Camarāo de profundidade: relatório dos cruzeiros realizados com o n/i "Ernst Haeckel" em Agosto-Setembro 1980, Novembro-Dezembro 1980, Janeiro-Fevereiro 1981, Janeiro-Fevereiro 1982

Reports of cruises carried out off Mozambique between parallels 21 degree 00 and 26 degree 20'S and at depths of 400 and 800 meters including abundance indices, catch composition, geographic and bathymetric distributions of shrimp catches are presented. The main species found were Hymenopenaeus triarthrus and Aristeomorpha foliacea which represent 64 to 72% of total catches.

A report on a survey with the r/v "Ernst Haeckel" in July-August 1980: shallow-water shrimp and by-catch, oceanography

A survey of the Sofala Bank (Mozambique) was conducted to: estimate the abundance of shallow-water shrimp in the area between 16 degree 20'S and 20 degree 20'S, from 5 to 100 meters; estimate the shallow-water shrimp species composition and distribution pattern of main species. Collect biological data of the main species, Penaeus indicus and Metapenaeus monoceros; study the shrimp by-catch, species composition and biological data collection of the most abundant species of commercial value; and collect environmental data to clarify the shelf circulation on the Sofala Bank and the main oceanic features in the regions 15 degree S to 18 degree S and south of 22 degree S.

January to August temperature variability since 1776 inferred from tree-ring width of Pinus tabulaeformis in Helan Mountain

IEECAS SKLLQG

Bioecologia e controle da cochonilha-parda Parthenolecanium persicae (Fabricius, 1776) (Hemiptera: Coccidade) na cultura da videira.

2002

Calyptostoma velutinum (Müller, 1776) (Acari, Actinotrichida, Parasitengona) s. lato na tle Calyptostomatoidea świata

Wydzia�� Biologii i Hodowli Zwierząt Uniwersytet Przyrodniczy we Wrocławiu

Warianty realizacji austriackości w wybranych autorów (Joseph Roth, Stefan Zweig, Franz Theodor Csokor i Ődön von Horváth) w odniesieniu do kategorii granicznych starego i nowego świata

Wydzia�� Neofilologii:Instytut Filologii Germa��skiej

DEGENERATE MUSIC?! MUSICAL CENSORSHIP IN THE THIRD REICH

In 1938, in Düsseldorf, the Nazis put on an exhibit entitled "Entartete Musik” (degenerate music), which included composers on the basis of their “racial origins” (i.e. Jews), or because of the “modernist style��� of their music. Performance, publication, broadcast, or sale of music by composers deemed “degenerate��� was forbidden by law throughout the Third Reich. Among these composers were some of the most prominent composers of the first half of the twentieth-century. They included Stravinsky, Schoenberg, Webern, Berg, Mahler, Ernst Krenek, George Gershwin, Kurt Weill, Erwin Schulhoff, and others. The music of nineteenth-century composers of Jewish origin, such as Mendelssohn and Meyerbeer, was also officially proscribed. In each of the three recitals for this project, significant works were performed by composers who were included in this exhibition, namely, Mendelssohn, Webern, Berg, Weill, and Hans Gal. In addition, as an example of self-censorship, a work of Karl Amadeus Hartmann was included. Hartmann chose “internal exile��� by refusing to allow performance of his works in Germany during the Nazi regime. One notable exception to the above categories was a work by Beethoven that was presented as a bellwether of the relationship between music and politics. The range of styles and genres in these three recitals indicates the degree to which Nazi musical censorship cut a wide swath across Europe���s musical life with devastating consequences for its music and culture.