Discovering biomarkers for antidepressant response: protocol from the Canadian biomarker integration network in depression (CAN-BIND) and clinical characteristics of the first patient cohort

Background Major Depressive Disorder (MDD) is among the most prevalent and disabling medical conditions worldwide. Identification of clinical and biological markers (“biomarkers”) of treatment response could personalize clinical decisions and lead to better outcomes. This paper describes the aims, design, and methods of a discovery study of biomarkers in antidepressant treatment response, conducted by the Canadian Biomarker Integration Network in Depression (CAN-BIND). The CAN-BIND research program investigates and identifies biomarkers that help to predict outcomes in patients with MDD treated with antidepressant medication. The primary objective of this initial study (known as CAN-BIND-1) is to identify individual and integrated neuroimaging, electrophysiological, molecular, and clinical predictors of response to sequential antidepressant monotherapy and adjunctive therapy in MDD. Methods CAN-BIND-1 is a multisite initiative involving 6 academic health centres working collaboratively with other universities and research centres. In the 16-week protocol, patients with MDD are treated with a first-line antidepressant (escitalopram 10–20 mg/d) that, if clinically warranted after eight weeks, is augmented with an evidence-based, add-on medication (aripiprazole 2–10 mg/d). Comprehensive datasets are obtained using clinical rating scales; behavioural, dimensional, and functioning/quality of life measures; neurocognitive testing; genomic, genetic, and proteomic profiling from blood samples; combined structural and functional magnetic resonance imaging; and electroencephalography. De-identified data from all sites are aggregated within a secure neuroinformatics platform for data integration, management, storage, and analyses. Statistical analyses will include multivariate and machine-learning techniques to identify predictors, moderators, and mediators of treatment response. Discussion From June 2013 to February 2015, a cohort of 134 participants (85 outpatients with MDD and 49 healthy participants) has been evaluated at baseline. The clinical characteristics of this cohort are similar to other studies of MDD. Recruitment at all sites is ongoing to a target sample of 290 participants. CAN-BIND will identify biomarkers of treatment response in MDD through extensive clinical, molecular, and imaging assessments, in order to improve treatment practice and clinical outcomes. It will also create an innovative, robust platform and database for future research.

A guardiã da memória

Como todos os textos, este também tem uma história e, no caso, não é supérfluo por ela iniciar. Em meados do ano de 1991, coordenando o Setor de História Oral do Centro de Pesquisa e Documentação em História Contemporânea do Brasil (CPDOC) da Fundação Getúlio Vargas, fui surpreendida com a notícia que Alzira Vargas do Amaral Peixoto estava disposta a nos conceder uma entrevista. O fato não teria em si nada de especial, não fosse D. Alzira particularmente resistente à concessão de entrevistas, incluindo-se aí a própria gravação de um depoimento para compor o acervo histórico do CPDOC. Na verdade, ela já realizara, entre abril e maio de 1979, portanto fazia mais de dez anos, uma gravação que fora interrompida pelos afazeres de sua atribulada vida e nunca mais retomada.1 As evasivas sempre foram numerosas e verossímeis, mas uma certa experiência no trato com depoentes nos indicava - a mim e aos demais pesquisadores - , que havia razões mais profundas para que ela não se dipusesse a reiniciar os trabalhos.

A pedagogia das máscaras por Francesco Zigrino: uma influência no teatro de São Paulo na década de 80

Pós-graduação em Artes - IA

First zoeal stage of ? Cataleptodius parvulus (Fabricius, 1793) and Xanthodius denticulatus (White, 1848) (Decapoda: Brachyura): larval evidences and systematic position

Conselho Nacional de Desenvolvimento Científico e Tecnológico (CNPq)

The plants by Daniel Rolander (c. 1723-1793) in Diarium Surinamicum (1754-1765) and herbaria

The manuscripts of Diarium Surinamicum by Daniel Rolander practically remained ignored and unpublished for over 240 years, till the recent publication of its translation into English, which occurred in 2008. In this, the names of species described and/or cited by Rolander were faithfully retained, hence preserving the indication of them without authorship, for the vast majority. In the present work, all the names of plants that were treated by Rolander in his journal, about 664, including by tradition the fungi and algae, are contextualised in relation to the authorship, reference to the publication of the protologue, pagination of citations/descriptions in the manuscripts and in the published translation, indication of probable misidentifications with possible alternative names, vernacular names, and related literature. Additionally, we searched for the vouchers collected by Rolander, scattered in several herbaria, which have been linked to the probable names and descriptions in the diary. Given the considerable time till the publication of these names, and by the lack of indication of their nomenclatural types in the English version, the great majority of the new species described by Rolander, which would have priority if published in due time, became invalid names according to the ICN. Nevertheless, the list of Rolandrian species here presented, from his work that has finally taken a place in the history of natural sciences, shows that he was also a competent botanist, besides being a skilled entomologist, having recognised and detailedly described many of the Surinamese plants hitherto unknown to science.

Cristo si è fermato a Eboli, de Carlo Levi e Francesco Rosi: memórias da cor de olhos tristes

As a hybrid genre, the narrative of Carlo Levi is an objective account and subjective elaboration that are equalized in a literary form. Written between 1943 and 1944, the book evokes with an atmosphere of memoir the period of 1935 and 1936, the writer’s exile. The film based on the narration fragmentizes the daily life of the problematic region and highlights the truth aimed by the discourses composed in times of crises, reinforced by action and expression without provincialism and also without a compensating aristocratic pose. It is possible to see some incapacity of the film by Rosi, natural to a certain degree, to translate the synthesis of literary treatment and socio-historical reflection. For this reason it is necessary to read the adaptation as an attitude about the literary matter and the result of historical experience. The memoir character relies on the artifice that makes good use of the book’s opening, the author’s short monologue, its narrative frame. The presence of paintings materializes the questions about the absurd contained in them

Le Fonti Pubbliche Medioevali a Fermo Restauro e Valorizzazione della Fonte San Francesco di Paola

La tesi inizia con lo studio degli antichi sistemi di adduzione delle acque a Fermo (nel periodo compreso tra l'età romana e l'età medioevale), per poi trattare il tema delle fonti pubbliche medioevali presenti nella città e quelle monumentali esistenti nella regione Marche. Infine si arriva al tema specifico della trattazione, andando ad analizzare la Fonte San Francesco di Paola fino a pervenire al progetto di restauro e di valorizzazione.

Francesco Platone de' Benedetti, il principe dei tipografi bolognesi. Annali tipografici (1482-1496).

This work is focused on the reconstruction of the intellectual biography of Francesco Platone de' Benedetti, prince of the Bologna's printers (1482-1486), that is the same with his typographical outputs. The research had been divided in two parts: the first, with his life, invesitigated by archive documents, and the second part, focused on the census of his editions, with a particular attention to his types. The research on the typographical types had been developed with Adobe Photoshop, that had allowed me to virtually reconstruct the cases of the Gotic and Roman types used by de' Benedetti.

Giovanni Francesco da Rimini Un percorso fra tradizione e rinnovamento nella pittura italiana di metà Quattrocento.

La tesi presenta l’attività di Giovanni Francesco da Rimini, pittore attivo all’incirca dal 1440 al 1470. Analizzando le varie esperienze tra Padova, Perugia, Firenze e Bologna, si ricostruisce un catalogo delle sue opere.