Tomemos la historia en nuestras manos: utopia revolucionária e música popular no Chile (1966-1973)

Pós-graduação em História - FCHS

Para fazer chorar as pedras: o gênero musical guarânia no Brasil, décadas de 1940/50

Pós-graduação em Música - IA

Processo de desenvolvimento da imaginação na pré-escola: implicações de um programa de intervenção ludo-pedagógico a partir do gênero musical samba

Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)

Orientações pedagógicas no estágio supervisionado de educação física na Colômbia, Brasil, Argentina e Chile

Pós-graduação em Ciências da Motricidade - IBRC

Orientações pedagógicas no estágio supervisionado de educação física na Colômbia, Brasil, Argentina e Chile

Pós-graduação em Ciências da Motricidade - IBRC

Arquitectura moderna en Chile a través de la obra de TAU arquitectos, 1954 – 1971

En la década del sesenta en Chile existió una de las oficinas más importantes en el panorama arquitectónico nacional de todo el siglo XX. Sin embargo, su obra no ha llegado a ser lo suficientemente conocida debido a diferentes razones históricas, políticas y gremiales. Esta oficina desarrolló su labor en un período político de consolidación democrática, pero de graves dificultades económicas debido a problemas estructurales, por lo cual, el Estado debió intervenir para llevar adelante los planes de progreso y desarrollo del país. El objetivo del presente trabajo es poner en valor la obra de esta oficina, denominada TAU arquitectos, compuesta por profesionales que desde su juventud presentaron un gran compromiso con la realidad social y un enorme fervor por la arquitectura. Se trata del primer estudio sistemático de la trayectoria de este equipo de profesionales, titulados en la Facultad de Arquitectura de la Universidad de Chile, en los años cincuenta. El análisis sigue un desarrollo de lo general a lo particular, donde en primer término se esboza el ambiente histórico en que se originó la oficina, para luego estudiar aquellos aspectos que influyeron en su etapa formativa, finalizando con el análisis de sus obras en detalle. El estudio de éstas se realiza en orden cronológico, distinguiendo etapas de consolidación y madurez durante el transcurso de su labor disciplinar. La tesis pone de manifiesto que la producción arquitectónica de esta oficina, fue el reflejo de la utilización de una metodología de trabajo que integraba aspectos de la nueva arquitectura con las técnicas locales, por lo cual presenta ciertas condiciones regionalistas y resalta las características y cualidades propias del lugar. Paralelamente, evidencia que la obra de este equipo respondía al sistema productivo del país, atendiendo a las posibilidades constructivas y al saber profesional de esa época. Al mismo tiempo, la tesis intenta develar las raíces y fundamentos que están implícitas en el diseño de la forma arquitectónica, estudiando las condiciones de la lógica estructural y su resistencia antisísmica, resaltando aspectos como la articulación del espacio colectivo, el sutil manejo del programa, la relación con el lugar y la interesante expresión de los materiales. ABSTRACT In Chile, during the decade of the 60´s, there existed one of the most important offices in the national architectural scene of the 20th century. However, their work is not sufficiently known due to different historical, political and trade reasons. This Office developed their work during a political period of democratic consolidation, with serious economic difficulties due to structural problems; therefore, the State had to intervene to take forward the plans for the country’s progress and development. The objective of the essay is to value the work of this Office, called TAU arquitectos, who since their youth showed a great commitment to the social reality and a huge fervor for architecture. This is the first systematic study of the trajectory of this team of professionals, whom graduated in the 1950´s in the University of Chile in the Faculty of Architecture. The analysis follows a general development to the specific details, where at first, the historic atmosphere of the office is defined and then to study the aspects that influenced the formative stage of the architects and to finalize, with a detailed analysis of their work. The study of these is performed in a chronological order, distinguishing the stages of consolidation and maturity, during the course of their disciplined commitment. The thesis shows that the architectural production of TAU was the reflection of the use of a methodology that incorporated aspects of the new architecture with local techniques, which presents certain regional conditions and therefore highlights the characteristics and qualities of the place. In Parallel, proving that the work of this team, responded to the production system of the country, according to the constructive possibilities and the professional knowledge of that time. At the same time, the thesis tries to unveil the roots and fundamentals that are implicit in the design of the architectural form, studying the conditions of a structural logic and its seismic resistance; highlighting aspects such as articulation of the collective space, the subtle handling of the program, the relationship with the place and the interesting expression of materials.

Cultural Center, Cobquecura, Chile (2012)

Colaborador Miguel Ciria. Se nos pide un Centro Cultural al borde del mar, en un paisaje llano en Cobquecura, Chile.

Svodboda party - the new phenomenon on the Ukrainian right-wing scene. OSW Commentary No. 56, 2011-07-04

Even though the national-level political scene in Ukraine is dominated by the Party of Regions, the west of the country has seen a progressing increase in the activity of the Svoboda (Freedom) party, a group that combines participation in the democratically elected local government of Eastern Galicia with street actions, characteristic of anti-system groups. This party has brought a new quality to the Ukrainian nationalist movement, as it refers to the rhetoric of European anti-liberal and neo-nationalist movements, and its emergence is a clear response to public demand for a group of this sort. The increase in its popularity plays into the hands of the Party of Regions, which is seeking to weaken the more moderate opposition parties (mainly the Yulia Tymoshenko Bloc). However, Svoboda retains its independence from the ruling camp. This party, in all likelihood, will become a permanent and important player in Ukrainian political life, although its influence may be restricted to Eastern Galicia. Svoboda is determined to fight the tendencies in Ukrainian politics and the social sphere which it considers pro-Russian. Its attitude towards Russia and Russians, furthermore, is unambiguously hostile. In the case of Poland, it reduces mutual relations almost exclusively to the historical aspects, strongly criticising the commemoration of the victims of the Ukrainian Insurgent Army’s (UPA) crimes. This may cause tension in Polish-Ukrainian relations, where they are affected by decisions made by local governments controlled by the Svoboda Party.

Looking south along State Street sometime between 1880 and 1893

On verso: Birds eye view of campus with buildings - campus contains 40 acres of ground and is covered with some ten buildings located on different parts of it - It is in center of city pop. 10000

Fulton Street Transit Center, New York, New York, section 4(f) evaluation : environmental impact statement.

D also available on the internet.

Cousin Josiah, a musical sketch in one scene ... To which is added a description of the costumes, cast of the characters ... and the whole of the stage business ...

Without music.

The black brigands : a musical burlesque, in one scene /

Not in Lib. Company. Afro-Americana.