. E este tema, bem como o nome do personagem D. Pedro Dinis Quaderna, remete-nos para a história de alguns reis ibéricos da Idade Média: Pedro de Portugal e Pedro de Castela, que serão revisitados à luz da Crônica de D. Pedro de Fernão Lopes, no intuito de observar-se o diálogo com esta estabelecido por Suassuna, direta ou indiretamente
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--I. Life of the author. An essay on the original and nature of government. Observations upon the united provinces of the Netherlands. Letters containing an account of the most important transactions that passed in Christendom from 1665 to 1672.-II. Sequel of the author's letters, serving to supply the loss of the first part of his memoirs. A survey of the constitutions and interests of the empire, Sweden, Denmark, Spain, Holland, France, and Flanders in 1671. A letter to the Duke of Ormond, written in October 1673. Memoirs, pt. II--III.--III. [Essays] Poetry.--IV. Letters to the king, the Prince of Orange, &c. Index.
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V. 1 The diary of a superfluous man and other stories. Fathers and children. -- v. 2. Virgin soil. A reckless character and other stories. -- v. 3. The brigadier and other stories. On the eve. -- v. 4. Spring freshets and other stories. Smoke. -- v. 6. Memoirs of a sportsman. Nobleman's nest. -- v. 6. First love and other stories. The Jew and other stories. -- v. 7. Rudin: a romance. A king lear of the steppes. Phantoms and other stories.
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Mode of access: Internet.
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Mode of access: Internet.
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Appendixes: no. I. Copy of a letter from Col. Ambrose Norton [Nov. 1688]--no. II. Speech of Denzill Holmes, in 1660, to King Charles II.--no. III. Opinions of Mackintosh and Hallam upon the debates in The Convention parliament, 1689.--no. IV-V. Opinions of Mr. Fox, and of Locke.--no. VI. Of Lord Russell, and Algernon Sidney.--no. VII. The Oxford decree.
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Mode of access: Internet.
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Dedication signed: John Ryland, Northampton, January 10, 1784.
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"The first six of the essays, with the exception of that on Intellectual character, were published in Harper's magazine, between July and November, 1857, and the paper on Agassiz was also contributed to that periodical."-Pref.
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Mode of access: Internet.
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Mode of access: Internet.
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Classical and contemporary scholarship on leadership has referred to political performance and the ability of political actors to deploy the self to political purpose. Literature on contemporary British politics (Hennessy, 2001; Marquand, 2008, King, 2009) has highlighted the qualitative shift in political leadership from the mid-1990s towards a focus upon the image, style, celebrity and performance of political leaders, and the shift towards the presidentialisation or semi-presidentialisation of the prime minister (Foley, 2001). However, the literature has lacked a focus upon political performance and a methodology for assessing leadership performance within cultural and institutional contexts. This thesis assesses British political leadership performance from 1997-2010 through the proposal of a framework of political performance to suit comparative purpose. The framework consisting of culture, institutions and performance is used to assess the performance of the case studies (Tony Blair, Gordon Brown and David Cameron, and Gordon Brown, David Cameron and Nick Clegg in the televised Leaders’ Debates of 2010). The application of the framework to the case studies will allow us to a) analyse political performance within given cultural and institutional contexts; b) establish the character traits and other aspects of a politician’s political persona; and c) appraise the role and effects of performance and persona upon the political process.