Da poética das lágrimas a uma poética do riso: de Aristóteles ao One-man show

Since the 1970s, the world observes the fragmentation, hybridity, plurality and miscegenation that are taking over the scenic arts. The contemporary poetry feels free of the classical rules; theater no longer obeys the requirements of the poetic "manuals"; the rigid boundaries between genres disappears; artists cease to represent to the public to talk with him. In the last decades of twentieth century and in the twenty-first century, emerges the laughable phenomenon of One-man Show in the brazilian scene, object of this research, as a result of this evolution of the performing arts. It is a form of theater that emerged in the brazilian context, snatching public attention in alternative spaces, theaters and, as it should be, also on the Internet, often confused with the Stand-up Comedy. It is necessary a research that delimitate and pursue to identify the essential characteristics of the brazilian One- Man Show, not only by the absence of theoretical references concerning this, but also to understand some aspects of the brazilian scene and the situation of laughter and comedy in it. In the first chapter, a discussion about comedy and laughter in classical antiquity is presented, using the writings of Plato and Aristotle as a starting point; in the second, some of the main classical theories of laughter are reviewed, attempting to identify the general characteristics that enable to understand the construction of the comedy; the third chapter generally dicusses about the moment of the brazilian theatrical scene in which emerges the One-man Show; and in the fourth chapter, there is an explanation about this phenomenon and a description of the practical exercise titled Experimento One-person Show: Damas

Parafusos bioabsorvíveis na reparação de fraturas experimentais de sesamóides proximais em eqüinos

Fundação de Amparo à Pesquisa do Estado de São Paulo (FAPESP)

Determinação da densidade mineral e da elasticidade óssea após a aplicação de ondas de choque extracorpóreas no terceiro metacarpiano de equinos atletas

The porpoise of this study was to evaluate the effects of extracorporeal shock waves in third metacarpus bone from healthy horses by determination of bone elasticity. It were used 20 Thoroughbred horses, male and female, with two years old, on top of training and selected as the state healthy. At the beginning of the experiment (D0), all animals were submitted for evaluation of bone elasticity held in the third metacarpus bone. The animals were divided into two groups (Control Group - CG and Experimental Group - EG). The application of extracorporeal shock wave therapy (ESWT) was performed on the right forelimb of the animals in the experimental group in the same place evaluated for bone elasticity and was used apparatus for extracorporeal therapy of waves with 0.15 mJ/mm2 energy flux density and 2000 pulses with E6R20 probe, with focus feature of the shock wave of 20 mm. The ESWT were repeated every 21 days, a total of three sessions (D0, D21 and D42). The analysis of bone elasticity determination was realized at D21, D42 and D72. The average of speed ultrasound differed between groups at D21, D42 and D72, and the animals from EG had lower bone mineral density after applications of ESWT. There was also difference in the analysis of bone mass (Z-Score) between the groups at D21 and D42, which animals from EG showed a significant decrease in bone mass. The risk of fracture was higher in animals from experimental group at D21. It was concluded that ESWT is able to promote change in bone mineral density.

Avaliação de parafusos bioabsorvíveis na reparação de fraturas experimentais de sesamóides em eqüinos

Fundação de Amparo à Pesquisa do Estado de São Paulo (FAPESP)

Avaliação por ultrassonografia quantitativa do osso terceiro metacarpiano de equinos atletas tratados com ondas de choque extracorpóreas

Pós-graduação em Medicina Veterinária - FMVZ

Alterations in the profile of blood neutrophil membrane receptors caused by in vivo adrenocorticotrophic hormone actions

Fundação de Amparo à Pesquisa do Estado de São Paulo (FAPESP)

The intricate role of mast cell proteases and the annexin A1-FPR1 system in abdominal wall endometriosis

Endometriosis is a continuous and progressive disease with a poorly understood aetiology, pathophysiology and natural history. This study evaluated the histological differences between eutopic and ectopic endometria (abdominal wall endometriosis) and the expression of mast cell proteases (tryptase and chymase), annexin A1 (ANXA1) and formyl peptide receptor 1 (FPR1). Ectopic endometrium from 18 women with abdominal wall endometriosis and eutopic endometrium from 10 women without endometriosis were obtained. The endometrial samples were analysed by histopathology, immunohistochemistry and ultrastructural immunogold labeling to determine mast cell heterogeneity (tryptase and chymase positive cells) and the expression levels of ANXA1 and FPR1. Histopathological analysis of the endometriotic lesions showed a glandular pattern of mixed differentiation and an undifferentiated morphology with a significant influx of inflammatory cells and a change in mast cell heterogeneity, as evidenced by a significant increase in the number of chymase-positive cells and endogenous chymase expression. The undifferentiated glandular pattern of endometriotic lesions was positively associated with a marked increase and co-localization of ANXA1 and FPR1 in the epithelial cells. In conclusion, the co-upregulated expression of mast cell chymase and ANXA1–FPR1 system in ectopic endometrium suggests their involvement in the development of endometriotic lesions.

Duby: uma perspectiva histórica sobre as mulheres medievais

This paper will discuss the wedding in the historical conditions of feudalism, and mainly, summarize partially the book Heloise and Isolde and other ladies of the twelfth century, in which the author provided an historical condition significant, exploring of an original manner the documents known. Then we will see as important medievalists have studied the issues addressed by Duby as kinship, sexuality, male and female, and that were the object of our work, serving as a counterpoint to them.

Immunomodulatory Effects of Galectin-1 on an IgE-Mediated Allergic Conjunctivitis Model

Fundação de Amparo à Pesquisa do Estado de São Paulo (FAPESP)

Protective effects of the galectin-1 protein on in vivo and in vitro models of ocular inflammation

Fundação de Amparo à Pesquisa do Estado de São Paulo (FAPESP)

Ac2-26 mimetic peptide of annexin A1 inhibits local and systemic inflammatory processes induced by bothrops moojeni venom and the lys-49 phospholipase A2 in a rat model

Fundação de Amparo à Pesquisa do Estado de São Paulo (FAPESP)

Dano muscular: resposta inflamatória sistêmica após ações excêntricas máximas

O objetivo deste estudo foi analisar a resposta inflamatória induzida por grande número de ações excêntricas (AE) máximas realizadas pelos flexores do cotovelo. Participaram do estudo nove homens jovens, que realizaram 35 séries de seis AE nos flexores de cotovelo, com intervalo de um minuto, utilizando um dinamômetro isocinético em uma velocidade de 210º.s-1. As variáveis mensuradas foram: a contração isométrica voluntaria máxima (CIVM), a amplitude de movimento (AM), a dor muscular de inicio tardio (DMIT), a interleucina-6 (IL-6) e o fator de necrose tumoral alfa (TNF-α). Alterações significantes foram observadas para os marcadores indiretos de dano muscular (CIVM, AM e DMIT), entretanto não houve modificações para os marcadores inflamatórios (IL-6 e TNF-α). Em conclusão, os resultados demonstraram que mesmo com alterações nos marcadores indiretos de dano muscular após a realização de um grande número de AE não foram observadas alterações na resposta inflamatória sistêmica.

El figurón de Rojas Zorrilla : Metateatralidad y estética grotesco-paródica a comienzos de los tiempos modernos

La comedia del Barroco español tiene como rasgo característico una dialéctica que va del ciclo de Lope de Vega, reconocible por su costumbrismo y lances de capa y espada, al ciclo de Calderón de la Barca, con su típico costumbrismo de hidalgos y caballeros. Tal es el marco, en sus trazos más gruesos, en el que Rojas Zorrilla, en su intento por hacerse un lugar en el teatro español, consigue una reconocible diferenciación a partir de sus comedias de figurón, en las que, además de definir un género y personaje arquetípico, expone una lograda parodia de las ya por entonces previsibles tramas y desenlaces de las comedias de capa y espada, así como del canónico amor, honor y poder calderoniano. Sirviéndole, también, para eludir las trampas del acendrado costumbrismo de su época, le permiten -poética mediante- mostrar vívidamente el cínico sensualismo urbano que, sin distinción de género, iguala a damas, caballeros y plebeyos. Rojas exhibe su obra ante una audiencia calificada ?la corte? a la que su sensibilidad estética y sentido de la realidad le permiten apreciarla y autorreconocerse. Para sostener sus enredos, parodias y bufonadas, nuestro autor despliega con arte y conocimiento una variada gama de procedimientos metateatrales. El trabajo se basa en el análisis de las comedias: Donde hay agravios no hay celos; Obligados y ofendidos; Lo que son mujeres; Entre bobos anda el juego; y Abre el ojo, seleccionadas en razón de su género y contenido metateatral.