Texto-coisa, poema-objeto: a políedrica p(r)oesia de Murilo Mendes e Francis Ponge

Pós-graduação em Estudos Literários - FCLAR

Sobre um método assemelhado ao de Francis para a determinação de autovalores de matrizes

Pós-graduação em Matemática - IBILCE

As vozes e as coisas: a poesia em prosa de Murilo Mendes e Francis Ponge

O livro compara duas importantes obras de poesia em prosa das literaturas brasileira e francesa, o Poliedro, de Murilo Mendes e o Le parti pris des choses, de Francis Ponge, publicadas respectivamente em 1972 e 1942. Para a autora, a aproximação se justifica pelo foco dado nas duas obras aos objetos mais cotidianos possíveis e, ainda, pelo posicionamento diferente dos sujeitos líricos muriliano (menos objetivo) e pongiano (mais objetivo) diante das coisas simples do mundo. O brasileiro e o francês também partilhariam de uma determinada comunidade de interesses históricos, literários e sociais, ainda que as obras em questão estejam separadas por um intervalo de publicação de trinta anos e, neste intervalo, tenham ocorrido acontecimentos políticos, sociais e artísticos que reverberaram inevitavelmente na literatura desses poetas. Para a autora, a própria escolha da forma do poema em prosa pelos dois autores também os uniria, na medida em que este formato contribuiu enormemente para a construção singular dos objetos, bem como das duas vozes líricas tão particulares

Murilo Mendes, Francis Ponge e o poema em prosa

The present paper aims to discuss the configuration of the prose poem both in the works of Murilo Mendes' Poliedro (1972) and Francis Ponge's Le parti pris des choses (1942). From the beginning, the similarity between both works is explained by the impulse of focusing on daily objects and also the diverse positioning of the lyrical subjects in Murilo Mendes (less objective) and Francis Ponge (more objective) when they establish a relation with the simple things they wish to marvel. In accordance, the form of the prose poem helps to build this specific and singular view of the objects. Using this background to dialogue with the critical scholarly resources on both writers, we briefly analyse some poems and set out to reflect on the prose poem, which holds the works of the Brazilian and the French poets open to comparison.

Estudo e modelagem 3D de uma turbina Francis

Most of the hydraulic turbines that are running in the world are the Francis type, because they are able to fit a wide range of head and flow. We also can declare that most of the installed hydraulic energy up to this date is generated by this type of turbine. On the other hand, if we pay attention to mechanical details of a Francis turbine we will see that among the three most used types it is the one that presents the more complex design. And, the simplest one is the Pelton type, whereas the Kaplan is the one less utilized. This work aims to develop the hydrodynamic calculation of a Francis turbine as well as to obtain its assembly drawing and 3D modeling drawing. In this way all details must be shown therefore needing a complete knowledge about this issue. Both 2D and 3D drawings help much if one wants the machine to be running in its power house. It is well noted that most of the entities that design and manufacture the Francis turbines are not brazilian. In this way the more we study how to design this kind of machine the more is our contribution to our country in order to conquer technology and manufacture Francis turbines

Tradução anotada, autor-tradutor invisível: Richard Francis Burton na Brasiliana

The aim of this paper is to analyze the translation of the work by the translator-traveller Richard Francis Burton, Explorations of the Highlands of the Brazil, with a full account of the gold and diamond mines, made by Américo Jacobina Lacombe, trying to relate the work of the latter to the editorial goals of the Brasiliana Collection. As a subseries of the Biblioteca Pedagógica Brasileira [Brazilian Pedagogical Library] published by Companhia Editora Nacional, Brasiliana was conceived in agreement with the 1930s and 1940s policies to expand lay education and make it possible for Brazilians to get to better know the greatness of their country. The paper will focus on the numerous translator’s notes, since many of them reveal Lacombe’s didactic purpose of informing readers about Brazilian history and geography. The analysis also examines the effacement of Burton’s translations from Portuguese into English in his book.

Modelagem matemática para otimização de um potencial hidráulico utilizando turbinas Francis e Kaplan

Pós-graduação em Engenharia Mecânica - FEG

Das Werk als Feige und als Figur. Ambivalenzen der Rezeption zwischen Valéry, Mallarmé, "Tel Quel" und Francis Ponge

L’œuvre poétique de Valéry est caractérisée par une esthétique de la perfection, de la pureté et de la clôture. La série ouverte et hétérogène des "Cahiers", en revanche, ne se laisse guère ranger dans la catégorie de l’œuvre. Selon Valéry, la réorientation intellectuelle à la base de cette opposition est due au "choc" subi par la découverte de l’œuvre mallarméenne. Les divers écrits valéryens sur Mallarmé nous servent à reconstruire cette relation ambivalente et nous aident à éclairer sa conception non moins ambivalente de l’œuvre d’art. Nous soutenons que ce ne sont pas ses propres travaux, mais les poésies de Mallarmé qui lui semblaient des œuvres achevées à proprement parler. Pour décrire l’expérience de perfection et d’achèvement que lui fournit la lecture du "Coup de dés", Valéry se sert de la notion de figure qui, entre autres, comporte des associations géométriques. Sous la forme d’un hommage ambivalent, Francis Ponge oppose aux concepts valéryens de figure et d’œuvre d’art une poétique de l’objet matériel et concret qui s’incarne dans "La figue (sèche)", publiée en 1960 comme pièce inaugurale de la revue "Tel Quel".

Die neue Rose "William Francis Bennett"

von Gebr. Schultheis